Rvng Int'l US Schallplatten & CDs

Review: Oliver Coates' Throb, Shiver, Arrow of Time is an exploration of memory and emotion, blending the tactile with the ephemeral. This third album from the British cellist, producer, and composer, released through RVNG Intl., encapsulates six years of introspection and creative evolution. Following the atmospheric textures of his previous work, skins n slime, Coates delves deeper into the interplay of digital and analogue sound. The album's centerpiece, 'Shopping centre curfew,' reflects a surreal fusion of events from South London during the pandemic, manifesting a unique blend of temporal dissonance and vivid soundscapes. Tracks like 'Please be normal' and '90' showcase Coates' ability to weave misty tones and shifting frequencies into a cohesive auditory experience. Collaborations with Malibu and chrysanthemum bear, along with Faten Kanaan's synth textures, enhance the album's depth. Inspired by artist Sarah Sze's installations, Coates applies a sculptural approach to sound, creating a dynamic interplay between digital manipulation and live performance. The result is a rich experience that resists closure, with the final track 'Make it happen' embodying a defiant push against silence.

Review: Rachika Nayar's album 'Fragments' is a collection of sonic miniatures constructed from guitar loops and in the familiar comforts of her own bedroom. First released as a limited edition cassette by RVNG Intl's Commend THERE imprint, it now comes to the main label in full vinyl LP glory, thanks to its sublime working of cyclical, processed, meditative guitar loops into a distinct oeuvre. Nayar is no less than a sonic alchemist, transmuting tactile guitar loops into repeating textures, in a style that seems to continue in the tradition of The Field or Fennesz.

Review: On her sixth full-length album, Tokyo's Satomimagae continues to refine her idiosyncratic fusion of folk, ambient and sound collage into something singular and quietly expansive. Hailing from Japan's acid-folk scene, Satomi's music often blurs the edges between the intimate and the cosmic, the rooted and the abstract. Taba floats beautifully in that liminal space. Rather than traditional song structures, she presents Taba as a series of open-ended vignettes, each radiating with a soft-focus clarity. The arrangements are centered around fingerpicked guitar, hushed vocals and ambient textures that are deceptively gentle. Closer listening reveals a rich interplay of glitchy electronics, subtle field recordings and haunted atmospheres. Tracks like 'Many' drift on echoing voices and vaporous folk melodies, while 'Tonbo' finds a summery sweetness in its fusion of pop and pastoral folk, complete with the sound of nature rustling at its back. 'Omajinai', perhaps the emotional core of the album, embraces traditional pop structure only to dissolve it into a haze of nostalgia and spectral warmth. Taba is not background music, it asks for deep listening, but rewards you with quiet truths and melancholic beauty.