ROY ROSENFELD Schallplatten & CDs

Review: Charming, buttery "tropical" melodic house from Sebastian Leger and Roy Rosenfeld in the form of 'Panko Day', a surefire sunset favourite, whose restorative tones were first heard from Leger's own DJ set at Camino Riviera, San Diego. The new track takes its name from Japanese panko, a form of light breadcrumb used to create a crispy coating on fried foods; only an unruffled head and body-space could possibly engender the kinds of bite-sized, vibe-grazing moods this track implies, with its whistly progressions and simple, bulbous shuffle. The B-side's 'Milka' refers to another readymade snack food, though the track is much more entrancing and modal, chowing down on crunchy layers in the pan mix.

Review: Ghost dancing progressive techno via amapiano from Roy Rosenfeld, bringing a determinedly dark-carnivalesque two-track smokeout to 12" wax. 'Da Vision' extends slippery synths and savanna-brushy sound effects underneath a shuffling tresillo, while 'Get Loose' aims to unburden us from the stresses of daily life through well-sculpted Reeses and pads, as a cascade of vitreous sound befalls the pre-drop breakdown. Overall an impressively atmospheric outing from the London DJ.

Review: Guy J's Early Morning label continues its impressive run with a sophomore release from acclaimed producer Roy Rosenfeld. This two-track concept showcases Rosenfeld's ability to transcend genre boundaries, offering a captivating blend of electronica, tribal rhythms, and vintage synth textures. 'Forgotten' unfolds with a measured intensity, its hypnotic groove and indigenous-percussive influences creating a ritualistic atmosphere. The track builds to a resonant climax, punctuated by deep chords and a melodic break before culminating in a tribal-inspired crescendo. 'Hello' takes a different approach, juxtaposing an 80s arcade aesthetic with high-fidelity beats and ethnic percussion. The result is a mesmerizing blend of old and new, a sonic tapestry that evokes primal imagery while pushing the boundaries of electronic music. Rosenfeld's latest offering is a testament to his creative vision, a captivating journey that will appeal to both home listeners and dancefloor enthusiasts.

Review: Roy Rosenfeld has ben a mainstay of the All Day I Dream label for a while now, but he keeps on serving up the goods, so why not? His latest outing is another balmy and breezy house meditation that arrives just in time for lots of outdoor dancing, which is where this music best suits. 'Simi' is the long form opener which takes up the while of the A-side with its rolling beats, wispy melodies and gently uplifting atmospheres. 'Sansi' offers more dreamy and hypnotic sounds as does 'Moonshine', which might be the most enjoyable of the lot.