Back catalogue: Coldwave/Synth

Review: The world seems to be rapidly splitting in two again, or perhaps separating into 200 or so pieces, division driven by simple minds. So Vision's Checkpoint Charlie is certainly a release for our times. After just two decades in which planet and people at least pretended to be actively striving to unite, the rhetoric of nationalism, distrust, and imperialistic ambitions has returned to the main stage.

At times like this, what do you need? How about a huge synth pop anthem that sounds like it was created in the latter stages of the Cold War, boasting lyrics like "Don't fight love now", an apocalyptic air to the melodic refrains, and these huge, punchy drum beats? Instantly impactful, if the music industry was as it used to be when Checkpoint Charlie was in operation as one of the few places to legally cross from East to West Berlin, this would likely be the week's highest new Top 40 entry.

Review: Volksmusik's Underground is a captivating release on Unusual Systems, featuring five dance tracks that fuse various darker subgenres into a compelling electro house hybrid. The album explores dark wave, EBM, and electro techno, creating a unique sonic experience. Side-1 opens with 'Underground,' an uptempo track with a darker Italo house feel that captures an 80s futuristic vibe. Following is 'The Force,' a dynamic piece with engaging lyrics that blend a Nu-Romantic vibe reminiscent of Visage. Side-2 begins with 'Glowing In The Dark,' maintaining the album's dark and atmospheric tone. 'Snake Island' shifts towards a darker rock sound, verging on Goth rock, adding variety to the album's texture. Closing the release is 'We Danced,' which infuses an EBM edge, rounding out the collection with its energetic and intense rhythm. Underground stands out for its innovative blend of genres, making it a great release for fans of dark, electro-infused dance music.

Review: The esteemed gang at Dark Entries have been hard at work on another one of their always eye opening compilation. This time they turn their focus to Mexican new wave and post-punk on the 10-track Back Up: Mexican Tecno Pop. None of the tunes here have ever made it to wax before and they come with a 12 page magazine that is packed with extra context, lyrics and bios about the artists. The tunes all shine a fine light on the flourishing DIY scene that was present in 1980's Mexico when much of the world's focus was on the more well documented synth pop and obscure electronics from Europe and the United States.

Review: 80s Techno Tracks is an essential compilation series for those looking to complete their collections of retro classics. The third vinyl edition of this series of ZYX is another doozy that contains 12 carefully selected gems from the earliest days of techno and despite the fact these are around 40 years old they still do damage on the dancefloor. The likes of Bigod 20, Song, Robotiko Rejekto, Scarecrow, technic and Aircrash Bureau all feature with authentic old-school tracks that wear their hardware aesthetics on their sleeves and cannot fail to make a mark.

Review: Emotional Response has described soFa's fourth compilation for the label as "internationalism for the adventurous DJ", full of club music for the open-minded. It's basically an eclectic, esoteric musical travelogue that serves of intriguing, entertaining and admirable electronic music for those of a leftfield persuasion. There's much to enjoy, from the undulating melodies, off-kilter beats and mind-soothing chords of Infuso Giallo's 'Torus', and the moody techno-not-techno wave minimalism of Puma & The Dolphin ('Grass Drum'), to the analogue-heavy cold-wave dystopia of Houschyar ('Intercontinental'), the dark ambient techno of Lamusa II ('Artificial') and the tribal tinged electronic psychedelia of Bolva ('Rite II').

Review: Italia Synthetica 1981-1985 is a reissue of a 2013 compilation which details a selection of synthpop, new wave and minimal electronic bands and artists from Italy in the early 80s. Spittle Records did divine work in sourcing and collating this collection ten years ago, not least since it's what they do best. Conceived and presented by veteran Italian singer and producer and beloved member of the scene himself - Fred Ventura - highlights like Neon's 'Lobotomy' and Actor's Studio's 'Dancing Alone' do well to represent the punkish and slapdash attitude of this flourishing yet short-lived scene. It nevertheless paved the way for the rich musical landscape Italy's underground enjoys to this day.