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Startseite  Back Catalogue  Post Rock / Experimental

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Back catalogue: Post Rock/Experimental

Juno's full catalogue of Post Rock/Experimental
Artikel 1 bis 4 von 4 auf Seite 1 von 1 anzeigen
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ALLE
Alben
Yes I Don't Know
Cat: FATLP 178. Rel: 27 Feb 25
Damage Tool (4:15)
Numbers (2:35)
Dazed (5:40)
Weird Shapes (4:32)
Neurotic (5:38)
Fish I (1:39)
Yes, I Don't Know (4:29)
Good Vibes (4:29)
Salmon (3:46)
Exhale (3:35)
Das Kapital (4:14)
Fish II (3:40)
Review: Raw post-punk trio Abdomen trade in the heavier end of the genre unafraid to douse distortion and fuzz onto everything and create music so exciting it would be hard not to want to throw yourself into a circle put for, 'Damage Tool' is a breathtaking way to get things started and 'Numbers' makes Fontaines DC sound like Boyzone. They are capable of slowing down - 'Dazed' has been slowed into a hypnotic Spacemen 3-esque psych/shoegaze jam. The band are relative newcomers and not widely known... yet. But this is going to be one of those albums you'll be kicking yourself for not having a first pressing of. Abdomen is only going to get bigger and it will give the Tapetown studio in Aarhus, Denmark - where they recorded this - more bragging rights for being among the coolest alternative music spaces in Europe.
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 in stock $25.02
Parallel
Parallel (clear & red splattered vinyl LP)
Cat: AUK 139LPC. Rel: 20 Feb 25
That's Amazing Grace (4:05)
Kaleidoscope (3:57)
Blossoms In Her Mind (4:06)
Sirens Echo In An Iron Lung (4:13)
Non Waltz (3:32)
I Believe You About The Moon (3:19)
What Do Dolls Dream? (3:18)
Time (4:10)
Lady Buzz Killer (5:17)
Review: All Seeing Dolls make the best case for cross-pollination we've had in a while. Their sound is psychedelic tinged, garage-y leaning rock with plenty of breathy bits and opportunities to look at the sky in hope or despair, invoking the shoegaze 'thing'. In other moments, they sound like they've been hiding away in the back room of a 1960s acid party, while there are also times when vocals soar to such harmonious heights you could be forgiven for using made up terms like 'choral indie'. The sum of all those parts is a genuinely powerful and unique record that moves and insists, ebbs and flows throughout a real odyssey of a listen. But the ingredients also warrant a mention. The legendary Dot Allison is here, hence the beauty and subtle power of the vocals. The Brian Jonestown Massacre's Anton Newcombe is also present and correct, as are a piano, ukulele, guitar and auto-harp.

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 in stock $24.19
Starring Rosi (50th Anniversary Edition)
Cat: MGART 615. Rel: 04 Mar 25
Laughter Loving (7:59)
Day-Dream (5:22)
Schizo (2:49)
Cosmic Tango (2:07)
Interplay Of Forces (8:40)
The Fairy Dance (3:08)
Bring Me Up (4:37)
Review: Ash Ra Tempel's fifth and - in most ways of judging it - final album was really also a swan song for the late, great Manuel Gottsching. Recoded at Studio Dierks, in the small, picturesque and windmill-happy German village of Stommeln by none other than Scorpions studio chief Dieter Dierks, there's a lot happening on Starring Rosi. And all of it really pretty damn good. It's funk, it's epic. It's moody, it's upbeat. It's steeped in an air of Krautrock and space rock, yet also wouldn't sound out of place providing the slap bass and guitar licks for a 1970s movie trailer. Simply put, it's Ash Ra Tempel, from the cosmic warmup and gradual build go 'Laughter Loving', through the folk-ish serenity of 'The Fairy Dance' and warbling, warped cacophonies on 'Schizo'.
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 in stock $31.97
Haiku In The Wide World
Haiku In The Wide World (2xLP + insert + MP3 download code)
Cat: EM 1216DLP. Rel: 17 Apr 25
Track 1 (1:08)
Track 2 (1:42)
Track 3 (1:42)
Track 4 (1:42)
Track 5 (1:42)
Track 6 (1:42)
Track 7 (1:42)
Track 8 (1:42)
Track 9 (1:11)
Track 10 (0:58)
Track 11 (1:22)
Track 12 (1:56)
Track 13 (1:56)
Track 14 (1:56)
Track 15 (1:56)
Track 16 (1:56)
Track 17 (1:56)
Track 18 (1:56)
Track 19 (1:11)
Track 20 (1:30)
Track 21 (1:38)
Track 22 (1:38)
Track 23 (1:38)
Track 24 (1:38)
Track 25 (1:38)
Track 26 (1:38)
Track 27 (1:38)
Track 28 (1:38)
Track 29 (1:17)
Track 30 (1:42)
Track 31 (2:01)
Track 32 (2:01)
Track 33 (2:01)
Track 34 (2:01)
Track 35 (2:01)
Track 36 (2:01)
Track 37 (2:27)
Review: Some 37 haiku poems are given an avant-garde, 64-minute musical backing with translations from poet Harry Gilonis, on this unique project by composer and multi-instrumentalist Tim Hodgkinson (Henry Cow) and vocalist Atsuko Kamura. We hear a vignetting lingual interplay, with lines in English by Hodgkinson sung in Japanese by Kamura, as a wide instrumental span covers percussions, violin, viola, harp, clarinets, guitars and electronics result. Recorded between Tokyo and London, the album offers a startlingly satisfying sonic renga (a Japanese poetic form encompassing a succession of haikus), lending the brevity of classic haiku an expansive, stretched-out prosthesis. From the 17th through to the 20th-century, this is a subduing but still irregular experience, as it formally demonstrates the laconic and aphoristic essence of the haiku.
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 in stock $27.53
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ALLE
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