Back catalogue:

Review: It has been a bit of a while since we heard from edit king and seductive groove maker Late Nite Tuff Guy. Thankfully now he is back after his hiatus with more of his brilliance in the form of a third entry into his Soul Cut series. He brings his magic fingers to a pair of dazzlers here, with a hearrt-wrenching version of a latter yaers Motown anthem, with a modern update that leaves the original vocals in place but adds a little more drum weight. On the flip, 'Don't Look' is a much more smoochy and seductive late-night sound for cosy dances.

Review: Late Nite Tuff Guy's Soul Cut #04 offers three expertly crafted edits that breathe new life into classic 70s tracks, blending disco, jazz, funk, and pop into a seamless listening experience. On Side-1, 'Beijo' sets the tone with a smooth, disco-infused reimagining of Earth, Wind & Fire's classic interlude. The track has a light funk undercurrent, creating a vibe that's perfect for dancing all night, with a Balearic twist that adds a fresh touch to the original. Side-2 kicks off with 'Sunshine,' a tasteful edit of Roy Ayers' iconic 'Everyone Loves the Sunshine.' Late Nite Tuff Guy maintains the soulful essence of the original while adding his own groove, making it a perfect summer anthem. The EP closes with 'U Got It Bad,' a rendition of Stevie Wonder's 'You've Got It Bad Girl,' reworked into a smooth, jazzy track that's both nostalgic and timeless. An excellent 12" for fans of classic disco, funk and jazz, with a modern twist.

Review: Nearly 12 months on from the release of the first sneaky Soul Cut 12", Late Night Tuff Guy delivers the follow-up. Like its' predecessor, Soul Cut #02 features a range of tracks that variously blur the boundaries between re-edits, remixes, and sample-heavy original productions. While "Number 1" offers an attractive, seductive scalpel rearrangement of a typically stuttering and synth-laden '80s soul/boogie jam, opener "That's The Way" is an enveloping deep house jam with a pleasingly metronomic, head-nodding pulse. As for "Nothing Can Keep", it sounds like a subtly housed-up rework of sumptuous disco-soul classic. As usual, it's impeccably produced.