Back catalogue: Metal

Review: Often considered to be one of, if not, the most iconic performances from nu-metal legends Limp Bizkit (not including the riots of Woodstock 1999), their set at the Rock im Park festival in Nuremberg, Germany on 1st June 2001 featured the band touring their multi-platinum selling career highpoint Chocolate Starfish & The Hotdog Flavoured Water. Boasting, what in retrospect, seems like a greatest hits collection featuring cuts such as 'Hot Dog', 'My Generation', 'My Way', 'Take A Look Around', and 'Rollin'', while also offering up older essential bangers like 'Nookie' and 'Break Stuff', ample room is still provided not only for their iconic rendition of George Michael's 'Faith' but a surprise cover of Metallica's 'Master Of Puppets'. A time capsule live performance from one of the most maligned yet smugly successful acts to ever throw out the metal, rock and hip-hop rule books, this enigmatic set is the stuff of legend, with frontman Fred Durst's ensuing ego-trip backed by the band's venomously grooving execution at every turn.

Review: Following the tragic passing of frontman Chester Bennington in 2017, many presumed the natural end of nu-metal turned alt rock giants Linkin Park. Rattling their fanbase with news of a resurgence with Dead Sara vocalist Emily Armstrong, as well as new drummer Colin Brittain (replacing Rob Bourdain who opted not to join the reunion), From Zero nods to the band's original moniker of Xero while also ushering in this new era for the group, whereas sonically, the band do their best to simultaneously pay credence to their heavier origins whilst naturally progressing towards their newfound vision. Their first full-length since 2017's pop-oriented One More Light may come as a shock to many devout to the Bennington era, but the earnestness in composition sees a retrospective embracing of nu-metal motifs yet modified and extrapolated to embolden this entirely new compositional framework. Attempting to compare to prior releases is naturally par for the course yet won't do much to alter this new musical trajectory, as From Zero swells with the breath of an entirely fresh project that owes humble countenance to the Linkin Park of yesteryear. At 11 tracks clocking on at just over a half-hour, the mission statement is one of succinct brevity and urgency, but whether it truly fills the Bennington shaped void is down to each unique set of ears.

Review: It's difficult to describe to those too young to have been there and to those too old to give a toss, just how rife the anticipation was for the sophomore full-length from nu-metal giants Linkin Park following on from the global success of their multi-platinum selling debut album Hybrid Theory in 2000. Following what felt like an eternal three years, both shortened and lengthened by the bloated remix album Reanimation, 2003's Meteora was nothing short of lightning striking in the same place twice. Debuting at number 1 on the Billboard 200, certified 8xPlatinium and currently ranked as the 8th highest selling album of the 21st century, to call the band's second album a success seems like a very muted understatement when anthems such as 'Somewhere I Belong', 'Faint', and, 'Numb' are still some of the highest charting and most world-renowned metal singles to ever blare out across the airwaves. While musically drifting further away from their nu-metal beginnings with each subsequent project, both Meteora and its predecessor belong to a subset of genre-defining classics that appear to become more embraced and less maligned with age, as the nu-metal subgenre becomes less of a dirty word. It also goes without saying that the incomparable vocal presence of late frontman Chester Bennington as well as his vulnerable and cathartic lyricism take on a far more bleak and oppressive shade with the folly of hindsight.

Review: There are few nu-metal bands from the formative late 90s/early 00s scene who achieved the monumental crossover appeal of Linkin Park. From their turntable spinning, frenetic rap-metal beginnings on 2000's global breakout Hybrid Theory, to the refined maturation of their formula on 2003's career-height Meteora, to their Jay-Z collaborative album Collision Course to the shedding of skin and rebranding as a genre-less alternative rock entity on 2007's Minutes To Midnight; as popular and accessible as they were, the band clearly constantly strived for sonic progression. Papercuts collects the highest charting singles from the group over two decades, with the most recent contribution being the previously unreleased 'Friendly Fire' recorded during the sessions for 2017's One More Light, which ultimately serves as the final new piece of recording from the band and vocalist Chester Bennington who would tragically take his own life later that same year. Ignoring the standard sequencing of a greatest hits which often lists the tracks in chronologically released order, here the cuts are compiled to sonically complement each other and reflect the band's ethos rather than a single line commercial pattern. Here is why the anthemic double platinum 'In The End' is juxtaposed with the minimalist rap-rock of MTM banger 'Bleed It Out', or why the previously unreleased fan favourite demo 'QWERTY' lands right between the U2 indebted 'What I've Done' and the original breakout single that started it all 'One Step Closer'.

Review: It is now a full two decades since legendary American rockers Linkin Park dropped their second game-changing nu-metal album Meteora. The record spawned a further run of big singles such as 'Breaking the Habit,' 'Somewhere I Belong', 'Faint' and 'Numb. It has been certified multi-platinum, platinum, or gold in 15 countries and to mark the occasion it gets a special 20th anniversary reissue here having sold well over 16 million copies around the world. This vinyl version comes with an insert as well as all the original hard-hitting guitars, drums and visceral Chester Bennington vocals that the band is so well known and loved for.

Review: .It seems like half a lifetime ago that Linkin Park exploded from the underground nu-metal scene into the mainstream conscious with their debut album, Hybrid Theory. In actual fact, that was only the year 2000, a time when the sub genre itself was dominating charts and day time radio. As with many bands, though, it would be the difficult second with which they cemented their status as key proponents of the scene. Unleashing angsty lyrics, disarmingly addictive hooks and arrangements born out of hip-hop as much as rock, Meteora, LP number two, produced hits like 'Faint', 'Numb', and 'Somewhere I Belong'. Tracks that defined an era, in these circles at least, Lost Demos sees the group collate a wealth of material from that time - much of it previously unreleased - for an essential retrospective.