Back catalogue: Leftfield

Review: PainKiller, the mythihcal trio formed in 1991, returns after a 30-year hiatus with a bold new album. Featuring the groundbreaking talents of bassist Bill Laswell, saxophonist John Zorn and Napalm Death's Mick Harris on electronics, the band has once again redefined the boundaries of jazz, metal and experimental music. Their original sound, which fused grindcore, ambient and dub, is now expanded with Harris's innovative electronic beats, creating a rich, immersive soundscape. Despite Laswell's ongoing health struggles, including diabetes and heart issues, the album captures a revitalized energy, showcasing the trio's unique ability to merge chaotic intensity with intricate, atmospheric textures. Zorn's impassioned sax and Laswell’s bass, shaped by his limited physical capacity, still bring the raw power and experimental spirit that made the trio so influential. The album blends abrasive sounds with moments of haunting beauty, remaining true to PainKiller’s ethos of pushing musical extremes. With a sound that pushes even further than their past work, this reunion record offers a fresh, electrifying direction, proving that the trio’s chemistry and creativity remain as potent as ever. PainKiller continues to challenge the boundaries of genre, delivering a riveting exploration of sound.

Review: After debuting on Hospital Productions in 2017, Scanning Backwards was the sophomore album from Phase Fatale back in 2020 on Ostgut. To mark its fifth birthday it gets reissued here and still sounds as good as new. Payne blends post-punk, noise and shoegaze influences into broken rhythms and slow-burning, textured soundscapes that merge sonic warfare with functional dance music. This album drew from historical and fictional narratives to explore sound as a form of power and Each track reflects Berghain's influence as both a space and instrument. It's powerful stuff in more ways than one.