Review: Swiss producer Mehmet Aslan has been enjoying his most prolific year to date, returning from a two-year absence with a gaggle of well-regarded records. His latest outing is less obviously dancefloor-focused than much of his work, but no less enjoyable for it. A-side "Efjun" is an off-kilter, slo-mo treat, with the Berlin-based producer peppering a skewed rhythm track with dreamy vocals, nagging electric piano hooks and intoxicated electronics. Arguably even better is wonky flipside "Ghost Station", a hypnotic affair where pulsing, kosmiche style motifs and lo-fi synthesizer riffs cluster around lo-fi machine drums and a mind-altering bassline. It's brilliantly out-there and ghostly, all told, and is one of the producer's most arresting tracks to date.
Review: Mehmet Aslan and Miajica represent some of the finest operators in Basel, and their Fleeting Wax label is on hand to represent what's good in the Swiss scene and beyond. On this latest release they turn to Eva Geist, who has previously been spotted on Macadam Mambo and Elestial Sound with her beautiful mix of synths and vocals, striking a chord between noirish synth pop and heads down club music. "Blumareciano" is a wonderfully seductive, slightly spooky stew of a track which San Proper then injects with his usual freaky energy to make for a more uptempo party version. Then Geist's "Begum" stretches over the B-side in a bubbling blend of delayed voices, tribal percussion and general outernational surrealism.