Review: Chain of Light, a newly uncovered gem from Nusrat Fateh Ali Khan, showcases his raw vocal power and mastery of the Sufi qawwali tradition. Recorded in 1990, just before his groundbreaking fusion album Mustt Mustt, this album captures Khan in his prime, performing four traditional qawwalis that had remained hidden for decades. The album opens with 'Ya Allah Ya Rehman', where Khan's vibrato-rich vocals ride a driving tabla and harmonium melody, exuding a deep sense of yearning. His party of singers provides harmonic support, amplifying the piece's emotional intensity. The second track, 'Aaj Sik Mitran Di', moves with more freedom in tempo, highlighting Khan's exceptional ability to weave his voice through slow melodies and then accelerate into breathtaking, rapid-fire sargam passages. 'Ya Gaus Ya Meeran', takes you on a spiritual journey. Unpredictable tempo changes and shifting rhythms leave Khan's voice as the constant force, building to a powerful crescendo. Far from a mere archival release, Chain of Light reinforces Khan's legacy as a qawwali genius at the height of his artistry.
Review: Nusrat Fateh Ali Khan's Chain of Light is a rediscovered gem, presenting four pristine recordings from April 1990. Found in the Real World tape archives, these tracks capture Nusrat at a pivotal moment, on the cusp of global recognition. Opening with 'Ya Allah Ya Rehman,' the album showcases Nusrat's voice in its prime. The uptempo tabla and harmonium groove give way to Nusrat's otherworldly cry, creating an atmosphere of spiritual adoration. The slower tempo of 'Aaj Sik Mitran Di' allows Nusrat's sargam to shine, weaving through the harmonium melody before the hand claps accelerate, lifting his vocals to new heights. The standout track, 'Ya Gaus Ya Meeran,' an Urdu qawwali Nusrat had never recorded before, reveals his unparalleled talent. Rashid Ahmed Din notes its complexity and Nusrat's ability to compose over challenging patterns, opening the song for future interpretations. Produced by Michael Brook and mixed by Craig Conard, the recordings reflect Nusrat's willingness to experiment beyond traditional sounds. Brook's comments on Nusrat's innovative use of the studio as an instrument highlight the creative dynamism of these sessions. Chain of Light not only cements Nusrat Fateh Ali Khan's legacy as a master of qawwali but also introduces listeners to the profound spiritual and musical depth of his artistry.
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