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Back catalogue: Industrial/Noise
Juno's full catalogue of Industrial/Noise
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Singles
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Review: Ever-changing Slovenian collective Laibach seems to have mellowed with age, with the band's inherent desire to court controversy (see their 2015 performances in North Korea for a relatively recently example) currently curtailed. Love Is Still Alive, which marks their first new music since the release of last year's well-received album Wir Sind das Volk, is actually an "extension" of the music they wrote to soundtrack the 2019 film 'Iron Sky -The Coming Race'. It is, they say, a "trip through space music genres of recent decades" (albeit with bonus nods to country, pop and so on) that loosely tells the story of a spaceship full of post-apocalyptic survivors making their way across the solar system. It's a lot of fun, all told, with the band expertly showcasing the breadth of their musical knowledge as well as skip-fulls of imagination.
… Read morein stock $8.21
Alben
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Review: Klamm is the new label dedicated to the artistic output of Saele Valese. After "Ivic", a collection of old and new materials published on Alva Noto's label (NOTON) at the beginning of the year, Saele Valese releases now his first real album "A White, White Day". Written and recorded between 2018 and 2021 the material of this work was sliced, glued and recreated several times, just like a filmmaker in the editing process, before finding its final form. Inspired indeed by the most poetic cinema, 'A White, White Day' represents, in the form of a non-linear and enigmatic narrative, a personal and psychological reflection on time, memory and dreams. Mastered by Rashad Becker.
… Read morein stock $1.09
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Precipice Of The Void (CD limited to 50 copies)
Cat: COLD 121. Rel: 02 Nov 21
in stock $7.03
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Review: When it comes to creating musical soundtracks to contemporary urban decay, Gary Mundy has more experience than most. He's been releasing music as Kleistwahr since 1983 (though he did give the project a break between 1987 and 2009) and is a genuine master of creating heady, post-industrial soundscapes. 'Common Values', his 14th Kleistwahr album, is another masterclass in texture, mood and slowly shifting melody. There are moments of bittersweet, melancholic brilliance (see the immersive, reverb-laden ambience of 'Heaven Maybe Never') and pulsing, creeping minimalism (the brilliant, bleak and mournful 'Towards New Land'), but also fuzzy, guitar-laden soundscapes ('In a Blood Covered Land', 'All of Death To Lie' and the squally 'Common Values') and enveloping audio worlds subtly influenced by shoegaze ('Time To Realise').
… Read morein stock $7.67
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Cat: TGCD 14. Rel: 03 Nov 17
in stock $8.08
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Review: Jason Barton is one man, London based experimental project BArTc. Insubstantial As Ghosts is his 14 track debut album and it comes on the label run by Colin Potter, who is well known for weird electronics thanks to his time as a member of Nurse With Wound. Barton has said that influences include Cabaret Voltaire co-founder Chris Watson and industrial legends such as Coil, Skinny Puppy and Einsturzende Neubauten. The music is built in many layers of synths, found sounds and environmental recordings. It results in organic and experimental sounds that are heavily distorted with various effects.
… Read morein stock $8.21
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Review: Although arguably best known for her angular, industrial-influenced techno output, Siliva Jimenez Alvarez AKA Jasss has proved adept at delivering oddball electronica, modular-rich ambient and the kind of scuzzy industrial pop of which Trent Reznor would undoubtedly prove. A World of Service, her sophomore album and first for Ostgut Ton, builds on the latter side of her sound while expanding into new musical territory such as autotune-sporting future R&B ('Luis'), buzzing downtempo darkness (the immersive and intoxicating, percussion-rich 'Busto'), leftfield 21st century synth-pop (the curious but excellent 'A World Of Service') and even a dash of jangling, radio-friendly cheeriness ('In Your Mouth'). An impossible album to pigeonhole, but one that's consistently excellent and genuinely worthy of further inspection.
… Read morein stock $9.19
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Cat: TOTALBLACK 198. Rel: 27 Jul 23
in stock $9.37
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Legacy (hand-numbered CD limited to 150 copies)
Cat: SK 156. Rel: 17 Jan 23
in stock $9.61
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
… Read more in stock $10.95
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Cat: IDA 152CD. Rel: 27 Jan 23
Review: Some four years after the death of Jhonn Balance in 2009, This Immortal Coil's album The Dark Age Of Love arrived as something of a tribute to the work of British band Coil over two previous decades. The album brought together a ragtag team of musicians and was well-received by critics, as well as by Peter Christopherson who himself died in 2010. That promoted another crew of musicians to assemble to record a new album which was eventually titled The World Ended A Long Time Ago. Featured on it are the likes of Shannon Wright, David Chalmin, Matt Elliott aka Third Eye Foundation, Christine Ott, Aho Ssan, Gaspar Claus, Aidan Baker and more.
… Read more in stock $10.95
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Review: When it was first released in 2007, "Part 2: The Endless Not / TG Now" was Throbbing Gristle's first studio album since 1982. The pioneering industrial band had been drawn together again in 2004 to mark the passing of friend John Balance with a rare performance, and spent the next two years sporadically recording new material. The set was produced slightly differently to the all-analogue early works, with greater use of sampling and digital instrumentation. Yet despite the new toys and techniques, the music remained as antagonistic, forthright, intense and otherworldly as it had been two decades before. In other words, it's a proper Throbbing Gristle album, made by the original members to their original ethos, with a slightly different production approach. For that reason it remains a must-have for all fans of industrial music past and present.
… Read more in stock $10.95
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Cat: TGCD 7. Rel: 06 Sep 19
in stock $10.95
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Cat: CLCR 106CD. Rel: 03 Aug 23
Review: Taking both acts on their core traits, Full Of Hell primarily deal in death-grind fusion with some blackened aspects and a powerviolence twist, with their tracks rarely crossing the two-minute threshold and their average album length clocking in at approximately 20 minutes and some change. Primitive Man on the other hand, are the type of abyss dwellers that deal in lengthy sonic dirges, often running for well over an hour at a time. What happens when you combine two unmatched forces of modern extremity into one nightmare-fuelled hellscape of sonic torture? You get a truly oppressive display of grinding, trudging sludge-soaked doom with walls of caustic harsh noise which drone on for lengthy uncomfortable sections. Ugly, slow, unwelcoming and vile, 'Suffocating Hallucination' does its utmost to earn its nihilistic title, and offers little in the way of hope on its successful pilgrimage into the abyss.
… Read more in stock $11.46
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Review: First released 22 years ago at the turn of the millennium, Constant Shallowness Leads To Evil has been described as one of Coil's most "mind-altering creations"; given the fiercely experimental and often otherworldly nature of their catalogue, that's some going. The album, which has now been fully remastered, was one of the first things Coil recorded following their relocation to Weston-super-Mare, and sonically it's as bleak, windswept, and barren as the town itself seems out of season. It's full of droning tones, modular blips, metallic melodies, slowly shifting ambient textures and musical motifs that lap in and out like waves. Furthermore, the album's standout moment, the near 14-minute 'I Am The Green Child', is like some mutant, experimental sea shanty crossed with a hypnotic ambient-industrial raga.
… Read more in stock $11.99
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Cat: HAFTW 015CD. Rel: 03 Jun 14
Review: Experimental musician Leyland Kirby has been skirting round the edges of electronic music since the tail end of the '90s, delivering curious concept albums under a dizzying variety of pseudonyms (The Caretaker, The Stranger, Billy Ray Cyrix, Butcher Claws and Bored in Columbia, amongst many others). Here he dons his familiar V/VM alias for a discordant trip into drone territory supposedly inspired by fading memories of the last throes of early '90s outdoor raves. In truth, there's little in the music - a typically hissing, dystopian fusion of murky textures and becalmed electronic tones - to justify the concept, but it matters little. Kirby is a master at creating vaguely spooky, industrial-influenced soundscapes, and The Death of a Rave (A Partial Flashback) only enhances his reputation.
… Read moreGespielt von: Juno Recommends CD Albums, Juno Recommends Experimental
in stock $11.99
