Korg

Notes: The CA-50 features high-precision tuning functionality and a slim and compact design. The new CA-50's display is now, even easier to read. Long considered the standard in chromatic tuners, the CA-50 offers simple and intuitive operation and a satisfying tuning experience for every instrumentalist.

The LCD screen of the CA-50 shows a needle-type meter to quickly and accurately show the pitch, and provides a note name indication in the middle of the display. The note name indication is now larger and even easier to read. This ensures simple and smooth operation even for beginners.

The CA-50 features a detection range of A0 (27.50 Hz) to C8 (4186.01 Hz). For wind instruments from piccolo to tuba, or string instruments from violin to contrabass, you can tune band or orchestral instruments of any pitch range. A high-sensitivity mic is built in, allowing the note name to be detected accurately even without a contact mic. By using the separately sold CM-200 contact mic, you can tune with confidence that nearby sounds will not affect the result.

The calibration function supports a variety of concert pitches. It can be adjusted in 1 Hz units in the range 410-480 Hz, allowing flexible tuning that matches the song or key.

The meter scale of the CA-50 provides marks that indicate pure major and minor third intervals. By tuning to these marks you can play beautiful harmonies when you're in an ensemble. This is convenient not only in a brass band or orchestra, but also for vocal or a cappella practice.

The "Sound Out" mode lets you listen to a reference tone emitted by the internal speaker, allowing you to tune by ear. A reference tone in the range of C4 (261.63 Hz) to C5 (523.25 Hz) can be output. You can check the pitch using both eye and ear, allowing you to tune more accurately, and also providing an ideal method of training your sense of pitch.

The CA-50 can be used for approximately 135 hours (when using zinc-carbon batteries). When the remaining battery capacity runs low, the display shows an indicator, letting you know that it's time to replace the batteries.

A new mechanism reduces the possibility that the unit will overturn, making it less likely that the tuner will slide off and fall when placed on a music stand. You'll be able to concentrate on your playing without fearing that the tuner might fall during the performance.

The memory backup function remembers the calibration and sound out mode settings even when the power is turned off. (Settings are initialized when you replace the batteries.) The auto power off function automatically turns off the power when 20 minutes have passed without sound being input.

The folding stand allows the tuner unit to be more stable on its own. The sliding battery cover is designed as a single piece with the unit itself, so there's no worry that the cover might be lost when replacing the batteries.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.

Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: ***B-STOCK: Box opened, product in perfect working order***


The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: For Use With:

VOLCA, MICROPIANO, JS-DS, MONOTRIBE, MICROKORGXL, MICROSAMPLER, PS60, MICROSTATION, KO1PRO (KAOSSILATORPRO), WAVEDRUM (WDX), WAVEDRUM MINI (WDMINI), KP-QUAD, KPQUAD, MS-20MINI, MS20 MINI, KP3+, KAOSSILATORPRO+, MICROKORGXL+, KROSS

Notes: *** Software update- April 2024 ***

Korg are thrilled to announce the release of the KAOSS Replay Version 2.0, a substantial upgrade designed to unleash your full creative potential in music production. This latest update brings an extensive suite of enhancements that will transform your experience with the KAOSS Replay.

What's New in Version 2.0?

Expanded Effects Library:

The update includes more than 200 effect programs, nearly doubling the sonic possibilities available to users.

Advanced Sampling and Looping Features:

Version 2.0 introduces extended loop ranges and expanded quantization settings, alongside new sample editing tools such as Trim, Normalize, Reverse, and Pitch Shift, empowering users with even greater control over their music creation.

Enhanced User Workflow:

The new firmware minimizes the need for menu navigation, enabling quicker access to functionalities and smoother integration into your sessions.

A new generation of creative KAOSS

KAOSS Replay rewrites the rules of live performance and music creation. Immerse yourself in the fusion of Korg's iconic KAOSS XY pad with unparalleled effects, advanced sampling, playback and powerful controls.

Whether setting the stage alight, weaving sonic magic in the studio, or captivating global audiences via live-stream, KAOSS Replay is your passport to a realm where creativity knows no bounds.

Standalone KAOSS

KAOSS Replay is a self-contained performance tool - an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad effects, immersive sample playback and sampling capabilities, and intuitive DJ controls. Powered by USB-C and equipped with broad connectivity, KAOSS Replay offers an effortless and swift setup for stress-free performances without the hassle of intricate rigs.

Building on the iconic legacy of its predecessors, KAOSS Replay introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of KAOSS-fuelled live sets. Housed in a robust aluminium body, its sleek and minimalist design strikes the perfect balance between performance-ready size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay has a rich palette of 128 new KAOSS FX; from filters, delays, and reverbs to imaginative and exhilarating modulation effects, loopers, vocoders, and synth effects. Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning, marking a ground-breaking first in the KAOSS series.

Automating your effects is effortless with the PAD MOTION function, or by holding the desired position using TOUCH HOLD mode. The FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing and performing tracks and allows for engaging improvisation with exhilarating effects like never before.

Beyond effects

KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. 16 high quality velocity-sensitive pads accommodate 128 slots divided across 8 banks per project. Replay supports up to 100 projects, which can be stored on a microSD card for effortless data management.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay provides a comprehensive toolkit for a seamless performance experience. What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly "played" during live performances, opening up a world of dynamic possibilities.

Creativity at your fingertips

At the heart of KAOSS Replay sits a stunning 5-inch full-colour OLED touchscreen. Whether manipulating effects, editing samples, or navigating menus, its tactile display offers a seamless and satisfying experience.

Combined with its function-dedicated buttons, knobs, faders, and sample pads, KAOSS Replay is an immersive and engaging performance tool for all musicians.

Live performance creativity

Sampling and resampling have always been core features of the KAOSS Pad series, and KAOSS Replay takes this capability to new heights. Choose a target pad, set the desired number of measures, and start capturing your samples effortlessly. Whether you're connecting external instruments via the AUDIO IN or recording your voice through the dedicated MIC Input, Replay provides a versatile canvas for your creativity.

Edit your samples, apply effects, assign hot cues, resample... the options are limited only by your imagination. Moreover, KAOSS Replay supports real-time recording of your performances, ensuring that those moments of real-time magic are captured.

The ultimate portable performance rig

KAOSS Replay simplifies the art of performance. Ultra-portable and ready to go within seconds, Replay eliminates the need for external gear. Precise beat-matching, playback quantization, hot cues, monitoring, and dual faders, are all complemented by the formidable KAOSS FX, making KAOSS Replay a performance powerhouse.

Controller and interface

KAOSS Replay excels both inside and outside the studio. Its remarkably flexible MIDI Surface mode offers complete customisation, transforming it into a highly adaptable MIDI controller. It can even serve as a USB plug-and-play audio interface, seamlessly integrating into your production studio setup.

Specifications

KAOSS Pad effects: 128 types. Tone, delay, reverb exclusive for microphone.
Trigger pads: 16 velocity sensitive x 8 banks
Projects: 100
Hot cue: Max 12 (per trigger pad)
Simultaneous plays: 16 Audio Linear PCM (48 kHz/16 bits)
Recording Sampling, resampling (30 mins); Live rec (100 min)

Audio input
LINE/PHONO IN jack: RCA pin jack (Select LINE or PHONO.)
PHONO GAIN switch (LO/HI)
MIC IN jack: Standard phone jack (6.3 mm, monaural TS)
AUX IN jack: Stereo mini jack (? 3.5 mm)

Audio output
LINE OUT jack: RCA pin jack
HEADPHONES jack: Standard stereo phone jack (6.3 mm)
Controller input: Standard phone jack 6.3 mm, TS)
USB / MIDI USB microB (MIDI, Audio (IN x 2ch, OUT x 34ch (48 kHz/16 bits)); MIDI IN/OUT (DIN 5pin)

External storage: microSD card, microSDHC card (32GB Max)
* Class10 or higher, UHS-I (U1) recommended
Dimensions: 185 (W) x 284 (D) x 56 (H) mm
Weight: 2kg
Power supply: DC 5V/3A
Included accessories: AC adapter, USB cable (Type A to microB, 1m) microSDHC card

Notes: *** Update February 2025- NKS Integration available with this product ***

Native Kontrol Standard (NKS) is a technical standard that connects plugins to hardware controllers with no setup required. The NKS ecosystem includes over 2,000 virtual instruments and plugin effects by over 250 acclaimed developers.

NKS enables users to load instruments and effects, tweak parameters, browse and manage presets with tangible controls, keeping creators' minds and hands on the music. No time is wasted creating, saving, and resetting controller parameter mappings.

Key features include:
Unified Control: NKS maps plugin parameters directly to hardware controls, allowing for hands-on adjustments without navigating computer menus.
Efficient Workflow: It streamlines browsing, loading, and editing presets, enabling producers to stay focused on creativity.
Broad Compatibility: Many third-party developers support NKS, offering a wide range of compatible sounds and effects.
For Our Products: This integration allows Akai and M-Audio compatible devices to fully utilize all NKS workflow features.

Here are some key points to take note of:

Current users will receive the software bundle once they register their device.

Both existing and new owners will receive the software bundle once their hardware is registered.


NKS Software Partnerships

For years, Native Instruments has partnered with world-class software manufacturers, including Arturia, Heavyocity, Korg, Output, Spitfire Audio, and many more, to bring thousands of instruments and effects plugins into the NKS ecosystem. Together with Native Instruments' own instruments and effects, this creates the most extensive database of any auto-mapped hardware controller ecosystem.

Until now, NKS hardware controllers were only available from Native Instruments, such as the Kontrol S-Series and Komplete Kontrol A-Series keyboard controllers.

NKS Hardware Partner Program [New]

At NAMM 2025, NI announced opening up NKS compatibility for third-party, non-NI hardware, allowing millions of performers and producers worldwide to enter the NKS ecosystem.

Supplier's notes:


A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response. Enjoy instant OLED visual feedback, a powerful arpeggiator, chord modes, integrated audio outputs, and seamless Ableton Live & Korg Gadget integration. Lightweight & portable, Keystage integrates effortlessly with most modern DAWs and includes a powerful software bundle to amplify your musical journey.

Connect. Create. Perform.

Keystage is a groundbreaking MIDI 2.0 keyboard designed for both producers and stage performers. Pioneering the adoption of MIDI 2.0 Property Exchange, it combines aftertouch with powerful integration and control capabilities.

When inspiration strikes

Eliminate the hassles of lengthy MIDI mapping and missed moments of inspiration. With Keystage, when inspiration hits, your musical visions are captured swiftly and accurately.

As a pioneer in keyboard advancement, Keystage is the first to fully harness the capabilities of MIDI 2.0. Just connect it to compatible software, and watch as Keystage automatically maps parameters, displaying them on its sharp OLED displays. Every display is paired with its unique knob, ensuring you're always informed of the mapped parameters and their precise values.

Expressive creativity

A newly developed semi-weighted keybed provides an immersive playing experience. With polyphonic and channel aftertouch, alongside MPE (MIDI Polyphonic Expression), you can add depth and feel to your performances without your fingers leaving the keys.

An extraordinarily powerful arpeggiator offers features that go well beyond what any other MIDI Keyboard offers. A vast selection of patterns is complemented with unparalleled customisation options, including aftertouch-triggered ratchets, randomization, gating, and more.

In addition, chord mode benefits from a suite of 32 chord sets that can be used out-of-the-box, or customized and saved into any of the extra 32 user set slots. Each set can have one chord assigned to each note of an octave, and chords can even be replayed in different ways, including a strumming mode for realistic guitar-like playing.

Deep integration

Keystage offers immediate, seamless plug-and-play compatibility with most popular DAWs, giving hands-on control on your most important playback/transport controls.

From launch, Keystage supports: Ableton Live (Official Integration), Korg Gadget (Official Integration), Cakewalk, Cubase, Digital Performer, FL Studio, GarageBand, Logic, Pro Tools and Studio One.

On the road and in the studio

Keystage is not just an incredibly powerful MIDI controller. Equipped with direct stereo output, simply connect Keystage to your computer and directly link to the sound system without the need for additional gear that takes up valuable space.

Keystage also offers flexible customization options. You can modify settings directly through the menu or conveniently adjust them using the Korg Kontrol software on your computer.

Keystage includes an expansion plate that can be attached at two different angles, making it ideal for tablets and other devices.

Keystage x Ableton Live

Ableton Live is the industry-standard tool for live performance, thanks to its innovative dual Session/Arrangement view, smooth clip triggering, looping, and powerful production tools.

Keystage offers official integration with Live, putting both transport and device control at your fingertips.

Keystage detects the device currently active in Ableton Live, and automatically maps to the first 8 parameters. When switching devices, Keystage dynamically reconfigures itself for an uninterrupted experience, keeping you in the zone.

Both Ableton Live and Keystage are MPE-compatible, enabling enhanced flexibility and creative possibilities in your music. Live's powerful Drift synthesizer (available with version 11.3) leverages MPE to offer even more expressive capabilities.

Keystage comes bundled with Ableton Live 11 Lite as part of its software suite. Ableton Live 11 Lite is a beginner-friendly version of Live, providing many of the core features to help you kickstart your journey in music creation and performance.

MIDI 2.0

The future of music

MIDI 2.0 is one of the most exciting developments in electronic music production in decades and allows two-way MIDI conversations. Previously, MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialogue.

Thanks to new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together.

Keystage retrieves information such as which Control Change (CC) parameters should be linked and the appropriate names to display for each parameter. This means that Keystage can talk with a wide range of MIDI 2.0 compatible devices and exchange information in both directions. This exciting feature extends not only to software plugins, but also to hardware devices.

MIDI 2.0 Property Exchange is compatible with traditional MIDI DIN cables, allowing Keystage to seamlessly integrate with existing devices. Furthermore, backwards compatibility is not an issue with Keystage: it can still communicate using MIDI 1.0 with devices that do not support MIDI 2.0.

Powerful software suite

Keystage comes bundled with an incredible software set that provides all the tools needed to take your music production to the next level:

Specifications

Keyboard

Polytouch* keyboard
Features velocity sensitivity, aftertouch, and polyphonic aftertouch
Velocity curves: 21 (-10 to +10)
Octave range: 7 (-3 to +3)

Controllers

Pitch bend wheel, modulation wheel, parameter control knobs × 8
VOLUME knob, SETTINGS button, WRITE button, EXIT button, SHIFT button, ARP button, CHORD button, VALUE ^/ buttons, VALUE dial, PAGE i/+ buttons, transport buttons, TEMPO button, OCTAVE i/+ buttons

Display
Main display: Organic EL (electro-luminescence) display
Sub display: Organic EL displays x 8

Scenes: 16

Arpeggiator: Arpeggio rhythm patterns: 20

Chord mode
Preset chord sets: 32
User chord sets: 32

I/O: USB port, MIDI (IN, OUT connectors), EXPRESSION jack, DAMPER jack

Audio output
AUDIO OUT (L/MONO, R): 6.3 mm TS phone jack (unbalanced)
Headphones: 6.3 mm stereo phone jack

Control inputs
Damper (half-damper supported)
Expression

USB: Type B, MIDI/audio interface
MIDI: 1 in/1 out
Audio: 2 ch out
Audio format: 44.1 kHz, 16-bit

Power
USB bus power or AC adapter (9 V DC, : Korg KA350, sold separately)
Power consumption: 5 V/500 mA or less (when powered via USB), 4w (when using an AC adapter)

Dimensions
Keystage-49: 814 × 234 × 82 mm

Included items: USB cable (Type A-Type B), expansion plate, Quick Start Guide

Notes: 
*** Update February 2025- NKS Integration available with this product ***

Native Kontrol Standard (NKS) is a technical standard that connects plugins to hardware controllers with no setup required. The NKS ecosystem includes over 2,000 virtual instruments and plugin effects by over 250 acclaimed developers.

NKS enables users to load instruments and effects, tweak parameters, browse and manage presets with tangible controls, keeping creators' minds and hands on the music. No time is wasted creating, saving, and resetting controller parameter mappings.

Key features include:
Unified Control: NKS maps plugin parameters directly to hardware controls, allowing for hands-on adjustments without navigating computer menus.
Efficient Workflow: It streamlines browsing, loading, and editing presets, enabling producers to stay focused on creativity.
Broad Compatibility: Many third-party developers support NKS, offering a wide range of compatible sounds and effects.
For Our Products: This integration allows Akai and M-Audio compatible devices to fully utilize all NKS workflow features.

Here are some key points to take note of:

Current users will receive the software bundle once they register their device.

Both existing and new owners will receive the software bundle once their hardware is registered.


NKS Software Partnerships

For years, Native Instruments has partnered with world-class software manufacturers, including Arturia, Heavyocity, Korg, Output, Spitfire Audio, and many more, to bring thousands of instruments and effects plugins into the NKS ecosystem. Together with Native Instruments' own instruments and effects, this creates the most extensive database of any auto-mapped hardware controller ecosystem.

Until now, NKS hardware controllers were only available from Native Instruments, such as the Kontrol S-Series and Komplete Kontrol A-Series keyboard controllers.

NKS Hardware Partner Program [New]

At NAMM 2025, NI announced opening up NKS compatibility for third-party, non-NI hardware, allowing millions of performers and producers worldwide to enter the NKS ecosystem.

Supplier's notes:


Korg's 61-key Keystage offers all the benefits of MIDI 2.0, including polyphonic aftertouch and MPE compatibility. The usual Korg benefits include an excellent semi-weighted keybed, arpeggiator and chord mode.

Supplier's Notes:
A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response. Enjoy instant OLED visual feedback, a powerful arpeggiator, chord modes, integrated audio outputs, and seamless Ableton Live & Korg Gadget integration. Lightweight & portable, Keystage integrates effortlessly with most modern DAWs and includes a powerful software bundle to amplify your musical journey.

Connect. Create. Perform.

Keystage is a groundbreaking MIDI 2.0 keyboard designed for both producers and stage performers. Pioneering the adoption of MIDI 2.0 Property Exchange, it combines aftertouch with powerful integration and control capabilities.

When inspiration strikes

Eliminate the hassles of lengthy MIDI mapping and missed moments of inspiration. With Keystage, when inspiration hits, your musical visions are captured swiftly and accurately.

As a pioneer in keyboard advancement, Keystage is the first to fully harness the capabilities of MIDI 2.0. Just connect it to compatible software, and watch as Keystage automatically maps parameters, displaying them on its sharp OLED displays. Every display is paired with its unique knob, ensuring you're always informed of the mapped parameters and their precise values.

Expressive creativity

A newly developed semi-weighted keybed provides an immersive playing experience. With polyphonic and channel aftertouch, alongside MPE (MIDI Polyphonic Expression), you can add depth and feel to your performances without your fingers leaving the keys.

An extraordinarily powerful arpeggiator offers features that go well beyond what any other MIDI Keyboard offers. A vast selection of patterns is complemented with unparalleled customisation options, including aftertouch-triggered ratchets, randomization, gating, and more.

In addition, chord mode benefits from a suite of 32 chord sets that can be used out-of-the-box, or customized and saved into any of the extra 32 user set slots. Each set can have one chord assigned to each note of an octave, and chords can even be replayed in different ways, including a strumming mode for realistic guitar-like playing.

Deep integration

Keystage offers immediate, seamless plug-and-play compatibility with most popular DAWs, giving hands-on control on your most important playback/transport controls.

From launch, Keystage supports: Ableton Live (Official Integration), Korg Gadget (Official Integration), Cakewalk, Cubase, Digital Performer, FL Studio, GarageBand, Logic, Pro Tools and Studio One.

On the road and in the studio

Keystage is not just an incredibly powerful MIDI controller. Equipped with direct stereo output, simply connect Keystage to your computer and directly link to the sound system without the need for additional gear that takes up valuable space.

Keystage also offers flexible customization options. You can modify settings directly through the menu or conveniently adjust them using the Korg Kontrol software on your computer.

Keystage includes an expansion plate that can be attached at two different angles, making it ideal for tablets and other devices. On the 61-key model, you have the flexibility to adjust the placement of the plates in two different positions, providing a stable and solid surface to place your laptop.

Keystage x Ableton Live

Ableton Live is the industry-standard tool for live performance, thanks to its innovative dual Session/Arrangement view, smooth clip triggering, looping, and powerful production tools.

Keystage offers official integration with Live, putting both transport and device control at your fingertips.

Keystage detects the device currently active in Ableton Live, and automatically maps to the first 8 parameters. When switching devices, Keystage dynamically reconfigures itself for an uninterrupted experience, keeping you in the zone.

Both Ableton Live and Keystage are MPE-compatible, enabling enhanced flexibility and creative possibilities in your music. Live's powerful Drift synthesizer (available with version 11.3) leverages MPE to offer even more expressive capabilities.
Keystage comes bundled with Ableton Live 11 Lite as part of its software suite. Ableton Live 11 Lite is a beginner-friendly version of Live, providing many of the core features to help you kickstart your journey in music creation and performance.

MIDI 2.0

The future of music

MIDI 2.0 is one of the most exciting developments in electronic music production in decades and allows two-way MIDI conversations. Previously, MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialogue.

Thanks to new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together.

Keystage retrieves information such as which Control Change (CC) parameters should be linked and the appropriate names to display for each parameter. This means that Keystage can talk with a wide range of MIDI 2.0 compatible devices and exchange information in both directions. This exciting feature extends not only to software plugins, but also to hardware devices.

MIDI 2.0 Property Exchange is compatible with traditional MIDI DIN cables, allowing Keystage to seamlessly integrate with existing devices. Furthermore, backwards compatibility is not an issue with Keystage: it can still communicate using MIDI 1.0 with devices that do not support MIDI 2.0.

Powerful software suite

Keystage comes bundled with an incredible software set that provides all the tools needed to take your music production to the next level:

Specifications

Keyboard
Polytouch* keyboard
Features velocity sensitivity, aftertouch, and polyphonic aftertouch
Velocity curves: 21 (-10 to +10)
Octave range: 7 (-3 to +3)

Controllers
Pitch bend wheel, modulation wheel, parameter control knobs × 8
VOLUME knob, SETTINGS button, WRITE button, EXIT button, SHIFT button, ARP button, CHORD button, VALUE ^/ buttons, VALUE dial, PAGE i/+ buttons, transport buttons, TEMPO button, OCTAVE i/+ buttons

Display
Main display: Organic EL (electro-luminescence) display
Sub display: Organic EL displays x 8

Scenes: 16

Arpeggiator
Arpeggio rhythm patterns: 20

Chord mode
Preset chord sets: 32
User chord sets: 32

I/O
USB port, MIDI (IN, OUT connectors), EXPRESSION jack, DAMPER jack

Audio output
AUDIO OUT (L/MONO, R): 6.3 mm TS phone jack (unbalanced)
Headphones: 6.3 mm stereo phone jack

Control inputs
Damper (half-damper supported)
Expression

USB: Type B

MIDI/audio interface
MIDI: 1 in/1 out
Audio: 2 ch out
Audio format: 44.1 kHz, 16-bit

Power
USB bus power or AC adapter (9 V DC, : Korg KA350, sold separately)
Power consumption: 5 V/500 mA or less (when powered via USB), 4w (when using an AC adapter)

Dimensions
Keystage-61: 979 × 234 × 82 mm

Included items: USB cable (Type A-Type B), expansion plate, Quick Start Guide

Notes: Combining analogue-style sound with digital convenience, the KingKorg Neo is a proper all-rounder for both recording and live performance. Features modelled emulations of classic Korg synth features.

Supplier's Notes:
The KingKORG NEO: a virtual analogue synthesiser that stands out with its analogue-like layout and intuitive, flexible editing. This compact powerhouse features 37 full-size keys and a versatile vocoder, making it perfect for both studio and stage. With our cutting-edge XMT sound engine, it delivers a wide range of classic and futuristic sounds. Designed for the contemporary musician, the KingKORG NEO is the ultimate tool for exploring new soundscapes and pushing musical expression.

KingKORG NEO features our XMT virtual analogue sound engine. XMT stands for eXpanded Modelling Technology and was created to offer an expansive array of sounds while ensuring simplicity in operation.

Gone are the days of laborious oscillator adjustments for sound crafting. The KingKORG NEO streamlines this process with pre-set algorithms. These carefully designed combinations of different oscillator types and quantities empower you to quickly shape rich, stage-ready tones with ease.

Embracing the demand for diverse tonal capabilities, the KingKORG NEO comes loaded with a wide range of oscillator algorithms. From the classic sawtooth and square waves to the more intricate noise patterns typical of analogue synthesizers, and extending to PCM/DWGS, this synthesiser is equipped to cater to an extensive variety of musical needs and preferences.

Crafting character with iconic modelled filters

In the heart of the KingKORG NEO lies its meticulously designed filter section, a cornerstone in defining the synthesiser's unique sonic character. Korg have infused KingKORG NEO with a diverse range of filters, each adding a distinct flavour to your sound creations, an aspect where analogue modelling truly shines.

The KingKORG NEO's filter collection is a treasure trove for sound designers. It encompasses a wide array of essential analogue modelling filter types, enabling you to sculpt sounds with precision and ease. But there's more. Korg have painstakingly modelled filters that echo the iconic analogue monophonic synths of the '70s - the go-to for punchy leads and deep basses. Korg have also captured the essence of polyphonic synths from the vibrant new wave era of the '80s, and the legendary filters from Korg's own MS-20 analogue synth.

One of the most captivating features of these filters is their ability to self-oscillate when you dial up the resonance - a hallmark of classic analogue synthesis. This capability opens up a world of sonic possibilities, from creating ethereal textures to crafting powerful, resonant tones.

Vocoder wizardry

KingKORG NEO synth comes equipped with a balanced XLR input on its front panel, and includes a rugged, high-quality microphone. This setup invites you to dive into the world of vocoding instantly.

At the core of the KingKORG NEO's vocoder is a sophisticated 16-band filter, rivalling dedicated vocoder machines. This powerful feature allows you to craft classic vocoder tones, but that's just the beginning. By shifting the filter frequency with the formant shift function and finely adjusting the level and pan of each band, you open the doors to an array of unique and original sounds. Whether you're aiming for vintage charm or contemporary edge, this vocoder adapts effortlessly to any genre or style.

But there's more - the KingKORG NEO redefines flexibility. Timbre B can ingeniously be used as a modulator, providing an alternative to the traditional microphone input. This allows the vocoder effect to be seamlessly blended with the synth sound, paving the way for limitless sonic exploration.

Moreover, each of the three oscillators, A and B timbres, can be individually selected as a source for the microphone input. This unique feature enables you to synthesize a rich mix of voice and instrument, creating a fusion of timbres that's both innovative and captivating.

Masterful effects

The KingKORG NEO elevates your sound with three master effect slots, each offering six distinct effect types.

The PRE FX slot brings the grit and edge of effects like distortion and amp simulator. MOD FX infuses your tracks with the classic charm of phaser, chorus, and tremolo. For creating expansive atmospheres, the REV/DELAY slot offers ambient effects including hall reverb and modulation delay. Adjusting and selecting these effects is straightforward, thanks to dedicated dials on the front panel for each slot, complemented by FX control knobs for detailed fine-tuning.

Virtual patching

Embrace the spirit of classic synthesisers like the MS-20 with the KingKORG NEO's innovative Virtual Patch system. This intuitive feature brings the flexibility of physically patching synthesizers into the digital age. With six Virtual Patch assignments available for each timbre, you can virtually connect control signals like EG, LFO, or joystick movements to key sound parameters, including pitch and cutoff. This seamless integration allows for intricate modulation and a deeper exploration into sound-shaping, giving your music a new dimension of sonic creativity.

A universe of inspiration

KingKORG NEO's extensive library of 200 stage-ready preset programs is created for the modern music maker. These presets span across eight categories like SYNTH, LEAD, and BASS and offer an intuitive gateway to finding the perfect sound for any scenario.

Step up with arpeggiation

The KingKORG NEO comes equipped with a versatile step arpeggiator, a tool that breathes life into your performances by automatically generating arpeggio phrases based on the chords you play. Tailor your sound even further by selecting from six different arpeggio types. You can specify the duration, interval, and on/off status of each step, opening up a vast array of rhythmic possibilities.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: XMT (eXpanded Modeling Technology)
Maximum Polyphony: 24 voices
Timbres: Max. 2 timbres (Layer / Split)

Oscillator
Structure: 3 oscillators (choose from analog, noise, DWGS, PCM, and MIC IN types)
Number of types: 138 types (32 analog and noise, 40 DWGS, 65 PCM, 1 MIC IN

Filter
Structure: 1 filter (choose from LPF, HPF, BPF)
Number of types: 18 types (7 LPF, 5 HPF, 6 BPF)

Modulation
Structure: EG 2 units, LFO 2 units
Routing: Virtual patches 6 set

Effect
Sections: Program effects x 3 (PRE FX, MOD FX, REV/DELAY) + EQ (2Band)

Types:
PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT.AMP, EP.AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY) REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)

Vocoder: 16-band vocoder, formant shift function, formant hold function
Arpeggiator: Up to 8 steps (number of steps can be changed), 6 types (UP/DOWN/ALT1/ALT2/RANDOM/ TRIGGER)

Programs
Number of programs: 300 programs (200 preset / 100 user)
Number of categories: 8 categories

Displays
Main: 16 x 2 character OLED display
OSCILLATOR, FILTER: 128 x 64 pixel OLED display

Audio

Mic input
Connector: XLR type (balanced)
L/MONO,R output
Connectors: 6.3mm TS phone jacks (Unbalanced)

Headphone output
Connector: 6.3mm (1/4") stereo phone jack
DAMPER (half-damper not supported)
SWITCH/PEDAL
MIDI IN/OUT
USB B connector

Power Supply: AC adapter jack (DC12V)
Power consumption: 9W
Dimensions (W x D x H)@ 565 x 338 x 92 mm / 22.24" x 13.31 " x 3.62
Weight: 3.1kg / 6.83 lbs.
Included items: AC Adapter, Vocoder mic (+ windscreen)
Accessories (sold separately): XVP-20: Expression/volume pedal, EXP-2: Foot controller, DS-1H: Damper pedal, PS-1, PS-3: Pedal switch

Notes: Too many of today's rhythm machines are too complex to use. Many musicians wish that they could enjoy casually performing while being backed up by real rhythm patterns rather than just a metronome.

Korg has responded to these wishes with the KR Mini rhythm machine. It features a simple design that eliminates all complex functions, looks that overflow with nostalgia and analog-like controls. Playing a rhythm pattern is easy and intuitive; just press or strike the pads and turn the knobs.

Although operation is simple, there's no compromise with the sound. A total of 60 diverse rhythm patterns are ready to accompany you. Easy, simple and compact, the KR mini can play its role anywhere; it's the rhythm machine that many musicians have been waiting for.

Many musicians wish that they could enjoy casually performing while being backed up by real rhythm patterns rather than just a metronome. Korg has responded to these wishes with the KR Mini rhythm machine. It features a simple design that eliminates all complex functions, looks that overflow with nostalgia and analog-like controls. Playing a rhythm pattern is easy as making selection and pressing play. A total of 60 diverse rhythm patterns and 120 fills are ready to accompany you. Easy, simple and compact, the KR mini can play its role anywhere.

A dedicated knob helps you select the musical genres you want quickly. Six variations and two fills are available within each of the genres. KR mini covers a wide range of genres including 8-beat, 16-beat, rock and pop. In addition, three are eight song patterns containing drum parts that are several measures in length to jam along with.

KR Mini's Chain function lets you easily arrange patterns to create complete songs. Jump from one pattern to another, add fill-ins, and specify the loop end location as well as the number of playback repetitions with ease.

At the push of a button, the 16 pads double up as drum playable drum pads. All of the sounds of the KR mini are available in this mode, and you can finger drum on a whim the pads are velocity sensitive; letting you create even more dynamic drum phrases. Although finger drumming has typically been done using a PC-based system with samplers and MIDI controllers, the compact KR mini, with its built-in speaker and battery-powered operation means that now you can enjoy performing on the street, outdoors, or anywhere you may be inspired.

Two pedal inputs you are available to allow use of optional footswitches, allowing you to use your foot to start/stop the rhythm or to control fill-ins. In a performance environment, you'll be able to smoothly control the KR mini while continuously playing your instrument. The KR mini also has a headphone/speaker output, so you can connect it to your PA system. Use it with a guitar amp or compact multi-channel PA to create a simple setup for live performance.

Notes: A user-friendly, straightforward drum machine designed for finger drumming or to accompany guitarists and other musicians. Dial in a preset pattern or create your own beats from scratch.

Supplier's Notes:
The perfect practice partner

The Korg KR-11 offers a comprehensive rhythm experience, perfect for musicians refining their skills. It boasts a wide range of patterns, 14 user programs, and 16 velocity-sensitive pads for custom beats and finger drumming. Its optional pedal switch allows hands-free control, essential for guitarists and ukulele players.

Compact and battery-powered, the KR-11 is ideal for both indoor and outdoor practice. Equipped with a built-in speaker system, it ensures quality sound in any setting, making it a valuable tool for musicians of all levels.

Rhythms at your fingertips

Immerse yourself in a diverse range of rhythm patterns, suitable for various musical styles from Blues/R&B to Country and Island tunes. The KR-11 also includes 3-, 5-, and 7-beat patterns, ensuring the right rhythm for any piece. With 14 user programs and 16 velocity-sensitive pads, the KR-11 invites you to customize and save your own rhythms, adding a personal touch to your practice sessions.

Finger drumming fun

Elevate your rhythm practice and performance with the KR-11's finger drumming feature. The 16 pads, assigned with a variety of drum sounds, respond to your touch, allowing you to create dynamic and authentic drum patterns. This feature is perfect for developing your rhythm skills and adding a hands-on, interactive element to your practice.

Portable simplicity

The KR-11, designed for the mobile musician, offers unparalleled ease of use and portability. Its lightweight, battery-powered design allows you to easily transport it to various practice locations, whether indoors or outdoors. The built-in speaker system ensures your rhythms are heard loud and clear in any setting. Enhanced with Korg's innovative Acoustage Bass technology, the KR-11 delivers depth and richness in bass tones that are impressive for its size. This works by virtually expanding the sound field, creating a fuller, more resonant bass experience. The headphone/line-out jack is a practical addition, offering connectivity for private practice or linking to external amplification systems during group sessions or performances.

Hands-free control
With the optional pedal switch, the KR-11 becomes even more versatile, especially for stringed instrument players. This feature allows for hands-free control over rhythm changes, perfect for integrating the KR-11 seamlessly into your practice routine.

Specifications

Jacks: Headphones/line out jack, FOOT SW 1 jack, FOOT SW 2 jack, DC 9V jack
Power supply: Four AA-size alkaline batteries (sold separately) or AC adapter (DC 9 V, sold separately)
Battery life: Approx. 18 hours (varies depending on the batteries used and on the conditions of use)
Consumption: 1300 mA (peak value)
Dimensions (W × D × H): 160 × 115 × 44 mm
Weight: 279 g (not including batteries)

Included items
Quick Start Guide
Accessories (sold separately)
AC adapter (DC 9V, Centre Plus), pedal switch (PS-1, PS-3)

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: The legendary MicroKorg gets a major overhaul, bringing this iconic instrument right up to date. Eight voices of powerful, punchy and inspiring virtual analogue sound. A superb all-rounder, suitable for all styles of music.

Supplier's Notes:
A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: Second-generation version of Korg's superb ModWave synth, building on the legacy of the iconic Wavestation with 60-voice polyphony, Kaoss Physics and Motion Sequencing 2.0.

Supplier's Notes:
Modwave is a synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0. The new Modwave mkII provides an astonishing 60 voices of polyphony almost double that of the original Modwave. All LFOs have been updated with options for free running, delayed start, and retriggering, and a pre/post switch for reverb sends has been added, alongside new modulation sources, and more.

Modern monster synth

In 1985, Korg introduced the DW-8000 - a synth which combined digital wavetables with rich analogue filters to give users sounds which were impossible to create with analogue oscillators.

Modwave builds on the DW legacy, transforming it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Over 200 factory wavetables each contain up to 64 waveforms. 30+ Modifiers can be used to change their basic character, and 13 Morph Types to process them in real-time. Using the unique, realtime A/B Blend, it's possible to create new hybrids from any two wavetables.

Expanded possibilities

Modwave can be expanded by importing new wavetables using the free Editor/Librarian software. There are many free and commercial wavetable libraries in the standard Serum format, or you can create your own using the free, cross-platform WaveEdit software (available in a custom version for the Modwave). Wavetables can be layered with samples from the built-in, multi-gigabyte PCM library, or import your own 4 GB of samples using the Sample Builder software.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators-plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the Modwave mkII achieves 60-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

KAOSS in motion

Modwave introduced two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. KaossPhysics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is extraordinarily powerful.

Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the Wavestate Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequencers cannot.

Modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. There are hundreds of preset sounds empowered by this new architecture, organised by front-panel category buttons, and all instantly customizable via the four Mod Knobs. Modwave'sdistinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the beginning.

Those who want to dig deeper will find an endless source of discovery; with the Modwave's unique synth architecture, you'll be finding new things for a long, long time. Save as many of your sounds as you like; there's room for thousands more. You can also load your own samples, import wavetables in standard formats, and create your own wavetables using the free WaveEditsoftware.

KAOSS Physics

Kaoss Physics models a ball rolling on a surface and bouncing off walls. The surface can tilt in any direction, and a bump with variable height/depth and location attracts or repels the ball. Adjustable friction slows the ball's travel, and adjustable time controls the speed of the entire model. All of these characteristics are modulatable, so you can change them in real-time!

Start the ball by flicking a finger on the x/y pad, or launch the ball automatically using another modulation source. You can even directly control the ball by holding your finger on the pad. The position of the ball produces eight modulation signals, which can be used to control any modulation destination: the X and Y locations, the distance from the centre, the angle relative to the X axis, and separate signals for +/- X and +/- Y.

Walls can slow down the ball, as if they were padded, or accelerate the ball, like bumpers in a pinball machine. The walls can also be removed entirely, so that the surface wraps around to the opposite edges like a vintage arcade game.
The modelled environment can create specific modulation effects. For instance, use a centered bump with negative height so that the modulation values always eventually return to 0. Or, position a bump with positive height on a side or a corner, to push modulation values away from that zone.

The result is an interactive controller that amplifies your physical gestures, transforming them into complex musical results.

Motion Sequencing 2.0

Motion Sequencing 2.0 is evolved from the Wavestate's Wave Sequencing 2.0. Timing, Pitch, Shape, and four sets of Step Sequence values are separated into "Lanes," each with their own loop start and loop end, adding a deeper, more customizable level of phrase and modulation recording.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a step sequence value may be matched with a different duration, pitch, and shape every time that it plays. You can modulate each Lane's loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The dual onboard arpeggiators can interact with Motion Sequences for even more possibilities.

Wavetables

Wavetables are sets of single-cycle digital waveforms, arranged in a specific order. The wavetable's "position" determines which waveform is played. Moving the position with an envelope, LFO, or other modulation source creates subtle or dramatic changes in timbre. Some wavetable systems switch abruptly from one waveform to another; others crossfade smoothly between them. Modwave can do either one.

Modifers

Use over 30 Modifiers to alter the character of any wavetable at load time. For instance, isolate the odd or even harmonics, add weight through anti-aliased quantization or saturation, or revisit the gritty character of old-school wavetable synths with the Vintage 8 & 12 options.

Morph

The 13 Morph Types let you stretch, squeeze, reflect, and otherwise alter the wavetables in real-time, changing their timbre andiwhen modulatedicreating additional motion in the sound. Sync creates classic swept-sync timbres, using only a single oscillator. Three special Morph TypesiFM, AM, and Ring Modimodulate Osc 2 with Osc 1, and the last two even apply to samples.

A/B Blend

Using the unique A/B mode, oscillators can blend any two wavetables with phase-synchronous precisionidifferent from simply layering voicesiopening up a dimension of intermediate waveforms. Add body to otherwise "thin" waveforms, for instance, or a touch of sizzle to a mellow timbre. Even fade between two different "modifier" versions of the same wavetable. A/B Blend can be modulated in real-time, of course.

Or, step outside the box with Korg's unique Multi Filter, which creates modulatable blends of multiple modes simultaneously - now with presets on a front panel knob, for easier exploration of its many possibilities.

An arsenal of effects

Modwave's superb effects deliver production-ready sounds. Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS and Kronos), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Notes: Module version of Korg's superb Modwave MkII features the same powerful wavetable synth engine in a compact package. Stereo 60-voice polyphony, deep programming options and excellent hands-on control.

Supplier's Notes:
All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: Classy record bag from the legendary Japanese brand. Durable black synthetic material with zip pockets and plenty of space for accessories as well as records.

Supplier notes:
A DJ bag designed for any club.

The MP-DJ1 is a bag that holds all the equipment a modernDJneeds; in addition to 12-inch records, it also accommodates a 17-inch MacBook or a 15-inch Windows notebook computer, as well as headphones, an audio interface, and USB cables. It will hold approximately twenty-five 12-inch vinylrecords (LPs). The back panel is equipped with a mesh cushion, ensuring ventilation for the wearer's back even whencarryingthe bag for an extended time. The bag is made of water-repellent PVC. From digging for records around town toplaying atclubs or outdoor festivals, this is a bag designed for a DJ on the move.

Notes: Drawing on the iconic Mono/Poly synth from 1981, the Multi/Poly reimagines Korg's heritage for the 21st century. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Explore breathtaking analogue-inspired sound with the limitless power of digital technology. The multi/poly is the first synthesizer to use Korg's next-generation analogue modelling technology, building on the distinctive combination of big, bold sounds and modular-derived experimental features that made the Mono/Poly legendary. It's like having a polyphonic modular system in a compact, hands-on package, offering limitless possibilities for sound designers and synth enthusiasts alike.

Create hardware mashups with East-coast, West-coast, and wavetable oscillators alongside a wide selection of newly modelled filters. Bring these sounds to life with models of different envelopes, VCAs, and portamento circuits, while virtual voice cards add organic timbral variation. The Layer Rotate feature triggers new Programs with each key press, while Kaoss Physics, Motion Sequencing 2.0, massive modulation capabilities, and more allow for deep sound exploration.

Next-Level Analogue Modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly different character, creating rich and naturally evolving timbres. Just like in an analogue synthesizer, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended-release time, newly played notes "catch" the envelope at its current state rather than restarting from zero. Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave differently depending on voltage, with varying thresholds for turning on and off, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

Four Oscillators Per Program for Complex Tones

multi/poly offers four oscillators per Program, providing thick, multi-layered tones. You can choose from three types of oscillators:

Classic oscillators:

These faithfully model traditional analogue waveforms with stunning accuracy. The 11 options include both single and dual waveforms, giving you rich, thick sounds. Front-panel knobs offer control over pulse width, triangle "lean," dual-waveform blending, and more.

Digital oscillators

Play wavetables with up to 64 steps, like vintage hybrid synths or modern Eurorack modules. Start with over 200 factory wavetables or import your own using the Editor/Librarian software for macOS and Windows. You can even import Modwave wavetables or convert wavetables from popular software formats. The 30+ Modifiers allow you to reshape wavetables, while 8 Morph Types (Stretch, Flip, Mirror, etc.) process them in real time.

Waveshaper oscillators

Inspired by West-Coast synthesis, these oscillators take simple waveforms (sine or triangle) and process them through a shaper table, producing dynamic harmonics. Use the Berkeley shaper for traditional wavefolding timbres, or choose from over 90 shaper types for a vast array of tones. The multi/poly also supports modulatable pulse width, adding richness and motion to your sound.

Additionally, the multi/poly includes a noise generator with dedicated filtering and saturation, and a ring modulator with inputs from the oscillators. You can create powerful sounds by leveraging the enhanced sync and x-mod capabilities, which expand on the Mono/Poly's original design. Create unique tones by syncing oscillators 2, 3, and 4 to oscillator 1, or split sync and x-mod into pairs for independent control.

Dual Modelled Filters for Maximum Flexibility

multi/poly's filters are newly redesigned to offer a range of classic and modern options. The multi/poly also includes the MS-20 LP and HP 12dB/octave Korg 35 filters, recreating the aggressive, distinctive sound of the MS-20. For gentler tones, use the SE M/P 2-pole filter, which offers continuous control for sweeping between lowpass, band-reject, and highpass, with a separate bandpass mode. multi/poly's filters support audio-rate modulation, allowing you to modulate filters using any oscillator or the ring modulator for bright, fizzy, and bubbling effects.

M/Poly: A 4-pole self-resonating filter, modelled on the Mono/Poly.
Mini: A ladder filter from a famous American mono-synth, with reduced resonance at low frequencies-perfect for bass.
Pro: From the first programmable polyphonic synthesizer, offering strong resonant sweeps.
Ladder HP/BP: 4-pole self-resonating highpass and bandpass filters.
Use the Drive circuit to add weight or distortion, ranging from subtle thickening to extreme saturation. You can use two filters at once in series or parallel, with each source (oscillators, noise, and ring mod) having its own balance control to crossfade between filters. Modulate the A/B balance for even more creative sound shaping.

The Power of Four

multi/poly's structure allows you to build four Layers, each containing a separate Program. This adds an entirely new dimension of sonic complexity, as you can layer up to four Programs simultaneously in a Performance. These can be used to create massive, multi-layered sounds or creative splits and velocity-triggered variations. Each Program features its own set of oscillators, filters, envelopes, LFOs, and effects, allowing you to craft detailed, evolving performances that change with every key press.
Each Program starts with four oscillators, a noise generator, and both sync and x-mod capabilities. These are processed through two independent filters, providing massive tonal flexibility. For modulation, multi/poly includes four loopable DAHDSR envelopes, five LFOs, and six Mod Processors, allowing you to create detailed and evolving sounds.

Layer Rotate for Evolving Performances

The Layer Rotate feature allows you to cycle through these four Programs with each key press, ensuring dynamic, ever-changing performances. Inspired by the original Mono/Poly's paraphonic mode, Layer Rotate offers endless creative possibilities. You can set the Layers to trigger in random or repeating order and use them in combination with the arpeggiator for complex, mind-bending patterns.

Production-ready Effects

The multi/poly's effects ensure your sounds are polished and ready for the stage or studio. Each layer features three dedicated effects, along with a send to the Performance's master reverb and a master parametric EQ. In addition to standard effects like compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll have access to unique sound-shaping processors such as the Wave Shaper, Talking Modulator, Reverse Delay, and Multiband Mod Delay, as well as the famous Overb from the OASYS and Kronos. multi/poly also includes modelled effects like Vox guitar amps, Vox wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals, giving you endless possibilities to shape your sound.

Built to Perform

An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, providing a responsive playing experience, while the knobs offer just the right amount of resistance, perfect for fine-tuning your sounds. The solid aluminium front panel ensures durability, making it road-ready for live performances, while the wooden side-panels and blue-on-black colour scheme are a stylish nod to the original Mono/Poly design. Plus, the multi/poly comes with a custom-made soft case, making it easy to transport and protect your instrument wherever you go.

Notes: Based on the iconic Mono/Poly analogue synth of the early 1980s, the Multi/Poly draws on decades of tech innovation to offer something fresh and exciting. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Multi/poly module

Breath-taking analogue-inspired sound with the limitless power of digital technology.

Summary

The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.

Overview

Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.

Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.

Next-level analogue modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres

Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

MIDI 2.0 property exchange and polyphonic aftertouch support

All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.

Rack-mount and desktop compatible

The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio

Specifications

Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: Second generation version of Korg's customisable synth and effects unit. New 18-key multitouch keyboard, upgraded processor, new oscillator types and new effects. Create your own personalised instrument.

Supplier's Notes:
Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions

Notes: ***B-STOCK: Box opened, item already assembled but product in perfect working order***


Second generation version of Korg's customisable synth and effects unit. New 18-key multitouch keyboard, upgraded processor, new oscillator types and new effects. Create your own personalised instrument.

Supplier's Notes:
Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions

Notes: The legendary Kaoss Pad returns as part of Korg's DIY Nu:Tekt range. Simple to build, easy to use and infinitely customisable for those who want to go deep. Great value.

Supplier's Notes:
Build your KAOSS

Discover the Nu:Tekt NTS-3 KAOSS Pad: the iconic KAOSS Pad reimagined in a build-it-yourself format. This compact, customizable DIY effects unit integrates Korg's legendary KAOSS touch interface with up to 4 simultaneous effects. It offers intuitive controls, extensive effect customization via logueSDK, and versatile connectivity. Perfect for dynamic performances, it's designed for musicians and DIY enthusiasts seeking to explore new sonic territories with ease and creativity.

Build-it-yourself creativity

The NTS-3 KAOSS Pad goes beyond the boundaries of conventional effects units. It's a playground for creativity, offering up to four simultaneous effects with extensive editing options. From essential filters and compressors to imaginative delays and reverbs, the NTS-3 KAOSS Pad opens up a universe of creative possibilities. The ability to work with individual effects or combine them seamlessly, along with the freedom to tweak each parameter, makes it a perfect tool for live performances and studio sessions alike.

Embracing the essence of KAOSS products, the NTS-3 KAOSS Pad features user-friendly controls and adaptable connectivity, packaged in a performance-ready design. The XY pad is at the heart of its interface, enabling dynamic control over effects, rhythm, and depth, enhancing your performance with a fresh, tactile approach.

Customise the KAOSS

The NTS-3 KAOSS Pad isn't just about sound; it's about making your mark. With an open development API and logueSDK, you can dive into creating unique effects, while the included Librarian application allows for easy management of your custom creations. The physical customization options, including reversible side panels and 3D schematics, mean you can even add a personal touch to your performance hardware.

Seamless integration and effortless DIY assembly
The Nu:Tekt NTS-3 KAOSS Pad is meticulously designed for straightforward integration into any musical setup, offering advanced connectivity with Sync IN/OUT and MIDI In/Out ports. But what truly sets it apart is its effortless DIY assembly process. Emphasizing the joy of building your own gear, the NTS-3 can be assembled quickly and safely, with no soldering required. This ease of assembly ensures that you can start exploring its vast sonic possibilities in less than 20 minutes, making it a delight for both seasoned musicians and DIY beginners.

Specifications

Effect: 35
Filter: 5
Modulation: 6
Delay: 4
Reverb: 5
Other: 5 (looper, grainshifter, vinyl break)
Mastering: 7
OSC: 3
Performance programs: 200 programs (more than 100 preload, 100 user programs)

Input/output jacks:

Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 5V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), USB port (Type-C),

Power supply: USB bus power mode
Current consumption: 500 mA or less
Dimensions (W × D × H): 104 × 101 × 39 mm
Weight: 119 g/4.20 oz

Notes: Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: All the power of the Opsix MkII in a convenient desktop/rack format. The Opsix's intuitive approach brings FM synthesis crashing into the 21st century, including full support for MIDI 2.0 property exchange and poly aftertouch.

Supplier's Notes:
A new modular model that revolutionizes the music production environment.

Opsix Module is a digital synth like no other. The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

Now, Korg has created a new form of Opsix, the module. This model supports MIDI 2.0 property exchange and poly aftertouch, and is an excellent companion to Keystage. It's also fully compatible with the sounds of the original Opsix, Opsix mk II, Opsix SE, and Opsix native software, as well as numerous excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed models, yet is easily transportable and fits neatly into any studio or desktop production system.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Opsix, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Opsix module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Opsix module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the Opsix. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications
Maximum Polyphony: 80 voices
Dimensions (W x D x H): 482 x 172 x 104 mm / 19.02 x 6.77 x 4.09 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter

Sound generating system: Altered FM sound generator
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step)
Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs:
Headphone (6.3 mm stereo phone jack)
OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack, half-damper not supported)
MIDI IN and OUT connectors
USB B port

Notes: Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: A new generation in hardware sequencing.

Create - perform - control- Step up to an unparalleled level of connectivity and control.

The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects.

With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Subtracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways. Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways. The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s).

Its audio Sync In & Out connections will allow you to seamlessly control all your other KORG gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what's going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation.

It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

The SQ-64 won't just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Keys: Your traditional piano layout.
Isomorphic: the notes are displayed symmetrically in rows, you can easily transpose the same chord pattern up and down without changing its shape
Octaves: one scale displayed in 3 different octaves on each row

Sequencer: 64 step sequencer with 3 melodic tracks with up to 8 note polyphony, and 16 monophonic rhythmic tracks

Tempo: BPM30.0 - 300.0

Inputs: MIDI IN connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC IN jack (3.5mm monaural mini-phone jack, 20V maximum input level)

Outputs: MIDI OUT1, 2 connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC OUT jack (3.5mm monaural mini-phone jack, 10V maximum input level), CV GATE output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV PITCH output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV MOD output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), TRIG output 1~8 jack (?3.5mm monaural mini-phone jack, 10V maximum output level)

Power: USB bus power, or DC 9V AC Adapter ([- o +], separately sold)

Dimensions (W x D x H): 368 x 144 x74 mm / 14.49 x 5.67 x 2.91 inches

Weight: 1.0 kg / 2.20 lbs

Included items: Owner's Manual, USB cable

Accessories (separately sold): KA350 AC Adaptor, Patch cables MS-CABLE-18

Notes: A synth-focused tuner merging Korg's pioneering experience in tuner technology with a deep understanding of the characteristics of analogue and modular synthesis. Designed with the unique needs of synth players in mind, the ST1K is compact, precise, and offers high visibility, ensuring your synthesizer is accurately tuned the way you want every time.

Analogue synthesisers can be tricky to tune! Not only can their pitch often fluctuate as the circuit adjusts to temperature changes, but you may also want to micro-tune different oscillators within the one synth.

This makes reliable tuning essential, whether you're recording in the studio or performing live. The ST1K delivers this with its capability for ultra-precise tuning to +/-0.1 cents. It features a large CMD LCD display that gives a clear, visually appealing readout of your tuning status, aligning with the aesthetics of modular and analogue synths. It also includes a built-in high-sensitivity microphone, expanding its use to a broader range of instruments!

At only 83 grams, this incredibly compact and light tuner is perfect for musicians and performers on the move.

Optimized circuitry for stable tuning of analogue synths

The ST1K's input circuit has been finely tuned to provide stable tuning for modular synths, accommodating high voltage levels without interference from LED noise, and with a clear focus on maintaining sound quality.

3D visual meter with large-screen visibility

The large, easy-to-read note name display and glowing LEDs allow the user to clearly perceive pitch deviations and changes at a glance. The 3D visual meter makes it possible to tune to within i0.1 cents, which is difficult with needle meters.

Ultra-precise tuning down to +/-0.1 cents
Professional recording and stage performances always require perfect tuning. The ST1K is capable of ultra-high-precision tuning down to +/-0.1 cents in strobe mode. With the high measurement accuracy of the flagship model, this compact device is a truly professional tuner that allows you to track down even the smallest errors in pitch.

Three meter display modes in addition to note name display

Three types of meter display mode can be selected to suit the player's style. In addition to the standard "Regular Mode", the "Strobe Mode" and "Half Strobe Mode" indicate pitch changes by the direction and speed of meter flow, making it easy to see even the smallest errors.

Compact, flat design allows you to carry a large screen with you

The meter display is large and easy to read, yet the body is smaller and more compact. The flat design provides excellent visibility and portability.

Specifications
Scale: 12 averages
Detection range: A0 (27.50Hz) to C8 (4186Hz)
Calibration range: A4=436 to 445 Hz (1 Hz steps)
Detection accuracy: within +/-0.1 cents
Connectors: INPUT (monaural standard), OUTPUT (monaural standard)
Switch: POWER / DISPLAY / CALIB
Power supply: 2 x AAA batteries
Battery life: Approx. 50 hours continuous
Dimensions: 99 (W) x 65 (D) x 16 (H) mm
Weight: 83 g (including batteries)
Accessories: 3.5-6.3mmmini to standard conversion plug (included)

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.