Wack Schallplatten & CDs

Review: Operant since 2006 as wonder-purveyors of everything funk and soul come battle breaks, Wack Records share their latest 7", a smattering of hip-hop flips met by the heated hands of resident producers Smoove and Suckaside. This time brought to two Philly-to-NYC hip-hop originals first laid down by the top-reg duo The High & Mighty (Mr. Eon and DJ Mighty Mi), Smoove and Suckaside first let the crackles and licks hang loose for a debauched drama on the A, before a tighter groove opens up further on the B-side's 'B Boy Document 25'.

Review: Jonathan Watson aka Smoove sees his version of "one of the greatest posse cuts of all time" - or so say reissuers Wack Records - re-pressed for the masses to hear. One half of the British funk and hip-hop edits duo Smoove & Turrell, the former of the two made, but never released, this wicked remix of Heavy D & The Boyz's 'Don't Curse' sometime in the late 2000s. Now released as though it were an official posse cut, it comes backed by a flip of Kool G's 'Rich & Famous', equally bouncy and decadent as they come.

Review: Smoove return with another finely tuned pair of edits, once again diving deep into the archives of Slave and reshaping their grooves with his signature touch. 'Blown' builds around heavy slabs of funk, expertly reconstructed and laced with Pharrell's unmistakable vocals, creating something that feels both timeless and refreshingly modern. The flip leans into a looser, more stripped-back groove, channelling a daisy-age hip-hop feel with crisp drums and effortless swing. It's another standout in the Wack series, reinforcing Smoove's knack for bridging eras while keeping the funk and hip-hop connection as vital as ever.

Review: Smoove returns with his label Wack Records and delivers two killer cuts straight from the heart of Motown. Utilizing original multitrakcs from the home of Rick James and The Supremes, Smoove gets his swirv on and delivers two uptempo hip-hop bangers, curveball-tinged with the instrumental backings of Motown. On the A, 'Empty World', we hear an attention-grabbing Nas mashup ('Life's A Bitch'), while the aforementioned artists are equally as well fused on the much more positive B-side.