Review: When deciding on tracks to release on '45' for the first time, the Dynamite Cuts team seems to mine a mixture of sought-after sets, familiar favourites and overlooked obscurities. This single falls int the latter category, featuring as it does two killer cuts from Funk In Hell, a 1976 album by library music collective-turned-instrumental funk outfit Button Down Brass (a band founded by trumpeter and arranger Ray Davies). A-side 'Superstition' is simply superb: a down-low cover of Stevie Wonder classic 'Superstition' that sits somewhere between down-low library funk and Blaxploitation movie soundtracks, with a dash of big band funk thrown in. Instrumental flipside 'Shades of Hades' is equally as vibrant, with elongated electric guitar notes, heady hand percussion and spacey synth sounds combining superbly with spy-funk horns and weighty bass.As played by DJ Muro from Japan
Review: The Demons Singles Club is back with more devilishly good funk here in the form of Doris Duke's version of Marlena Shaw's 'Woman Of The Ghetto.' It first appeared on her 1975 alum Woman and is a searing take with full-bodied vocals full of fire. It's an urgent sound that adds weight to the social commentary of the lyrics and the b-side tune from Rhyze is just as essential. 'Fire' is a massive disco cut with stomping drums, funky bass riffs and plenty of noodling guitar riffs that make it effervesce.
Review: Rahaan, one of Chicago's finest exports, delivers another stellar collection of dancefloor-focused edits. This four track EP traverses a spectrum of sounds, from disco to house, showcasing Rahaan's signature blend of infectious grooves and soulful energy. 'Project Funk' sets the tone with its undeniable funk flavour, its driving bassline and infectious horns guaranteed to get bodies moving. 'Shangri La' takes a more ethereal approach, its dreamy melodies and hypnotic rhythms transporting listeners to a blissful paradise. On the flip, 'Tribe Dance' injects a tribal-infused energy, its pulsating rhythms and percussive elements creating a primal atmosphere. 'Deeper' closes out the EP with a deep house excursion, its hypnotic groove and soulful chords inviting listeners to lose themselves in the music. With its impeccable selection and expertly crafted edits, this release is a must-have for any discerning DJ or lover of quality dance music.
Review: Founded by Roy Ayers in Cincinnati in 1976 as a vehicle for his songs and productions - though, interestingly, he was never a member of the band RAMP recorded and released one album, 1977's sun-soaked jazz-funk opus, Come Into Knowledge. This fantastic 45 from South Street Records' new South Street Soul offshoot showcases two of the set's most admired and in-demand cuts. Edwin Birdsong and William Allen share production credits with Ayers on 'Daylight', a shuffling, dewy-eyed, afternoon-ready delight whose slow groove, meandering synth solos and blissful female vocals recall another Ayers' classic 'Everybody Loves The Sunshine'. Fittingly, RAMP's fine, soft-focus take on that tune can be found on side B.
Review: Michigan-via-Ohio gospel group Rance Allen have been going for decades, and thanks to Expansion Records, two of their best known tunes now have a chance at relistenership. 'I Feel Like Going' on barely saw a resurfacing on YouTube, but just one listen and we're sure... this is a shockingly important slice of wax, with slapping electronic disco-soul production embedding sax, viola and castanets in what ought to be considered a criminally undersought pair of dance opals. A modern soul masterclass.
Monsieur Van Pratt Le Groove - "El Rap Clap O" (Regroove) (4:40)
Bully Boy - "Fear'n'Loathing In Funk Vegas" (4:34)
Ben Jamin - "Old Time Feeling" (4:50)
Review: French funk lovers Acts of Sedition roll out another tasty double 7" here that features some massive joints from around the world. First up is the Latin heat of Rare Cuts's 'Amigo Bracno' with its big, bright leads, string lushness and percolating, percussive groove goodness all finished with a great Portuguese vocal. Monsieur Van Pratt Le Groove's 'El Rap Clap O' (Regroove) hits a little harder but with similar funk playfulness and some great chord work and Bully Boy then offers the raw and strident funk of 'Fear'n'Loathing In Funk Vegas.' Ben Jamin slows it right down with the sun-kissed late night bliss of 'Old Time Feeling.'
Review: Reflex was a band assembled in the 1980s by drummer David Humphrey from bands including Public Image Ltd. and they put pout their biggest hit 'Funny Situation' privately via Star Records in 1981. Paint A Picture now serve up a first ever fully remastered and licensed reissue of the superb 7". An original will cost you upwards of L200 if you can find it so this is welcome indeed. The record includes an insert with some content on the release, which was made in the same studio and engineered by the same man as the classic Britfunk anthem 'Southern Freeze.' It is similarly tight and funky and will make any floor go off.
Review: For his latest trick, cheeky scamp The Reflex has turned his attention to the Herbie Hancock tune that inspired countless 1980s kids to don a tracksuit, grab a pair of Adidas Shelltoes and hurl themselves around like the Crazy Legs crew. Naturally, his version of 'Rockit' is a body-popping treat that subtly extends and rearranges sections - especially those containing Hancock's jammed-out synth parts - and adds a few tasty breakdowns before unleashing the now familiar melody. Over on the flip the French producer takes his scalpel to the Isley Brothers, providing a fine multi-track edit and extension of the group's much-loved, guitar-solo sporting proto-disco soul number 'That Lady'.
Review:
Ultra Vybe is one of the many superb soul labels to operate out of Japan. This time they turn their attention to the sounds of the 70s soul vocalist Clarence Reid. He had a slew of hits and two of them make it on to this 7". First is 'Rockin Chair' from his 1975 album It Keeps in Raining. It's mid tempo, warm and well swung with a louche vocal turn. ''Till I Get My Share' is a more direct cut with a passionate vocal and big horn stabs over prickly rhythms. It's one of his earlier singles from 1972 but still bangs in 2021.
Review: Eastside Edits is back with yet another infectious disc's worth of funky disco edits for DJs and collectors alike. Welcoming a fresh throng of international talent, this eighth edition hears up-and-coming Indonesian producer Rhework appear alongside renowned UK duo Suckaside. The former's 'Street Sounds' channel the effortless bustle of square-blocked, gridlocked city streets, where steam rises from manhole covers, taxicabs trailblaze yellow light trails, and funk clubs roar as loudly as underground subway systems. Suckaside's B-side is a call-and-responsive version of equal calibre, though it does clock in at a slower tempo.
Review: Isabel Roberts' mid-80s single 'Love Situation' featuring Robert Chandler, is revitalized on this limited 12" release, part of Backatcha's 'Hot Vinyl' reissue series. These UK electric-boogie-synth-funk tracks are essential for any dancefloor. 'Love Situation' is a smooth, soulful jam with a catchy melody, perfectly complemented by Chandler's vocals. The instrumental version on the same side allows the groove to take center stage, making it ideal for those crucial dancefloor moments where the music needs to shine on its own. On Side-2. 'Just Fall in Love,' continues the vibe with a romantic, yet danceable track that's just as versatile. The inclusion of its own instrumental version ensures this 12" is a complete package, offering both vocal charm and instrumental grooves. 80s fans of the groove will surely find some enjoyment with these on their turntable.
Review: For decades, the humble disco re-edit has offered wannabe-producers a way into music production. In recent years, there's been an upsurge in house 'edits' too - a trend that has seen countless producers combine bits of classic and obscure cuts with their own peak-time ready grooves. This debut from the previously unknown Jay Rook fits into that category. Check first opener 'Master Wonnin', where Rook turns what appears to be a classic Highlife jam into a bouncy, bass-heavy Afro-house workout, before further refining the same attractive, sun-splashed formula on 'Eme (Yeah Yeah)'. Over on side two, Rook changes tack on 'Do God a Favour', adding a touch of hip-swinging, disco-flexed gospel-house flavour to a bluesy old soul-jazz cut, while 'Jesus Saved Me (Glad)' is a filter heavy disco-house re-wire of a righteous gospel number.
Review: Roundtree hit hard with the few joints they gifted to the disco world. Led by songwriter and producer Kenny Lehman, they dropped an album and a couple of singles in 1978, but then made a surprise return in 1982 for a one-shot drop of boogified perfection on Aria. 'Hit On You' is one of those simply perfect jams with a nasty bassline and all the hooks you could wish for, and Groovin clearly know what they're after as they lead with the dub mix on the A side for this reissue. There's also the remix version of the track, and an additional retouch from Moplen thrown in for good measure to give you a prime cut three ways - no bad thing in our book.
Review: Dynamite Cuts has got a couple of Roy Ayers Ubiquity projects in the fire this month - a brilliant 7" double pack as well as this 45rpm. Both sides of this one rather take quite different paths to your affections. 'A Tear To A Smile' is high-speed and complex funk for the dance floor with loopy rhythms and Roy's mad vibes playing over the top next to some neat bass work. Flip it over and you'll find the much more deep and laid-back 'Time & Space' with its lavish cosmic keys and jazz vocals all working you into a star-gazing lather.
Review: Roy Ayers made a number of killer disco cuts in the late 1970s, though few are quite as essential as 'Running Away', which has now been reissued by South Street Disco. Built around an instantly recognisable (and much-sampled groove), the extended 12" version is rich in rubbery, rising and falling bass, clipped guitars, spacey Rhodes motifs, superb lead vocals from Ayers and even better backing vocals courtesy of the female quintet who would later become Eighties Ladies (who's superb 'Tell Him' was reissued in 2020). Turn to the flip for another chance to savour Fever album-opener 'Love Will Bring Us Back Together', a deeper and more low-down disco groover that boasts some seriously good Clavinet riffs and another inspired Ayers' vocal.
Review: The Barefoot Beats crew return with outing number 14 and once more it is music for sunny climates. Aroop Roy takes care of the A-side of this 10" with 'Fankiando Taniador', the Latin flavoured deep cut disco and funk roller with 80s horn stabs and rumbling bass all topped with a red hot vocal full of flair. It's pure Brazilian heat that is perfect for outdoor dancing and Bernardo Pinheiro's 'Expresso Amor' then brings more sunshine goodness with its slinky disco house beats and swinging hand claps all irresistible to anyone with a heart.
Review: The Reel Estate label is back with another limited slab of clear wax and two devastating outsider-disco cuts. 'Shape The System' has crashing hits and dark, chugging drums, with plenty of sleazy guitar lines king out of the mix, effects and delay adding tension and a bulbous bassline bringing the weight. On the flip, 'River Art' is less dense but no less out there with its twanging riffs, muted jazz horn motifs, broken beat drum tumbles and organic percussion. It's controlled chaos that makes you shake your limbs loose. An essential leftfield cut.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.