Review: Stockholm-based composer Isak Edberg's second release on XKatedral - arguably the finest contemporary classical label in the Swedish capital. This time round we're given two extended pieces, running towards 30-minutes each, both of which are instrumentals and focused largely on minimalist piano notes, meaning the use of space and emptiness is also prominent. The title track, which opens the package, sets the tone and pace well, with each key allowed to breathe, refrains hanging on by a thin echo fading into the deep expanse of nothingness that seems to sit behind the instrument itself. 'Vestiges' complements this perfectly, again ensuring there's plenty of what's not happening in between the staccato off-keys. Fully committing to a more experimental side of the new classical spectrum, it's one you'll want to keep revisiting again and again.
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