Review: This year marks 10 years since Bastian Volker first donned the Baaz alias. He remains one of deep house's most reliable producers, as this outing on longtime home Office Recordings deftly proves. He begins with the ocean-deep chords, softly spoken electronics and hypnotic groove of "Ween Been", before wrapping heart-aching pianos and drowsy chords around a barely audible drum track on the near-ambient bliss of "Absent". On the flipside you'll find the tech-tinged shuffle of "The Friend", where bolder kicks and snares rise above his liquid dreamscape, and the brilliant ambient electronica of sublime closer "Two (For You)". This is music for sunsets, sunrises and particularly sleepy afternoons.
Review: Swiss master of all things deep, Bastian Volker is back for the eighth release on his always impressive Office imprint. Not just content with creating some lush music under the Baaz alias or redefining the dub techno sound as Eric Miller (like on his recent album Silhouettes for Sushitech this year), could he be delving into the world of hypnotic techno now also? Brilliant opener "Kraut House" starts the EP off in great form and is reminiscent of the tribal trance sounds of Refracted or Tozzy. On the flip, "Modual" is more like the Baaz we know; deep, dubby and emotive with a bumping baseline, smoky drum patterns and pitch shifted druggy vocals for added effect. Finally "Simple E" adds yet more variety to the release with this dusty and bittersweet slow burner that's perfect for drifting.
Review: No one knows who One Day is. No one knows what the title of this EP is called. No one knows what the tracks are called. But we know that this is Office... And everything Baaz's Berlin-based label puts out has a great deal of detail invested in it and always requires attention. This is no exception as the mysterious vibe maestro takes us from warm, jazz-tinged chugging deep house to cascading aquatic ambience that bubbles and pops dreamily via fuzzy, springy downtempo. Who knows who's behind this masterpiece? Maybe One Day we'll find out...
Review: Despite he or she having delivered a number of highly regarded releases since debuting in 2016, we still don't know the identity of the "mystery producer" behind the Trux project. It barely matters, of course, but it would be nice to know who to direct praise towards. You see, "Eleven", the producer's second full-length excursion, is really rather good. It begins with a becalmed and slowly pulsing ambient soundscape (the liquid bliss of "Another World") and ends with a dusty chunk of sample-rich haziness ("Soda"). In between, you'll find an impressive range of cuts that brilliantly mix and match elements of vintage IDM, ambient techno, and glitchy electronica.