Effects pedals

Notes: Flexible bass preamp and DI delivers powerful tone shaping capabilities in a rugged pedalboard-friendly package!

The EHX Battalion Bass Preamp and DI is packed with a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a compressor, a noise gate and a comprehensive I/O. An all-in-one tone tank for your bass guitar.

Four-band EQ tailored specifically for bass guitar. Includes controls for Bass (below 200Hz), Lo Mid (boost/cut at 280Hz Mid (boost/cut at 750Hz) and Treble (boost/cut above 2kHz)
The Battalion's distortion section delivers an awesome array of distorted bass sounds
Distortion section features Level, Blend, Drive and Tone controls plus a dedicated footswitch
Three signal flow modes yield unique tonal variations. Pre EQ, distortion comes before EQ. Post EQ, distortion comes after EQ and Dry EQ, only the dry signal mixed in with the Blend control is affected by the EQ
Compressor with dedicated pushbutton, amount control and LED adds thump and sustain to your bass sound
Noise Gate with adjustable threshold control eliminates noise and hum while preserving your attack and original tone
Flexible I/O allows the Battalion to fit perfectly in any bass rig or application
14 input jack includes switchable 10dB pad
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2017

Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

Notes: Updated version of the White Whale pedal follows the same formula of 60s-inspired tremolo and spring reverb, with an improved power amp for higher fidelity. The essence of iconic amp effects in a single pedal.

Supplier's Notes:
Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale's enclosure has remained the same, but Crazy Tube Circuits have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units, Crazy Tube Circuits have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so analogue circuit has been delicately tuned to emulate the tube and output transformer saturation that was produced on higher dwell settings.

Each of these vintage units had its own reverb effect qualities so Crazy Tube Circuits tried to categorize them according to the most emblematic ones with a toggle switch selecting the size and decay. The user can select between the milder reverb qualities of a short to medium 2-spring reverb tank, the liveliness of a medium to long 2-spring reverb tank as found in most blackface amp designs and the dense reverb qualities of a long 3-spring reverb tank assembly. A reverb's tone control comes after the recovery stage at the output of the reverb tank and affects only the wet sounds for lively and drippy or smooth and mild reverb tones. Use the mix control to blend your desired amount of wet signal on top of the dry guitar signal. Higher reverb mix settings tend to get lost in the mix, so we've made sure you'll be heard loud and clear by incorporating a volume control capable of up to 20db boost.

The tremolo section has also been upgraded to feature harmonic tremolo, besides the opto and tube bias found in the previous incarnation of Crazy Tube Circuits' "marine mammal". This hypnotic and mesmerizing effect originated on certain models of the brown and blonde era amps and does frequency-based modulation by shifting between high and low frequencies compared to the amplitude-based modulation (opto and tube bias) that shifts between volume levels. Crazy Tube Circuits have made sure to include the two most significant variations of harmonic tremolo, as found in the original amps, that differentiate in the range and sweep of pulsating frequencies. The depth control sets the intensity of modulation while the range of the speed control has been extended beyond the span of vintage amps' to make sure we'll maximize your creativity. The volume control will boost the signal, if needed, even in the hardest throb settings.

Another upgrade found in the White Whale V2 is that the two effect sections are now completely independent and you can select the effects order so that the tremolo effect comes before the reverb or vice versa. This gives you the option to make heavenly combinations as optical and tube bias style tremolo usually sound better when placed after (post) the reverb effect while the harmonic tremolo usually sounds better when placed in front (pre) of the reverb effect. The two onboard footswitches are used to engage or bypass each effect section and feature a power-up bypass/engage pre-set function. That way you can select which state your pedal will go to when you plug the power supply. White Whale V2 also features a remote switcher input jack where you can control the bypass state of each effect section remotely via your favourite external effects switcher or via the matching artwork remote control dual footswitch (sold separately). Reverb's mix can also be controlled via an expression pedal and tremolo's speed can be controlled by either an expression pedal or external tap tempo footswitch (expression pedals / tap tempo footswitch are not included).

The surf-friendly light green colour adds to the overall drippy experience of a real spring reverb and tremolo that will fit on your pedalboard. If your amp setup doesn't have these effects by design, you have now found your perfect match.

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: Strymon's Big Sky reverb moves to the next level with the MX evolution, featuring more versatile editing options, two simultaneous reverb machines, full MIDI control and brand new algorithms.

Supplier's Notes:
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.

BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics. Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine. Access full IR editing functionality, as well as custom long captures of classic studio gear. Unlock massive width and presence with full stereo I/O featuring Strymon's discrete Class A JFET input preamps. Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects. Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.

BigSky MX features a staggering amount of computing power - it uses a high performance tri-core 800 MHz ARM processor - all dedicated to producing truly breathtaking reverbs. Strymon's new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. This type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.

BigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time. You can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.

For a more interactive experience, you can dedicate a footswitch to control each reverb's on/off state if you desire.

BigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. Impulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.

BigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time. Set decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch. Any compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation.

BigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.

Notes: Classic boost from Boss. Inspired by the CE-1 Chorus Ensemble and RE-201 Space Echo, this premium pedal sweetens your tone with the added option of a 'natural' clean boost.

Supplier's Notes:
The vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they're also loved for their variable analogue preamp circuitry, which instantly infuses any guitar tone with character, body, and richness. With the BP-1W, you can now access these two classic preamp tones in a premium Waza Craft pedal, along with a natural, clear voice that functions as a standard clean boost.

Magical Enhancement

For generations, savvy guitarists have relied on key pieces of analogue gear to enhance their core tone. Though discontinued over 30 years ago, the CE-1 and RE-201 remain widely used by many players for their characterful preamps as much as their famous analogue effect sounds. These "secret weapons" make the sound richer, fuller, and more satisfying to play, even when their effect processing is bypassed. The BP-1W lets you integrate the magical tone-shaping properties of these legends into your own rig-without having to seek out rare and expensive vintage originals.

Versatile Analog Sound Shaping

The BP-1W is one of the most flexible boost pedals available, offering three unique operation modes in a single compact stomp. Along with CE and RE vintage modes, a third mode provides a pristine clean boost when you want to pump the volume without added colour. The Gain knob allows you to dial in a range of saturation and drive tones unique to each mode, while the Level knob lets you balance the effect/bypass sound or push downstream pedal and amp inputs for further tonal enhancement.

Choose Your Tone Colour

CE-This mode reproduces the CE-1 preamp tone, known for its bright, bell-like character and tight low-end response. Tweak the Gain knob to conjure an array of pleasing tones, from mild to aggressive.

RE-This mode reproduces the unique colour and response of the RE-201 preamp circuitry. It adds fatness and warmth even at the lowest Gain settings, with increasing saturation as the knob is turned up. You can achieve powerful driven sounds with rich analogue compression characteristics, providing foundational vintage colour to feed pedals and amps.

NAT-Produces a punchy, natural voice with minimal coloration. The modern analogue Waza Craft circuitry provides a wide boost range, delivering top performance for any standard clean boost application.

Two Premium Buffers

The BP-1W features high-quality buffer circuitry with two selectable types. Slide the rear panel switch to choose between the pure signal of a standard buffer or a vintage buffer with lower input impedance. The vintage type produces a warmer tone and a smooth dynamic response, with maximum benefits achieved by connecting a guitar with passive pickups directly to the BP-1W's input. The standard buffer is always engaged for signal conditioning when the pedal is bypassed, regardless of the buffer switch setting.

Waza Craft: The Art of Superior Tone

Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. This enthusiastic spirit continues with the Waza Craft series, bringing you exceptional tone and touch response through carefully selected analogue components, refined circuitry, and meticulous attention to detail. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: : 1 M ohms, , 1 M ohms (BUFFER switch: STD), 100 k ohms (BUFFER switch: VTG)
Nominal Output Level: -20 dBu
Output Impedance: 1 kO
Recommended Load Impedance: 10 kO or greater
Bypass: Buffered bypass
Controls: GAIN knob, LEVEL knob, BUFFER switch (STD/VTG SW), MODE switch, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 60 mA
Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Dry battery (9 V, 6LR61)
Options (sold separately): AC adaptor: PSA series

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 430 g / 1 lb

Notes: The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, EQD went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end.

At lower gain settings, you'll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that's where the similarities stop.

This all-analogue tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.

And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

The Blumes features EarthQuaker Devices relay-based "soft touch" Flexi-Switch Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw.

Each and every Blumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all...

Notes: Expression/CV Sequencer with 8 steps to control devices with parameters like oscillators, filters, and delay parameters!

The EHX 8-Step Program Analog Expression/CV Sequencer connects to another device and delivers sequencer control over parameters that respond to expression pedals or CV generators like oscillators, filters, delay parameters, you name it. Set your tempo with the Rate slider or Tap Tempo footswitch, or sync to a drum machine or DAW via MIDI clock. Six Tap Tempo Divide modes provide rhythmic diversity. This thing is a tweaker's delight!

You can add the optional 8 Step Program Foot Controller expands that to 100 presets!

NOTE: Compatible expression inputs must accept a voltage source as the controlling signal. The expression input should also allow for an expression pedal TRS plug with the following connections: Sleeve = Heel, Ring = Toe, Tip = Wiper. The expression voltage present on the Ring of the TRS plug sets the maximum range of the controlling signal; this Ring voltage must be between 2VDC and 9VDC.

Four sequence direction modes: Forward, Reverse, Bounce and Random
Rotary encoder gives you control over glide rate, direction, sequencer length and depth
Save, store and recall 10 presets. The optional 8 Step Program Foot Controller expands that to 100 presets!
Power adapter included

Specifications:

Circuit: Digital
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2013

Notes: With three selectable attacks coupled with silky, long sustains, the Soul Preacher is your tool for sonic salvation!

The EHX Soul Preacher Compressor / Sustainer is a compact compressor/sustainer with variable parameters allowing extreme or subtle adjustments of the dynamic qualities of YOUR playing. Two knobs and one 3 way toggle switch control the output volume, the depth of the effect and the attack/decay characteristics of the effect.

True bypass
Sustain control adjusts the amount of sustain
Volume control sets the output level
Attack toggle switch provides 3 switch selectable settings of attack: fast, medium, slow
Fast attack: gives an aggressive hit with about a 20mS rise time. fast and musical
Medium attack presents a slower rise time of about 50ms, smooth and defined
Slow attack brings a musical 100ms rise time for a softer
Tough and compact die-cast chassis
9V battery included

Specifications:
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 40mA
Year Released: 2007

Notes: The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before. Whether you're a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.

BlueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful. Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.

Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds. A new Mod switch allows you to select the modulation depth for each reverb type. A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer. A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.

All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard. Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP/MIDI jack or USB. And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.

Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: The Chthonic Fuzz (pronounced: Thawnic) creates fat, corpulent, fudgy, sludgy, fuzz tones that pair perfectly with single-coil, P90, gold-foil, and De-Armond style pickups. It also works great with PAF-style humbuckers, but this fuzz was designed with brighter guitars and amps in mind.

Starting with a beloved a single-knob '70's fuzz circuit, DOD experimented with adding a subtle tone control (Lustre), and then a separate gain control (Fuzz). This yielded a simple yet powerful fuzz with an earthy, dark flavour. Straight-up transistor clipping using a pair of 2N2222 transistors allows guitar volume knob clean-up like other classic fuzzes, but the Chthonic comes from a different dimension. Think of it as a kind of Colorsound Overdriver from an alternate universe.

The Chthonic's Kraken/Cthulhu graphics are courtesy of the same artist that did the Carcosa Fuzz art. The Chthonic is a psychotic dizygotic dark companion to the Carcosa Fuzz.

Darker fuzz designed for brighter guitars and amps
Subtle tone control retains pick attack throughout entire range
Excellent clean-up with guitar volume knob
Lightweight all aluminium chassis
Crisp blue LED
True Bypass
11.88 cm (L) x 6.68 cm (W) x 5.71 cm (H)
0.453 kg.
Power Supply 9V Alkaline Dry Battery orPS200R Power Supply
Manufacturer Warranty: 1 Year

Notes: Digital fuzz/overdrive pedal designed to provide a vast array of overdriven tonalities from traditional to futuristic.

Noise Engineering's Dystorpia digital overdrive/fuzz pedal is designed to give a vast array of tonalities from traditional to futuristic. Inspired by the innovative synthesizer company's Eurorack line, Dystorpia is not based on any pedal on your board. Dystorpia excels in creating ripping and gritty tones not found via traditional distortion, fuzz, and overdrive pedals.

Dystorpia features multiple distortion types that work well together for a unique sound. Fold flips soundwaves at a threshold, creating grit and gnarl. It interacts with Pura, a multi-band full-wave rectifier that adds a harmonic buzzy fuzz. The Tone and MidBand parameters work together for exquisite control over tone, from bassy to high to scoop. Add an expression pedal or control voltage in for emotive control over the voicing.

If you're looking for more low end, turn the DOOM switch up to add a lower octave or to emphasize the lower octave for a blown sub effect. Dystorpia also features a dynamics control that can enable an envelope that shapes the output to match the input allowing playing dynamics to make it through the distortion. Dystorpia also has an optional smart Noise Gate that lowers the output level when there is no input.

Use Freeze to loop a sound. Tap the button once to latch or hold down for momentary-like effects.

From subtle overdriven tones to harsh and chaotic mangling, each knob is optimized to allow for maximum exploration and dynamic interaction with the other parameters to access a huge spectrum of possibilities.

Tech Specs:

Input/Output: 1/4" Mono
Power: 9V DC Center Negative, 2.1mm connector
Current Draw: 250mA
Expression: 1/4" TRS Expression

Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Inspired by modular synthesis, the C4 Synth is a unique pedal which allows you to play synth tones via bass or guitar. Edit using the Neuro Desktop Editor and then get freaky with a wide range of synth sounds.

Supplier's notes:
The C4 Synth unites all the sound creation tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. Out of the box the C4 offers six dynamic synth tones that range from vintage analogue to the thoroughly modern. It is essentially a modular synth in a small pedal with unprecedented tracking abilities, lightning-fast response, and countless sound options. With the addition of the Neuro Desktop Editor (a free download for Mac and Windows machines) and Mobile App. (for iPhone and Android) it's easy to browse from the ever-growing library of highly-inspired presets created by the Source Audio crew and the expanding community of C4 enthusiasts.

Neuro Editor Features

Connect the C4 Synth to the Neuro Desktop Editor (a free download for Mac or Windows computers) or the Neuro Mobile App (free for iPhone and Android) and explore the power of effect downloading, customization, and sharing that comes with every One Series pedal.

Growing Library of Published Presets: For quick and easy access to a world of great tones, try sampling sounds from a vast collection of published presets created by the Source Audio team and the ever-growing C4 Neuro Community.

Unprecedented Sound Sculpting Options: The Neuro Desktop offers maximum sound exploration possibilities. Use Neuro's modular synthesizer inspired editor to create custom C4 Synth presets that can be burned directly to the pedal, saved to a private cloud based library or published and shared the entire Neuro Community.

Four Independent Voices: Mix together any of the C4's four independent Voices. Assign any of the Voices to an oscillator wave shape, monophonic or polyphonic pitch shifter, intelligent harmonizer, sequencers, or dry signal to distortion, tremolo, and filter effects.

Three Types of Oscillators: Mix and match any of the C4's three oscillator wave shapes for pure synthesizer tones. Choose from sine, square, and saw shaped oscillators.

Eleven Envelope Followers: Select from a comprehensive collection of envelope followers with adjustable attack/decay as well as ADSR triggering envelopes.

25 Filter Effects: Choose from a huge collection of filters, controllable with an envelope follower or independently modulating LFOs.

14 Different LFO Wave Shapes: Use LFO (Low Frequency Oscillators) to control the modulation of filter, vibrato, or tremolo effects. Choose from eight different LFO wave shapes, including sine, square, sample and hold, saw tooth, and more.

Two Programmable 16-Step Sequencers: Run two simultaneous sequencer patterns. Choose from several preprogrammed sequencer patterns or create custom patterns.

USB Connection - Use the pedal's mini USB port to connect the C4 to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware.

USB to Mobile App Connectivity - Connect the Mobile App to your C4 Synth via the USB port on the top of the pedal and enjoy two-way communication between the pedal and your Neuro Mobile App. This means you can see all of your C4 preset settings on the App. in real time. (Lightening to mini Type B USB cable for iPhone) (Type-C to mini Type B USB cable for Android).

MIDI features

The C4 Synth responds to MIDI Program Change (PC) and Continuous Controller (CC) messages via its mini USB port. The USB port handles communication between the C4 and digital audio workstations (DAW) on Mac and Windows machines as well as external MIDI controllers with USB host support (we recommend the DMC.micro from Disaster Area Designs)

Preset Saving - Save up to 128 effect presets.

MIDI Mapping - Use the Neuro Desktop Editor to easily map MIDI Continuous Controller (CC) messages to a comprehensive list of parameters.

Preset Recall - Use MIDI CC numbers 103 & 104 to recall any of the C4's 128 MIDI accessible presets.

MIDI Clock - Sync the C4's LFO rate with external MIDI clock messages.

The Neuro Hub - Connect the C4 to the Neuro Hub and use MIDI CC messages to control parameters or recall presets.

Note: As of Hub fw 1.18 and C4 fw 1.14, the C4 can now be added to scenes, is visible through the Hub, and can be controlled by PC messages, giving you the full access to 128 preset slots.

Specifications

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: This diabolical fuzz pedal takes your tone on a nightmarish journey through crushing distortion and eerie synth tones.ACreated with the visual design by renowned artist Rob Jones, Knife Drop's visceral appearance perfectly matches its aggressive sound. Whether you're creating monstrous growls or supernatural melodies, Knife Drop is designed to haunt your sound.A

Notes: Updated version of Source Audio's excellent Nemesis delay features an all-analogue dry signal path, meaning your original signal passes through unadulterated. Same versatile delay options, including patches based on vintage and modern hardware.

Supplier's Notes:
The NEMESIS Delay ADT is an updated version of Source Audio's award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analogue dry through signal path.

Analogue dry through means that the guitar's dry signal maintains a 100% pure and unprocessed analogue signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal's intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay.

Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay "freeze" function engaged by holding down the tap tempo footswitch.

NEMESIS Delay ADT captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought-after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects.

In addition to the basic 12 delay engines available on the front panel, the NEMESIS Delay ADT also features 12 extended delay engines for a total of 24 engines in all. These additional "back 12" effect engines offer a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.

Job one in the development of the NEMESIS Delay ADTwas to create a flexible, easy-to-use, and great sounding delay pedal. Out of the box, that's exactly what it is - plug in, select from the twelve onboard delay engines and make beautiful music... simple. But there is much more here than meets the eye - the truly "Big Idea" behind our One Series pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Neuro Mobile App are free downloads for iOS, Android, Mac, and Windows.

Additional parameters found in Neuro include Diffusion, Distortion, Wow and Flutter, Advanced Filtering, Sample Rate Reduction,12 different Tap Tempo Beat Divisions, Polyphonic Pitch Shifting and much more. Neuro's complete collection of delay effects includes "Sweeper" (a modulated filter delay), "Degrade" (with sample rate reduction), "Sequenced Filters," "Warped Record", "Chorus," and more.

Customized presets can be published to the cloud and made accessible to the entire Neuro Community. To date there are well over 8K published presets available for One Series pedals in Neuro. After editing your preset, burn it directly to the pedal and access it easily without reconnecting the Neuro App.

Notes: The Zoom G1X FOUR features over 70 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!

X is for Xpression:
The G1X FOUR comes with ZOOM's expression pedal, which provides control over effects such as volume, wah, delay and pitch.

Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.

Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.

You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.

Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.

Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.

Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.

Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.

PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.

STOMP mode lets you turn individual effects on and off with the tap of your foot.

Off the Floor:
The G1X FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.

Power Options:
The G1X FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.

Notes: The first pedal to get the X2 treatment is the D7 X2 Delay Pedal. With the 14 high-quality delay effects, this pedal features more than double the effects of its skinnier brother, the D7 Delay, while also adding stereo inputs and outputs. The array of delay effects in the D7 X2 have a wide range from classic analog and tape delays to more modern and experimental delays such as "Low-Bit", "Galaxy", and "PingPong". Adjustable parameters are different based on each effect and can be customized with the Tweak 1 and Tweak 2 knobs. Additional parameters can be adjusted by using the MIX, TIME, and FEEDBACK knobs. Timing of each delay can be adjusted with the TIME knob or by using the TAP TEMPO footswitch for quick adjustments on the fly.

Notes: The signature tones of a guitar legend on your pedalboard

Joe Satriani's TONEX ONE is the latest product of IK's ongoing relationship with one of the guitar world's most respected players. It is truly something special. Handmade in Italy in a custom chrome finish, this limited-edition pedal comes preloaded with 20 presets created by Joe. These exclusive presets feature Tone Models from his Amp Vault Signature Collection, also included, but go beyond that by incorporating Joe's choice of TONEX FX to recreate the great moments of his recording career.

"The TONEX ONE roars and shimmers like its full-size big brother, the mighty TONEX Pedal. You can use it as a standalone amp, a recording interface, or even a headphone practice amp. And it looks amazing!"
Joe Satriani

20 Custom presets with TONEX FX

Exclusively with TONEX ONE Joe Satriani, you'll immediately experience 20 presets custom-designed by the artist himself. All presets feature Tone Models from Joe's TONEX Amp Vault collection, plus the new TONEX FX blocks to recreate his essential tones in one compact pedal.

The preloaded tones range from the early years to new sounds featuring his latest Signature 3rd Power Dragon Amplifier. The presets are inspired by and named after classic songs, including "Time Machine," "The Extremist," "Summer Song," "Ice 9," "Crush of Love," "Love Thing," and many more.

Includes Joe's Amp Vault Signature Collection
This limited-edition pedal includes Joe's complete Amp Vault Signature Collection for TONEX, featuring 28 amplifiers from his private collection. Joe handpicked each amplifier, dialed in his favorite settings and captured them using IK's Advanced AI Machine Modeling at Sammy Hagar's Red Rocker Studios.

The 67 Tone Models are incredible and a testament to Joe's relentless pursuit of great tone and generosity in sharing them with the TONEX community.

Specs

TONEX ONE

20 customizable presets
Ultra-low noise, 24-bit/192 kHz converters.
5 Hz-24 kHz frequency response
Up to 123 dB dynamic range
USB connection/ 24-bit/44.1 kHz audio interface
Power Source: 9V DC, 120 mA (not included) or via USB-C
Size: 48 mm/1.89" (W) x 94 mm/3.7" (D) x 53 mm/2.09" (H)
Weight: 160 g/ 5.6 oz

Package includes

TONEX ONE
USB C-Type to USB C-Type connection cable (0.6 m/2 ft)

Notes: An ultra-compact workhorse that's perfect as part of a portable guitar rig, or as an emergency backup should your main amp break down.

The 15Watt Howitzer guitar amp/preamp is an ultra-compact workhorse that's perfect as part of a portable guitar rig, or as an emergency backup and gig saver should your main amp break down. It's super flexible, like a musical chameleon, and depending on the gear you use and your style, will fit in the broadest range of genres.

The 15Watt Howitzer's Volume and Gain controls let you go as clean or as crunchy as you want while the Bass, Mid and Treble knobs provide plentiful tone shaping. Its FX Loop gives you the option of putting effects like reverb and delay after the preamp. Of course you can still run your guitar straight into pedals and then right into the 15Watt Howitzer's input jack.

EHX's Founder, Mike Matthews, said: Dig it! The sandwich-sized 15Watt Howitzer is perfect as part of a compact guitar rig or backup. But the thing I dig the most, is the tone that emanates from the Howitzer. It's super versatile and depending on what kind of setup you're running fits into any style that's your bag!

15 watts of power, but small enough to fit on a pedalboard or pack in a gig bag
A full set of sound shaping controls: Volume, Gain, Bass, Mid and Treble
Bright/Norm switch: choose between a subtle top boost with more presence or a slightly darker top end
Solid-state class D amp design for maximum output efficiency and minimal space requirements.
FX loop with Send/Return jacks lets you place effects between the 15Watt Howitzer's preamp section and Volume knob
Power adapter included

Specifications:
Circuit: Analogue
Audio: Mono
Power Supply: 24VDC/1000mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 100mA
Year Released: 2021

Notes: Redefined Vintage Fuzz and Versatile Modern Tones, Brought Together with Waza Craftsmanship

Fuzz was the first type of distortion pedal, and the retro sound of vintage units from the 1960s remains coveted by guitarists to this day. Realized through deep analysis of many legendary pedals and detailed Waza craftsmanship, the all-analogue FZ-1W delivers the inspiring tone, feel, and vibe of classic fuzz in a reliable modern design. And like all Waza Craft pedals, the FZ-1W features premium components for top-quality performance and extended range for maximum tonal versatility.

Discovering the Heartbeat of Vintage Fuzz

When introduced in the 1960s, fuzz pedals changed the game for electric guitarists, giving them a bold and aggressive new voice that redefined the sound of rock music forever. Through those early days, innovative pedal builders tweaked and refined fuzz circuits based on the creative input of many now-legendary guitarists. Ultimately, this led to a small number of standout designs that became the benchmarks for the broad spectrum of players.

While developing the limited-run TB-2W Tone Bender, Boss explored and analyzed many vintage fuzz pedals and gained deep knowledge along the way. This experience inspired Boss' to reimagine the classic fuzz effect with unique Waza craftsmanship and expertise. Unlike previous Waza Craft models, the FZ-1W does not provide a reproduction of a past design. This pedal is Boss' modern interpretation of vintage fuzz, and it carries the number "1" in its name to show great respect for the classic circuits that helped shape the sound of rock guitar and launch the effect pedal industry that we all love today.

The Best Elements of Vintage Fuzz in a Modern Pedal

The simple circuits of the most sought-after vintage fuzz units produce bright and aggressive tones with long sustain. They're very sensitive to playing dynamics as well, and the best designs allow you to clean up the sound by rolling back the guitar's volume knob. But these classic pedals are also famously inconsistent-even between models of the same design-and variables like age, battery type, temperature, and more can have a dramatic effect on their sound and performance.

Backed by Waza innovation, the FZ-1W lets you enjoy all the great musical characteristics of vintage fuzz without the downsides. While inspired by historic circuits, this pedal presents an all-new BOSS approach fuelled by Boss' forward-thinking perspective and deep knowledge of effect design. Using top-quality silicon transistors, Boss have created a unique circuit that delivers authentic tone and response while maintaining stable performance in any temperature or operating condition. In addition, this modern approach greatly expands the sound possibilities over vintage designs, offering higher gain, lower noise, deeper tone-shaping control, and more.

Vintage Mode-Classic Fuzz, Wider Expression

With the FZ-1W's Vintage mode, BOSS has redefined the classic fuzz voice with more gain and wider expressive range. The sound character is raspy and assertive without being harsh, and you can smoothly transition from heavy fuzz to crunch to crystal clean simply by riding your guitar's volume. The powerful Tone knob simultaneously adjusts the high and low frequencies, allowing you to dial in a variety of different fuzz colours. And by turning down the Fuzz knob and cranking the Level, the FZ-1W works great as a boost for your amp and other gain pedals.

Modern Mode-Fat and Focused

Modern mode delivers a more refined and versatile fuzz voice with focused midrange and fatter tone, making it ideal for all types of current music styles. The gain range is even wider than Vintage mode, and cranking the Fuzz knob past three o'clock conjures rich, singing sustain for inspired solo playing. The Tone knob offers a different tuning that lets you tweak the brightness without altering the midrange, ensuring your sound always cuts through. And when used as a boost, Modern mode dishes a heap of girth with rich, mid-driven character.

Waza Craft: The Art of Superior Tone

Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, bringing you exceptional tone and touch response through carefully selected analogue components, refined circuitry, and meticulous attention to detail. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohms (Effect Off), 22 k ohms (Effect On)
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohms
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, Mode switch, FUZZ knob, TONE knob, LEVEL knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22) or Carbon-zinc battery (9 V, 6F22), AC adaptor (PSA series: sold separately)
Current Draw: 16 mA
Expected battery life under continuous use: Alkaline: Approx. 33 hours, Carbon: Approx. 14 hours, *These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9 V, 6LR61 or 6LF22)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 430 g / 1 lb

* 0 dBu = 0.775 Vrms

Notes: Part of the new Boss 200 series, the RV-200 is a seriously classy reverb. With a choice of 12 algorithms, things quickly move from classic ambience to the pitch-shifted arpeggiated madness of the new Arpverb program.

Supplier's Notes:
Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Notes: The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances i from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. Strymon have carefully studied their favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

On the tremolo side of the pedal you can choose between the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. On the reverb side you can select the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, or the nostalgic '80s Hall Rack Reverb. With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format
.
The second generation Flint gives you the same gorgeous tremolo and reverb sounds from the original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint's EXP/MIDI jack or USB-C connection.Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Love slow tremolo? The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable.

Notes: Excellent value from the updated Mooer delay/reverb/looper. The Ocean Machine II features improved sound quality all round, plus expanded loop memory up to a total of 120 seconds.

Supplier's Notes:
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be 'frozen,' creating static ambient drones, an effect that sounds particularly impressive considering the pedal's DSP upgrades.

While the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.

Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.

The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.

In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.

Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.

Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.

*Dimensions: 215 x 127 x 56 mm

*Weight: 1.1 kg

*Power Supply: 9V DC

*Sampling Rate: 44.1 kHz

*Sampling Accuracy: 24-bit

*Includes USB-C to USB-A cable, power adaptor, stickers, and artist signature card from Devin Townsend

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Limited black edition of the excellent stereo Dark Star pedal, offering premium reverb with beautifully creative pitch shifting, filtering and bit crushing options. Superb value for money.

Supplier's Notes:
Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.

Notes: The [ACS1] is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware.

The ACS1 contains six amplifier models based on fan-favourite amps, each with its place in music history, and twelve cab IRs (Impulse Responses) designed by world-class designers to give you the best tonal representation possible. The stock IRs for the Fullerton, London, and Dartford amp models were custom engineered by David Hislop and Kenyon Reed at Tone Factor, while the stock IRs for the Red, Citrus, and Tread amp models were designed by Justin York at York Audio.

Amplifiers

The ACS1 can mix and match stereo amp and cab combinations. Want to run an AC30-style amp on the left and an Orange-style amp on the right? Or perhaps a 5150 flavoured amp in both channels but with two different cabs for a wider stereo sound? When running the ACS1 in stereo, one amp can be used through both channels, or these combinations can be run independently left and right if you choose, leading to powerful, unique amp tones. Simply press down on the Middle encoder to choose individual settings for L, R, or L+R combined. Amps can be mixed and matched with no phase/polarity issues as well.

Onboard models include:

Three Vintage Amp Models

Fullerton - Inspired by the classically bright and clear Fenderr Deluxe Reverb. Crisp clean tones with loads of headroom that players have come to love over the years.
London - Inspired by a 1962 Marshallr Bluesbreaker with a harmonically rich, valve-driven breakup. Articulate and sensitive response.
Dartford - Inspired by the legendary jangly high-end tones from a 1960s Voxr AC30 with all the bite and chime from the British Invasion.

Three High Gain Amp Models

Red: Inspired by the distinctively raw and punchy Peaveyr 5150, producing heavy, aggressive modern metal and hard rock sounds. Powerful and saturated with a tight low end, strong midrange, and a bright, cutting high end.
Citrus: Inspired by the warm, rich, and harmonically complex Oranger Rockerverb. Classic British gain with a creamy midrange and punchy lows. Maintains clarity and definition across its entire tonal spectrum, even at high-gain settings.
Tread: Inspired by the world-famous Mesa Boogier Dual Rectifier with massive amounts of in-your-face gain. Versatile enough to be favoured by guitarists in genres from hard rock, punk, metal, and more, Tread offers up plenty of saturation that's heavy and ready to cut through the mix.

Cabinet IRs

The ACS1 includes six IRs custom-engineered by David Hislop and Kenyon Reed at Tone Factor and six by Justin York of York Audio. Each IR has been created with vintage and modern amps to deliver the best tonal representation possible.

Additional ACS1 Settings/Features:

Primary Controls

Volume, gain, and room make up the top three knobs. Volume and gain work together, as gain is increased and made louder, volume can be turned down to compensate.

Room The ACS1 has three different types of reverb effects:

Room - Simulates the size of the room that your amp and cabinet are in. At zero, it would resemble tracking your amp in an isolated environment with no reverb. At max would emulate a natural-sounding, large studio environment.

Hall - Simulates the acoustics of a large, live sound space.

Spring - Simulates spring reverb tanks found in tube amps.

Increase the room size or amount of reverb by adjusting the Room knob. The further clockwise you go, the bigger the room. Decay control can be adjusted for room in the Global Sound menu.

Bass/Mid/Treble EQ

Bass, mid, and treble control are adjustable on the home screen with the use of the encoder knobs. The left knob controls bass, the middle is mids, and the right is treble. This simple EQ control has clear visual feedback and can be used to adjust levels on the L, R, and L+R channels.

Noise Gate

A noise gate can be applied and adjusted within the navigation menu, which can be especially helpful when playing with the high-gain amp models.

Amp EQ

Presence and resonance controls are available within Amp EQ Settings in the menu, giving you even more control of your amp tone.

(Access the settings for noise gate, Amp EQ, and more by clicking the bottom left and middle encoder knobs simultaneously).

Bypass IRs or Amps

Cab IRs as well as amp models can both be bypassed with the ACS1, making it more flexible for ampless rigs that still have physical cabs, and vice versa.

Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.

Notes: The Zoom G1 FOUR features over 60 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!

Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.

Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.

You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.

Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.

Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.

Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.

Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.

PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.

STOMP mode lets you turn individual effects on and off with the tap of your foot.

Off the Floor:
The G1 FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.

Power Options:
The G1 FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.

Notes: Pico-sized version of EHX's best-selling looper with 360 seconds of loop recording time, 11 storable loops, Overdub Control, Loop Fadeout and more!

Building on the simplicity of our Nano Looper 360, this Pico-sized 360+ Looper pedal is packed with musical features to keep you jamming without missing a beat! With 6 minutes of loop recording time with unlimited overdubs over 11 loop memory banks, the 360+ also features an OVERDUB control which sets the level of playback of previously recorded loops while overdub new loops, making it possible to create ever-changing loops and ambient soundscapes.

Undo-Redo allows for quickly taking out the last overdub to change texture on the fly or fix a pesky mistake. Programmable Overdub/Playback order lets you change which mode the looper enters after recording the initial loop. Adjustable fadeout time from 1-10 seconds applies a musical fade to your loop when you stop the loop. DRY and LOOP levels are independently adjustable for a precision blend of layers.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2024

Notes: Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: The Reissue series 6ixty 5ive overdrive puts the sound of the famous1960s black panel amplifiers right at your feet. Emulating the drive of these classic models gives a range of tones from just over-the-edge all the way to burning tube overdrive whilst retaining the guitar's natural voice and clearly defined edge. The all analogue circuit has a Gain control to adjust the amount of drive and the resulting output is balanced by the Level control. A Trim pot on the rear of the pedal further controls the saturation of the gain stage, bringing natural sounding compression and sustain into play. Bass and Treble controls provide tone shaping as you would find on a classic amplifier. Use as an "always on" drive pedal or switch in for a gain boost with a classic edge whenever the mood needs it.

Classic 1960's black panel amplifier tones
Level and Gain with Trim pot for drive & saturation settings
Bass & Treble EQ controls
True bypass switching
Batteries9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Level, Gain, Bass, Treble, Trim & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g

In the box

The box for this item contains :

Reissue series 6ixty 5ive overdrive pedal
9V PP3 battery

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: Liftoff with the EHX Spruce Goose Overdrive!

Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.

All trademarks are the property of their respective owners.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023

Notes: Improves your overall tone

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA

Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz

Notes: Sculpt your tone to any shape with the LPB-3!

The effect that launched Electro-Harmonix gets a makeover with the Electro-Harmonix LPB-3 Linear Power Booster & EQ. With an active EQ featuring a powerful Parametric Mids control and up to a walloping 33dB of boost, the LPB-3 is the perfect tool for any tone tailoring task. Boost your sound into saturated bliss with transformative precision like never before.

Housed in EHX's Nano-sized chassis, the LPB-3 is capable of boosting up to +33dB of clean gain with the powerful tone shaping of a 3-band EQ with parametric Mids. The active 3-Band EQ features TREBLE and BASS knobs to control the highs and lows plus a powerful parametric Mids control with adjustable MID FREQ and Q. BOOST sets the overall output of the pedal with the MAX switch toggling between 20dB and 33dB of maximum boost. Use the PRE-GAIN knob to fine-tune the total gain and volume of the boost.

This booster pedal's additional features include selectable Buffered/True Bypass switching and internally extended 30V power rails for enhanced headroom.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 120mA
Year Released: 2024

Notes: Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Styrmon's meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.

The second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analogue JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.

Notes: Sync all your time-based devices, seamlessly move through preset setlists, and simplify tempo matching with the Canvas Clock! Designed for any kind of rig you throw at it and deeply customizable, users can put their full trust in the Clock to be an all-in-one tempo solution for their board.

The Canvas Clock can interface to any device in your rig that accepts clock signal, whether MIDI, (via the 1/8 in or 5-pin MIDI ports) or analogue (via the 1/4 in jacks). Clock will send time signals for both MIDI and analogue devices, and will continue to do so as you move through your song list or manually adjust the tempo. As you edit, save, and recall songs in real-time or via the online editor at walrusaudio.io, Clock will send your specific settings for whichever song you are currently on out to all of the time-based devices you are connected to.

Customize your Clock

The four 1/4" in jacks aren't just for sending tempo. They can each be assigned one of four functions:

Tempo Out - Connect to any pedal or device that accepts external tap inputs or analogue time controls (ex: Walrus' Arp-87 Delay or Monument Tremolo). Canvas Clock can send analogue clock and MIDI clock at the same time. No more relying on your feet to keep perfect time.

CV (Control Voltage) Out - Control any device that accepts CV. Good for Analog Synths, Drum Machines, or similar devices.

Switch Input - Each jack can be configured to receive input from two external footswitch controls. The switches are connected to the Tip (left) and Ring (right) of the associated 1/4 in jack. These can be assigned to many functions available on the pedal with the ability to add more options via a software update.
Expression In - Connect an expression pedal, and use it to send a MIDI CC message out to a pedal connected to the Clock. The "Toe Down" and "Heel Down" values can be adjusted to fine-tune the controlled parameter range. Use this to adjust the mix of a reverb or the depth of a tremolo (via MIDI out).

Footswitches

Footswitches for the Clock are customizable. Eliminate the "bending over between songs to make adjustments portion of a set" by assigning one of the onboard functions to the A and/or B switches:

-Advance to the next song
-Go back to the previous song
-Advance to the next setlist
-Go back to the previous setlist
-Toggle the metronome start and stop
-Global tap tempo

Sync

The "Sync" jack found on top of the pedal can be set in two ways:
-Input - Great for accepting BPM from an external source.
-Output - Great for syncing external devices, such as a Eurorack device, a Roland Volca Synth, and many other devices.
Some external devices send/receive clock signals that are "double" the standard timing signals, so Walrus included the option to send/receive a 1x or 2x signal, depending on the specific device's needs. Users can also determine the subdivision of the BPM to send out.

Metronome


If active, the Clock metronome can be heard via the MET OUT port at the top of the pedal. This signal can be sent to a front of house console for live gigs or a monitor for practicing. Metronome type, volume, and accent note controls can all be edited in the Metronome Menu.

Songs

There are 128 "Song" slots available to users in the Canvas Clock. You can think of each song as an editable preset where you can adjust the song name, meter, BPM, MIDI Macros, and metronome start or stop. Once your song is edited to your liking, every time it is recalled it will operate just the way you set it!

Setlists

Keeping your songs organized is crucial for live sets, which is why with the Clock, songs can be grouped together and navigated through easily using the Setlist feature. Once you access setlist settings, you can select songs from your master song list to curate and reorder in the way you'd want them for a gig or practice. Once your setlist is saved and active, going through the setlist in real-time will recall these songs and all their settings in the order you curated them for that setlist.

MIDI Macros

For the MIDI-minded players who may want further control over their rig, there are standard MIDI commands that can be triggered when you recall songs with the Clock. MIDI Macros allow users to create one or a series of MIDI CC or PC messages that get sent out of the Canvas Clock when a specific song is recalled. Users have 128 adjustable Macros with 15 messages per MIDI Macro, which can be useful in further dictating how you want your MIDI devices to behave during certain songs, (ex: bypassing some pedals but engaging others).

Walrusaudio.io

While you can edit and customize your Canvas Clock settings using the menu on the pedal, users can also connect the pedal to a computer via the USB-C port and customize their Clock with the Canvas Clock Editor web-app. Quickly and easily set up songs, edit your Setlists, edit MIDI Macros, and more. Firmware updates will also be available via this site as well.

Specs

Power:
9VDC, 300mA,
Center-Negative, 2.1mm center pin OR Powered via USB-C
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
Computer Connectivity: Requires Chrome web browser on either Windows or Mac OS. Visit walrusaudio.io to use the Canvas editor and get firmware updates when available.
Enclosure: 2.3" x 2.96" x 4.84" including jacks & knobs

Hardware

Preset/Menu Encoder and Switch
Tempo/Save Encoder and Switch
Footswitch A
Footswitch B
1/4" Jack 1 (TS or TRS)
1/4" Jack 2 (TS or TRS)
1/4" Jack 3 (TS or TRS)
1/4" Jack 4 (TS or TRS)
MIDI In/Out (5-pin DIN)
MIDI In/Out (1/8th" TRS cable)
Sync (1/8th" TRS cable)
Met Out (1/8th" TRS cable - not intended to drive headphones, please plug into high impedance input)
USB-C

Notes: The original Diamond VIBRATO was conceived in late 2006 with a simple yet ambitious idea: crafting an analogue, true-pitch Vibrato pedal, built around the revered MN3007 bucket brigade chip and promptly became one of the world's most coveted and sought-after Vibrato pedals.

Now, nearly two decades later, the new Diamond VIBRATO is not only back - it's better than ever. This latest and greatest version of the VIBRATO incorporates decades-worth of end-user feedback, better tech, maximum efficiency, modern features, a meticulous redesign for enhanced player experience and the signature Diamond quality that made the original pedal so great.

This reinvented and coveted classic is now available in an updated, compact package, plus the first run of 800 pedals is equipped with NOS Panasonic MN3007 BBDs.

Half the size, all the sound

Don't let the size cause you to underestimate the power packed within. We've managed to stuff all the VIBRATO's analogue audio path, Compandor and BBD Delay circuits in pedalboard-friendly sized enclosure. By using dual stacked PCB's, we've not only optimised space but also enhanced the isolation of the audio path from the power and switching circuits. Add top jacks, soft-touch True Bypass switching, and standardized negative-centre 9-18 V DC input with polarity and over-voltage protection for a bulletproof pedal ready for any gig.

Analogue BBD delay line

At the heart of this pedal lies the revered MN3007 Bucket Brigade Delay chip, renowned for its ability to create the rich, organic, and warbling Vibrato & Chorus tones which make the sounds of the 70s and 80s guitar icons. The MN3007 infuses its signature character to your guitar signal-delivering a natural, liquid-like pitch modulation with a rounded vintage texture and mojo that is missing from modern digital counterparts.

Compander magic

The Compandor Circuit adds warmth and complexity by controlling your dynamics. Acting as both a compressor and expander, it not only gives the VIBRATO its signature feel and response but also reduces much of the noise inherently found in BBD technology. Borrowed from the Memory Lane Jr., the updated compandor design in the VIBRATO provides increased clarity, less distortion and is pre-trimmed therefore will never have to be recalibrated.

Input voltage

While the original VIBRATO could only be powered by an 18 V DC reverse polarity power supply (internally regulated to 15 V DC) - the new VIBRATO offers a much more versatile 9-18 V DC operating range. The voltage is internally regulated based on the power input and as a result, the pedal will sound slightly different depending on operating voltage as the clock frequency will shift.

For classic, pristine and lush Diamond VIBRATO tones with added headroom, power the pedal at 18VDC like the original. Powering it at 9 V DC will add a bit more colour and warble - much like the "High Mode" in the original big-box VIBRATO. You can take advantage of the added range or just dial back the depth. Better yet, grab a Cioks power supply and try it at 12VDC or 15VDC regardless of what you settle on, the Diamond VIBRATO will sound great! As always, it is recommend that you use a good quality, isolated power supply.

Notes: Reach Infinity

Let's dive into a Black Hole!

The Black Hole Symmetry is a Modulated Delay / Pitch shifted Reverb / Destruction Fuzz pedal.

Travel through the Ergosphere, the Event Horizon and the Singularity. The 3 parts of the pedal which can be played together or separetely.

Each pedal is designed, assembled, tested and numbered by hand in the Collision Devices workshop in France.

The B.H.S. has a lifetime warranty.

3 effects, one pedal

Singularity

Destruction Fuzz
The single setting "Disintegrate" allows you to raise your sound.
Forget the fact that your drummer plays loudly.
Settings :
Desintegrate : Volume setting with a huge fuzz.
Protect your ears please.

Event horizon
Pitch shifted Reverb
Long reverb based on the FV1 chip.
Harmonizes the reverb signal with a pitch shifter.

Settings:
Mix: Proportion of wet signal in the mix
Echo: Echo time (max 15s)
Radiancy: Proportion of pitch shifter in the echo signal
Pitch: Shifts the pitch of the note

Ergosphere
Modulated Delay
Based on the PT2399 chip to have a warm echo.
The echo signal is modulated by two oscillators.

Settings:
Mix: Proportion of wet signal in the mix
Time: Time between each repetition (From 0s to 1s)
Feedback: Number of repetitions
Modulation: Proportion of modulation in the delay signal
Speed: Speed of the main oscillator
Trimmer: Speed of the triangle oscillator

Specifications

Maximum current draw: 250 mA
Input Impedance: 1 MOhm
Size: 186 x 119 x 56mm

The use of an isolated power supply is recommended for powering all Collision devices Pedals.

Power supply not included.

The pedal is true bypass

Lifetime warranty

Voltage: +9V DC (negative center)
Output Impedance: 1 KOhm
Weight: 200 grams

Notes: Introducing the Octa Psi Transfigurating Fuzz Pedal, the ultimate combination of polyphonic Pitch-Shifter, Octave Generator and Analog Fuzz! Imagine merging a powerful pitch-shifter, octave generator, and analogue fuzz into one intuitive pedal. With the new Octa Psi, we've made that dream a reality!

Octave/Pitch before or after fuzz? Well, now you can experience the best of both worlds, simply by holding down both foot switches on the Octa Psi at the same time to switch the effect order. For even more control, a quick double-tap of the Blend switch allows you to seamlessly toggle between an All-Wet effect or a Wet/Dry blend, while with a simple press and hold of the Fuzz switch, you can seamlessly shift between momentary and latching octave modes, giving you immense additional options to tailor your sound.

The polyphonic octave and pitch shifter features three distinct modes: Up, Down and Dual. These unlock an array of possible harmonic intervals ranging from power chords to stacked fourths and even diminished chords across a +/- two octave range.

Momentary mode is perfect for wild dive-bombs and multi-octave bends, while an adjustable ramp speed adds creative flair by letting you control pitch bending just as if you had an in-built expression pedal on board.

With its all-analogue, transistor-based fuzz circuit, Octa Psi brings wave after wave of gain staging, making your pickups sound enormous and leading to full on hard clipping and immense tones on tap. With the three-way tone switch, you can easily dial in your desired fuzz tone by switching between the Scoop, Punch, or Psi bass response modes.

Octa Psi is not only powerful, but also it is beautifully designed for simplicity and durability. Its high-octane circuitry is housed in a proprietary angled aluminium enclosure, combining stunning looks with rugged functionality.

Upgrade your sound and explore new sonic possibilities with the Octa Psi Transfigurating Fuzz Pedal.

Notes: A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 M ohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices Buffer/Preamp will restore your tonal integrity, to give you back the clear and dynamic signal you deserve and your amp craves.

Want more? Not only will Buffer/Preamp restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension. While it is commonplace to add a buffer at the beginning of the signal chain, we find this to best at the end for optimum results. That said, it'll work great anywhere you decide to place it. For best results, make sure the EarthQuaker Devices Buffer/Preamp is placed AFTER any fuzz pedals that typically like to see the guitar at their input.

Notes: The classic Pantheon pedal gets even better with this Deluxe version. Two independent overdrive circuits give you classic Blues Breaker-style tone plus modern boutique sounds.

Supplier's Notes:
The now legendary Wampler Pantheon provided a unique interpretation of the classic "Blues Breaker" style stomp box, by capturing all the tonal nuance of the original, but with added flexibility and style. In doing so, it found its way onto thousands of pedalboards across the world. Enter the new Pantheon Deluxe - a dual overdrive pedal that takes this evolution several steps further by offering a flexible design with two completely independent Pantheon circuits, one voiced as a classic blues breaker and one with a more modern boutique sound. This palace of tone delivers a staggering 200 combinations of gain settings, featuring dual Inputs and Outputs, and for the first time ever, Wampler have added MIDI channel switching to one of their gain pedals.

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel. Independent side mounted Voicing and Gain Level switches allow you to further shape your tone to perfection.

DOUBLE UP

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel.

ALWAYS THE RIGHT FIT

Each Channel of the Pantheon Deluxe Dual Overdrive feature independent Gain, Level, Treble, and Bass controls to enhance the shaping of your tone. The Baxandall-style active Bass control is neutral at noon but boasts an extremely powerful sweep as you move through the range. A single global Presence control simultaneously alters each channel to add just the right amount of top-end chime to suit different guitars and amplifiers - perfect for when playing live or when in the studio.

MAXIMUM CONNECTIVITY

With the addition of MIDI In and Out, you can now also switch the analog channels of each circuit on and off with a MIDI switcher - saving you valuable hardware loops on your loop switcher. With dual analog inputs and outputs, you can split both channels in a loop switcher, insert pedals between each side, or run in stereo.

BUILT FOR FOREVER

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Pantheon Overdrive. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds its forever home on your pedalboard, so we built it to last that long.

TECHNICAL DETAILS

Built in the U.S.A
Dual Independent drive channels using Brian Wampler's classic Pantheon circuits; Channel 1 Classic Blues Breaker voicing, Channel 2 Modern Boutique voicing.
Independent Volume, Gain, Treble and Bass controls for both channels, global Presence control, front mounted Channel Order Switch, side mounted independent Gain Level and Voicing switches, MIDI In and Out (3.5mm TRS) and 2 sets of input and output jacks.
Top-mounted jacks make pedalboard placement effortless
Power draw: 55mA
9-18V power jack: DC supply only, do not exceed 18V DC, battery Included.
Includes Wampler's limited 5-year warranty
5" x 4.5" x 1.5" (88.9mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analog Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Granular soundscape generator
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms
Powerful dual DSP architecture with individual feedback paths
Combine delay programs in series with granular sampling algorithms
5 programs centered around sample and chop delay algorithms
Program 1: Reverse Delay into Reverse Granular
Program 2: Forward Delay into Octave Up Granular
Program 3: Analog Delay into Octave Down Granular
Program 4: Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
Program 5: Forward Delay into Randomized Pitch Granular
Manipulate sampling length, position and buffer size of grains (short samples)
Play grains at double- or half-speed, reverse or from multiple positions to achieve different effects
Tap Tempo switch
Top-mounted Input and Output
Coated in a slate grey enclosure with white, black, cream, red, and orange ink
9-volt DC, Centre Negative, 300mA minimum
Buffered bypass
Power supply not included.
Designed and assembled in USA

Notes: Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.