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Review: This compilation serves as a sonic time capsule, collecting the raw energy and diversity a 70s scene with its roots in the UK's suburban music scene. Across three LPs, it highlights punk, post-punk, new wave and ska with an expertly curated tracklist that celebrates both iconic anthems and underground gems. Kicking off with explosive tracks like 'London Calling' and 'Blitzkrieg Bop', the first side sets the tone with pure punk energy. From the urgency of The Undertones 'Teenage Kicks' to the melancholic beauty of Joy Division's 'Love Will Tear Us Apart', it's a journey through the era's emotional spectrum. The inclusion of The Cure's 'Boys Don't Cry' and XTC's 'Making Plans For Nigel' shows the post-punk shift toward introspection and innovation. The second LP leans into eclecticism, blending punk-fueled energy to melodic classics. It captures the intersection of rebellion and refinement. Tracks like Martha And The Muffins' 'Echo Beach' and Pretenders 'Brass In Pocket' add a touch of sophistication with a broader palette of sounds. Finally, the third LP celebrates the ska revival and early synth-pop with The Specials 'Gangsters', English Beat's 'Mirror In The Bathroom' and UB40's 'Food For Thought', before transitioning into more futuristic sounds like Gary Numan's 'Are 'Friends' Electric?' and The Buggles 'Video Killed The Radio Star'. Ending with a nod to the dawn of a new musical era, this collection balances nostalgia with a depth not many others get close to.

Review: The seventh and final installment of this vinyl series hones in on tracks that are sure to keep the dancefloor packed. Pressed on striking transparent blue and green vinyl, this 2LP set is a pulsating collection of club classics that defined the era's nightlife, bridging disco, funk, house, electro, pop and hip-hop into an irresistible sonic melting pot. Side-A starts off with winner and Inner City's euphoric house staple 'Good Life', setting the pace for an album steeped in dancefloor euphoria. Kym Mazelle and Robert Howard's soulful 'Wait' and Coldcut's 'People Hold On' with Lisa Stansfield show the decade's seamless blend of house and pop, while 'Pump Up The Volume' by M/A/R/R/S redefined sampling's role in dance music. S'Express's 'Theme from S-Express' and Bomb The Bass's 'Beat Dis' bring explosive energy, while Technotronic and Rob 'n' Raz keep the tempo high with their club anthems. Late-'80s remix culture shines as Chaka Khan's 'I'm Every Woman' get a modernised update while PWL's glossy, synth-driven touch on 'Sandra' shines brightly. 80s dance legends Bananarama and Samantha Fox are also have vital appearances to the collection. LP2 dives into hip-hop-infused dance with Soul II Soul's 'Back To Life', Ten City's deep-house masterpiece 'That's The Way Love Is' and Neneh Cherry's genre-defying 'Buffalo Stance'. The finale is pure club gold: 'The Only Way Is Up' by Yazz, the thunderous 'Blue Monday '88', and 'Fools Gold' by The Stone Roses. Closing with 808 State's 'Pacific State' and The Beloved's 'Sun Rising', Floorfillers is a flawless time capsule of dance music's late-80s evolution. This double pack is steeped in history while being an excellent range of styles that made the 80s so remarkable.

Review: NOW Presents...12" 80s: Part One - 1980-1982 is perfect for fans of the era and collectors who like the best bang for the buck in a great package. This stunning 5xLP box set features 44 iconic 12", extended, and remixed versions of classic tracks from the early 80s, each pressed on a different vibrant transparent vinyl: red, yellow, green, blue and purple. Kicking off with Blondie's infectious 'Call Me', the collection encapsulates the essence of 1980-1982 with tracks that defined dancefloors, including Grace Jones' sultry 'Love Is The Drug' and Loleatta Holloway's 'Love Sensation'. The set also showcases beloved hits from artists like Olivia Newton-John, Earth, Wind & Fire and The Specials, alongside synth-pop staples from Soft Cell and Duran Duran. Each side of vinyl brings warmth and depth to these timeless tracks, the packaging is elegant, ideal for both display and enjoyment and with its limited edition status and a wealth of classic tracks, this box set is a serious celebration of 80s music. Getting these extended versions separate on vinyl would be quite a task to take on, but thankfully, NOW has done the hard work for us.

Review: NOW Music presents the sixth volume in the NOW That's What I Call 80s Dancefloor series, a two disc compilation pressed on blue and clear vinyl, featuring 30 essential synth-driven dance-pop tracks from the 80s. The collection kicks off with the iconic 'Blue Monday' by New Order, setting the tone for an era defined by the prevalence of synths in pop music. It continues with hits like Eurythmics' 'Sexcrime (Nineteen Eighty Four)', Propaganda's 'Duel' and Animotion's 'Obsession'. Notable tracks from Yello, Paul Hardcastle and Jan Hammer's 'Miami Vice Theme' also make an appearance, encapsulating the energy of early 80s dancefloors. Side two brings synth-pop royalty with Pet Shop Boys' 'Domino Dancing' and the unforgettable 'Together in Electric Dreams' by Philip Oakey and Giorgio Moroder. Other highlights include Frankie Goes to Hollywood's 'Two Tribes', Dead Or Alive's 'My Heart Goes Bang' and tracks by Soft Cell, Spandau Ballet and The Human League. The collection closes with timeless gems like Harold Faltermeyer's 'Axel F', Colonel Abrams' 'Trapped' and Joe Jackson's synth-pop classic 'Steppin' Out', making this compilation ideal for fans of 80s dance music.