Review: The long-gestating follow up to 1992's initial instalment, Black Aria II would finally arrive in 2006 after years of discussion from Misfits/Samhain horror-punk visionary Glenn Danzig, and further his exploration into the cavernous realms of modern classical dark ambience. Conceptually based around Lillith, the first wife of Adam, the material here is far more minimalist and starker than its gothic predecessor, while utilising a more varied array of instruments on top of the pre-established organ and strings, with more Eastern sonic influences to conjure a mercurial vision independent of the preceding volume. Complete with eerie chimes, chants and esoteric lamentations, the project marks one of Danzig's most intriguing works when compared to, say, his Elvis covers compilations, and offers a transportive, biblical, haunting narrative delivered almost exclusively via instrumental atmospherics and insidious gloom.
Review: Danzig and Misfits mastermind Glenn Danzig stepped out solo for this superb cassette release that has had fans fawning. It's a suitably spectacular sequel to the first part of the Black Aria series that was originally released in 2006 and is seen as one of his most audacious ever works. It finds Danzig extends his band's already ambitious, classically-themed project with this time the infamous Lilith, the first wife of Adam, as the main theme. The cover is a super one that features an illustration by the well known Marvel comic artist Bill Sienkiewicz. All in all, a vital reissue of a metal classic.
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