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The CURE / VARIOUS
Just Like Heaven: A Tribute To The Cure (limited coloured vinyl 2xLP)
Cat: ALAU 181.
Indie/Alternative
Joy Zipper - "Just Like Heaven"
Tanya Donnelly & Dylan In The Movies - "The Lovecats"
The Brunettes - "Lovesong"
Kitty Karlyle - "In Between Days"
Dean & Britta - "Friday I'm In Love"
Luff - "Jumping Someone Else's Train"
The Submarines - "Boys Don't Cry"
Elk City - "Close To Me"
The Rosebuds - "The Walk"
Class Actress - "Pictures Of You"
Cassettes Won't Listen - "Let's Go To Bed"
Devics - "Catch"
Julie Peel - "A Light Like This"
The Poem - "10:15 Saturday Night"
Black Francis & Violet Clark - "A Strange Day"
The Wedding Present - "High"
Review: American Laundromat are probably the best-known label for themed cover compilation albums. They evidently have an impressive phone book having drawn in some all-time greats to do justice to the goth rock godfathers, The Cure. The Wedding Present, Tanya Donnelly (Throwing Muses, The Breeders), Devics, Grand Duchy (Pixies' architect Black Francis with Violet Clark) are among the best known here. In terms of those who bring their own style and transform the original, it's worth noting The Poems performing '10:15 Saturday Night' and Elk City performing 'Close To Me'. Truly outstanding.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $40.39
(No payment required now - pay when released)
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Review: This expanded vinyl edition plays like a love letter to distortion, atmosphere and the spaces in between. Robert Smith — the Crawley-born architect of dream-pop dread — doesn’t just sign off on the remixes; he threads them into something tactile and deeply referential. On wax, everything breathes more. Craven Faults’ rework of ‘I Can Never Say Goodbye’ stretches across the grooves like a slow fog; you can almost hear the reverb decay. Trentemøller’s version of ‘And Nothing Is Forever’ pulses with distant thunder, while Ex-Easter Island Head bring a kind of percussive drone minimalism that feels at once ancient and alien. The inclusion of post-rock outliers like Mogwai and 65daysofstatic leans into the format’s cinematic sprawl — these are not just remixes but alternate timelines. Smith curates the artwork, adds handwritten notes, sketches, fragments of ephemera — each fold and crease of the tri-gatefold sleeve feels intentional. Even the sequencing feels weighted: Four Tet and Anja Schneider on one end, Twilight Sad and Moreno on the other. This isn’t just a deluxe package — it’s a monument. A showcase of how far The Cure’s music can stretch, bend and re-form without losing that original ache.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $49.78
(No payment required now - pay when released)
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Review: Across two records, this trimmed-down version plays like the sleekest statement of intent: less a full retrospective, more a distilled transmission from Robert Smith’s inner sanctum. From the moment Paul Oakenfold’s ‘I Can Never Say Goodbye’ rework opens proceedings — lush strings, half-submerged vocals, and a cinematic pace — it’s clear that curation, not just contribution, has shaped the form. Orbital turn ‘Endsong’ into a glistening spiral of sequencers and tension, while Sally C’s raw house take on ‘A Fragile Thing’ ups the pulse without disturbing the gloom. Smith — still unmistakably the same outsider from Crawley, West Sussex — guides things with restraint, letting the space speak louder than the noise. Four Tet’s version of ‘Alone’ closes the first disc like a forgotten lullaby, cracked and glinting. You don’t get every remix — the more textural, post-rock turns are gone — but you do get a sharp cross-section that keeps faith with both atmosphere and momentum. It's the kind of record that feels designed for the night: not to lift it, exactly, but to sink into it willingly, track by track.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $37.35
(No payment required now - pay when released)
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Review: More than four decades after he first appeared in smudged eyeliner and a mop of jet-black hair, Robert Smith is still finding new ways to pull his music apart and stitch it back together. This new remix collection — assembled and curated by Smith himself — feels less like a victory lap and more like a restless dissection of a legacy he’s still actively shaping. The collaborators here are hardly incidental: Four Tet, Orbital, Âme, Chino Moreno, Mura Masa, Trentemøller, Mogwai. It reads like a list built by someone still hungrily tuned into the present, not stuck in the past. And true to form, the results are all over the place — a feature, not a flaw. Some tracks lean into grandeur: Paul Oakenfold’s take on ‘I Can Never Say Goodbye’ opens with all the sweeping melodrama you’d expect, while Daybreakers stretch ‘WarSong’ into widescreen synthwork. Elsewhere, Shanti Celeste and Ex-Easter Island Head bring a strange intimacy to ‘Alone’, teasing out its ache with a different kind of spaciousness. At times, you wonder if Smith enjoys seeing how far his work can be bent before it breaks. But it never does — even filtered through others’ hands, his sense of tension, drama and deep emotional unease holds everything together.
… Read morePre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $15.48
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Review: Robert Smith has always treated remixing less like revision, more like ritual — a habit that’s followed him since his days in Crawley, West Sussex, piecing together worlds from scraps. This triple-disc release feels assembled with obsessive care, mapping out every possible mood lurking beneath the surface. There are club-ready flips, yes — Sally C, Danny Briottet and Gregor Tresher all push the rhythm forward — but they sit beside glacial pieces that feel more like haunted sketches than reworks. Mura Masa’s take on ‘All I Ever Am’ is disintegrated almost beyond recognition, its vocal a flickering memory. Mogwai’s ‘Endsong’ feels like the end of the world in slow motion. Even Chino Moreno turns in something striking — ‘WarSong’ morphs into a sludgy howl with heat-warped edges. But it’s the sequencing that surprises: these aren’t bolted together, but grouped in arcs, as though Smith were arranging the bones of an old idea into something still alive. Four Tet’s version of ‘Alone’ is a high point — deeply textured but featherlight. What matters is the feeling of being drawn somewhere, and Smith’s hand never letting go.
… Read morePre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $15.77
(No payment required now - pay when released)
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