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Startseite  Back Catalogue  Classical

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Back catalogue: Classical

Juno's full catalogue of Classical
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Alben
Basho/Still Forms
Basho/Still Forms (LP + MP3 download code)
Cat: SPGRM 012LP. Rel: 12 Jun 25
Beatrice Dillon - "Basho" (20:43)
Hideki Umezawa - "Still Forms" (17:11)
Review: Portraits GRM offer a split release between Beatrice Dillon and Hideki Umezawa, riffing on 'basho' and Baschet respectively. Dillon's 'Basho' is shaped on the mortar of a Japanese philosophical concept: conceived by Japanese philosopher Kitaro Nishida, basho describes a post-physical plane in which experiences and thoughts interconnect, dissolving subject-object distinctions. Dillon and Umezawa's music both resist fixity, reactivating the listener's attention by way electronic sounds stripped of origin. Umezawa's 'Still Forms', however, contrasts Dillon's firm-footed techno curtails with an entirely beatless piece, exploring the sonic potential of Baschet sound structures: experimental instruments developed in the 1950s by Bernard and Francois Baschet. Electroacoustic cognitions branch out like newly grown synapses on this fresh 12".
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! low stock $23.52
Ostranenie
Ostranenie (LP + booklet)
Cat: RM 2072. Rel: 10 Jun 25
What Lies Beneath 3 Arp (2:45)
What Lies Beneath 2 (3:11)
Forrest Gump (4:34)
Spiderman (2:55)
Chilling Adventures Of Sabrina (2:09)
Mad Men S04 1 (4:27)
Mad Men S04 2 (1:16)
Stranger Things S02 E07 (3:38)
Stranger Things 2 (3:48)
Stranger Things 3 (3:57)
Reacher S01 E07 (1:55)
Reacher S01 E08 (2:31)
Irma Vep S01 E05 (2:13)
Review: A striking collection of digitally manipulated piano pieces, each one of them on this album are named after iconic films and TV shows. They are all crafted late at night as a response to passive media consumption and aim to blur the line between classical impressionism and contemporary digital manipulation. Drawing inspiration from Viktor Shklovsky's concept of "ostranenie" (which means estrangement), the work challenges habitual perceptions and makes the familiar feel strange. The music oscillates between mechanical MIDI chaos and intimate, fragile moments that question the emotional stakes of sound in a world where technology can often flatten deeper meaning. It's a profound exploration of art's role in resisting the numbing effects of mindless routine and endless immersion culture.
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 in stock $42.30
The Sims 25th (Soundtrack)
VARIOUS
The Sims 25th (Soundtrack) (gatefold clear & neon green pinwheel vinyl 2xLP)
Cat: ETR 229LITA. Rel: 10 Jun 25
Now Entering (3:43)
The Neighborhood 3 (2:03)
Groceries (2:29)
Frolicking Wind Dancer (5:36)
Mall Rat (2:43)
The Sims 2 (Theme) (4:25)
Busy Sim (3:37)
Sim Time Sim Place (1:09)
Simsation (2:56)
Sim Builder (3:27)
Credits (1:10)
The Sims 3 (Theme) (1:53)
Consumerism Simplified (2:56)
Some Assimbly Required (2:55)
Verisimilitude (2:57)
Constructive Simicism (2:52)
Striking Similarities (2:58)
It's The Sims (The Sims 4 Theme) (2:14)
Take This (3:19)
Me Too (2:42)
Sul Sul (3:08)
Josine (3:17)
Test Card 6/8 (3:30)
Review: A quarter of a century is a long time in any form of media or entertainment. But when it comes to video games and music, it might as well be a full century. What feels like a lifetime ago, in 2000 The Sims helped define a playable genre that had only seen niche popularity in the past with titles like Little Computer People and Creatures, and more mainstream attention with the standalone pet-in-your-pocket craze kickstarted by Tamagotchis. Breaking open the barriers between regular folk and the idea of living an entire life through a character on screen - now something we've become very used to - The Sims was revolutionary and appealed across the board. So it needed a soundtrack that could do the same. And that's exactly what it got. Beautifully immersive piano overtures, bouncy chip tunes, the kind of tracks you might find on a home shopping channel interlude... you get the point.
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 in stock $72.82
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