LUXXURY Schallplatten & CDs

Review: LUXXURY's 'Reworks Volume 7' serves up irresistible disco edits, transforming classics into fresh, dancefloor-ready versions with a signature flair. Opening with 'Is It Real, Now?', LUXXURY reimagines Empire of the Sun's 'Walking on a Dream' into a more melodic and expansive experience, adding layers that amplify its epic feel. On 'Rap Chore', Blondie's 'Rapture' is slowed down to a funky, slick groove, highlighted by a smooth guitar riff that enhances its iconic cool factor. Side-2 kicks off with 'Groove Prove', a classy, disco-infused take on Madonna's 'Get Into The Groove', capturing the catchy energy of the 80s with a fresh twist. Finally, 'Disco 82' brings a late-night Latin-inspired vibe that's perfect for setting the mood as the night unfolds. Each track offers LUXXURY's unique touch, making this collection of edits a must for fans of inventive and stylish disco reworks.

Review: After the first pressing sold out in quick time back in August, LA producer Luxury has done the right thing and opted to repress this collection of reworks. So, if you're after a touch of dancefloor opulence, this series in which he breathes new life into everything from yacht disco gems to platinum-selling rock anthems could be for you. The producer is in good form on volume five, variously offering up a swirling, gently dubbed-out and pleasingly Balearic take on a pop rock favourite ('Into The Future'), a throbbing revision of a poodle perm-sporting synth-pop/soft rock anthem ('Burn Burn Burn') and a chunky, tactile, disco-tinged, soft-focus re-imagining of the George Michael-esque ('Tonight'). Naturally, all are tastefully executed and add more than enough low-end weight to please contemporary dancefloors.

Review: Los Angeles' producer Luxxury has long specialised in the kind of opaque, warming, stylish and melodious fare that tends towards the timeless - retro-futurist, yacht-rock-tinged fusions of disco, AOR, synth-pop, boogie and blue-eyed soul that sounds like it was tailor-made to listen to while cruising down the Pacific highway in an early '80s convertible. Alright, his latest album, sees him subtly tweak that sound further and in the process deliver his most consistently entertaining full-length excursion to date. Our picks of the plentiful standouts include the slap-bass propelled dreaminess of 'Somebody Tonight', the radio-friendly dancefloor delight that is 'Be Good 2 Me', the yacht disco goodness of 'I Need Somebody' and the kaleidoscopic, filter-sporting lux-pop of 'Alright'.

Review: LUXXURY (born Blake Robin) is the LA Beatmaker who really comes correct on this new EP on Nolita Records. It features four of his freshest tunes to date and if the title is anything to go by it could be the start of a fine new series. Things start all sensuous on 'Let's Stay Together' before the stylish cosmic disco Rhdoes and smooth grooves of 'Don't Give Up (I Believe In You)' and breezy, hip swing charms of 'Pleasure' make a great impression. 'Two Hearts' rides on nice languid bass riffs and last of all comes the upbeat, piano laced and hands in the air jam, 'Hold On (Crackazat remix).'

Review: Luxxury has been responsible for some barnstorming edits already over the course of his career, so hopes are naturally high for the Los Angeles-based producer's latest collection of beefed-up reworks. He hits the ground running with a chugging, tastefully tweaked rework of George Michael's 'Careless Whisper', which makes the track sound like a cosmic take on Sade (that's a good thing by the way), before heading to 80s rock/electrofunk fusion on 'Black Curtains'. Over on the flip, 'Black Magic Reaper' is a drifting, dubbed-out Balearic blues gem, while 'We're All Gonna Die' is a subtly house-infused, electric-piano laden disco dancer of the highest order.

Review: Best known for offering up a mixture of brightly coloured nu-disco and synth-tastic disco-house, Luxxury has always had a lesser-known side hustle as a re-editor and bootleg remixer. It's this hat that he's working on "Luxxury Reworks Volume 2". Up first is "Uh Huh, I Like It", a rolling, house-style revision of a reggae-fired disco favourite smothered in chunky beats and filter sweeps. He turns his attention to a slightly lesser-celebrated disco gem on "Do Ya Think I'm Turkish?", successfully lightly tooling up a Moog-laden Middle Eastern cover version of Rod Stewart classic "Do You Think I'm Sexy?", before unleashing the EP's standout moment on side B. Chugging, tactile and more loved-up than an MDMA-fuelled swingers party, "I'm Petula" is as sweet an AOR disco edit as you'll hear all year.