Back in stock: All genres

Notes: Ornament & Crime for 1U Intellijel format

This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament & Crime is designed by mxmxmx.

The apps currently available in Ornament & Crime:

CopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).

Harrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate/trigger) inputs.

Automatonnetz combines Tonnetz transforms with a "vector" sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.

Quantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.

Meta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.

Quadraturia is a wavetable quadrature LFO, based on the "Easter egg" in the Mutable Instruments Frames module.

Low-rents is a dual Lorenz and Rossler (strange attractor) modulation generator, partially based on the "Easter egg" in the Mutable Instruments Streams module.

Piqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean "trigger filter" which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.

Sequins is a dual-channel step sequencer offering 4 "tracks" of up to 16 steps each; tracks can themselves be sequenced.

Dialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.

Viznutcracker, sweet! is a quad "byte beat" equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce "byte beat" control voltage sequences. "Byte beats" were first described in 2011 by viznut (aka Ville-Matias Heikkila).

Acid Curds is both a chord quantiser (sometimes called a "harmonic quantiser" for external pitch voltages), and a chord progression sequencer.

References is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.

Width: 30hp
12V: 85mA
-12V: 10mA

Notes: THE SBG-PRO supports mono, stereo, balanced, and unbalanced input and output via 6.35mm jacks with level matching controls with clipping indication. The module features both direct and voltagecontrolled equal power crossfading between wet and dry sources.

Additionally, an expression input, along with the included 'floating ring' cable and conditioned output, ensures safe, voltage-limited CV control of external devices from your modular system.

The module extends its sibling, the original S.B.G, by adding full size stereo balanced jack connections and voltage control focusing more on connectivity with not just pedals but also pro audio equipment including rack effects, 500 Series modules and mixing consoles.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: Tiptop bring the iconic low-pass gate to their range of Buchla reissues. The 292t offers four channels which can be mixed or treated individually, with adjustable modes for low-pass filtering, VCA or the classic low-pass gate combo.

Supplier's Notes:
The 292t is a reissue of Don Buchla's low-pass gate from the 1970s, adapted for the Eurorack modular format. The module consists of four independent low-pass gates (LPGs) and retains the natural, percussive sounds of the original, all of which can be manipulated in real time using control voltages. The 292t allows you to mix up to four sounds from their individual outputs or through a summed output, functioning as a mixdown. Each channel can operate in one of three modes: a low-pass filter with a variable cutoff, a VCA with controllable gain, or a combination of both, producing Buchla's classic low-pass gate effect.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Bring the rhythm of your dreams to life with the 2HP wide Eurorack compatible Clock Divider. This compact but powerful module has been carefully designed to control your rhythmic arrangements with precision and flexibility. Whether you want to create complex rhythmic patterns or just sync your Eurorack modules, our Clock Divider is the perfect solution for any synth lover.

Space-saving design

With its narrow width of only 2HP, this clock divider fits seamlessly into any Eurorack setup without taking up a lot of space.

Versatile partial ratios

Equipped with four outputs for 1:2, 1:4, 1:8 and 1:16 ratios, this module offers you a wide range of rhythmic possibilities. From simple halvings to complex rhythmic structures, you can structure your sounds exactly the way you want them to.

Intuitive visualization

Each of the four outputs, as well as the input clock, are equipped with an LED that gives you immediate visual feedback. This feature makes it easier for you to grasp and adjust the rhythmic structure of your performance or track at a glance.

Reset Input

The handy reset input allows you to reset the divider cycle at any time. This is especially useful for controlling your rhythmic patterns in real-time and ensuring that your setup is always in sync, no matter how complex your arrangements are.

Notes: The MASTER18 is a very flexible generic CV processor.

You can think of the MASTER18 as a smaller and cheaper version of the DROID MASTER without CV inputs and LEDs, but with an integrated USB and MIDI, six additional gate jacks, two of which are inputs and four are outputs.

Details:

It has 8 CV output jacks with a voltage range from -10 V to +10 V, driven by highly accurate low jitter 16 bit DA converters:
2 gate inputs switching at 0.1 V
4 gate outputs switching between 0 V and 5 V
2 MIDI interfaces via MIDI standard B (mini jack)
MicroSD card reader and a button for reloading the MicroSD card
USB C to access the SD card from your computer or to send/receive MIDI MASTER18 comes with two interesting bonus features:
It can be connected to the Sinfonion as a follower of the Harmonic Sync.
It has an integrated tuning device for VCOs (can measure their frequency).

The MASTER18 is a good choice if you intend to just create CVs and don't need to process incoming CVs. It's perfect for building sequencers and MIDI to CV converters. MASTER18 can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

You can attach several different DROID controller modules, such as the E4, the P2B8, the P10, the B32, the P4B2 or the M4 in order to get direct hands on access to all parameters and values of these patches.

Easily create your desired DROID patch utilizing our simple and easy-to-use editor with built in tutorials - the DROID Forge. It is available for Windows and Mac (both Apple Silicon and Intel).

The file created with the DROID Forge is a simple text file named "droid.ini" and needs to be loaded on the micro SD card that goes into the MASTER18.

Notes: E4 Encoder Controller

The E4 is a controller with four rotary encoders.

The encoders look like normal potentiometers, but you can turn them endlessly in either direction. (Don't be fooled by the knobs, which do have a pointer).

This allows for a wide range of applications and great flexibility.

Each encoder is surrounded by a square of 32 multicolor LEDs. This LED ring is used to indicate the current value of the encoder. And it looks really great! The LEDs help you to give you an orientation by displaying the current value.

Each encoder contains a push button, which can be used just like those on the P2B8 or on the B32.

The E4 is perfect for mapping many different functions or presets to one encoder and then switch with the buttons of a P2B8 or B32 to some other context. Because of the LED rings you instantly see the current value after switching. And other than with pots, no "picking up" of the value is needed.

Furthermore, the nature of the encoders allows for some useful features, for example:

Create a "multi turn" pot, that needs to be turned several rounds for going through the total range (which allows for a finer selection).
Enable a mode where a slow movement of the encoder changes the value even slower, so it allows for instant fine tuning.
Use an encoder as a switch with a fixed number of positions (the LEDs visualise that)
Select a bipolar value with proper visualisation by the LEDs.
Use an encoder for "strumming", where you get triggers when it is turned.
As a bonus, there is a circuit called encoquencer, that allows you to build a melody sequencer based on the encoders and LEDs of the E4. It has the same features as the sequencer that is based on the motor faders of the M4 (motoquencer).

Power consumption:

+12V: 220 mA when all LEDs are white, 53 mA during normal use case
-12V: 0 mA
5V: 0 mA

Hint: The LEDs only shine fully white when you set them up to do so in your DROID patch. As long as you use the encoders in a normal way, the LEDs display colored light which is not as bright, so the power consumption is much less under normal circumstances.

Dimensions
6 HP
23 mm deep

Current Draw
53 mA +12V
0 mA -12V
0 mA 5V

Notes: The P8S8 controller is for those who love those little sliders. The sliders behave like regular pots, so we named the module P8S8 (the "S" stands for the switches).

The P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.

At the bottom the P8S8 has eight 3-way toggle switches.

As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.

Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.

Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm

Notes: Analogue VCO with range from 16Hz up to 32.000Hz.

Variable Voltage Controlled Wave Shaper.

Advanced pitch control with Voltage Controlled Quantizer, so it is always in tune.

Hard Sync Input.

Separate Pulse Output, for use as a clock or to sync other oscillators
.
Power Consumption: 114mA @ +12V , 46mA @ -12V.

35mm depth.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g

Notes: Heavy duty synthesiser stand that can hold 2 synthesisers, features rubberized feet to prevent slipping during use.

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: 3xVCA ofers three high class amplifier circuits with linear characteristic. Thanks to AC / DC compatibility, a very low noise floor and basically no distortion, the module is not only a great partner for control voltages, but audio material as well. Besides a signal input and output, each VCA has its own CV input. The dual potentiometers regulate levels and bipolar CV attenuation values of all amplifiers. Using these rather unusual, yet very practical components, it was possible to equip the 3x VCA with a front panel that is only 6 HP wide. Switches allow the user to feed the results of one amplifier to the output of the next amplifier, so we can get 1+2, 2+3, and 1+2+3 outputs mix. Two-colored LEDs visualize CV and output signals.

60 mA +12V
60 mA -12V
35 mm Depth

Notes: Mix up to four stereo channels in just 4hp, or chain multiple modules together to add channels. Inputs are normalled for mono operation. Simple, compact and high quality at a reasonable price.

Supplier's Notes:
4xSt.Mixer is 4 HP quad stereo mixer.

Right inputs are normalled to Left inputs for easy mono operation

Several 4xSt.Mixers can be chained together or with other HN stereo modules via sockets on the back side

65 mA +12V
50 mA -12V
35 mm deep

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

80 mA +12V
30 mA -12V
45 mm deep

Notes: The Great Wave Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using our hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Additional information

Weight: 0.2 g
Size: 12"
Pair of Slipmats

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.

Supplier's notes:

IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A / B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!


Specs

iLoud MTM MKII Specifications

Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)

Notes: A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: Connect more with the world- The original iRig Stream offered groundbreaking features that made it an overnight must-have for millions of creators. Now iRig Stream Pro takes your podcasting and streaming to an all-new level.

This 24-bit, 96 kHz audio interface for iPhone, iPad, Android and Mac/PC offers an XLR mic preamp, stereo RCA, TRRS and device inputs (loopback) - plus advanced routing, convenient controls and total portability.

It's everything you need for professional quality streaming, right in the palm of your hand.

Mix and stream up to 4 audio sources- iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4" combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along.

XLR / 1/4" combo input

This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass.

RCA stereo input

Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input.

3.5mm TRRS input/headphone output

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.

Device Loopback

This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device.

Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favourite apps.

Stereo or multichannel? You get both!

iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4" combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc.

Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favourite DAW.

Specs

Type: 2 in/2out or 4 in/2out
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device.
Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input.
Device Connection: mini-DIN
Dimensions: 123 mm/4.84" x 67 mm/2.63" x 40 mm/1.57"
Weight: 146g
Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 10 dB - Level @ max
Input Impedance: 16.5k Ohms
Frequency Response: from 20 Hz to 20 kHz (-1.5 dB)

Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 3.8 mV RMS to 388 mV RMS
Microphone Input Impedance: approx 2 kOhms
Analog Gain Range: 40 dB
Phantom Power: +48 V i 4 V
Frequency Response:
from 20 Hz to 20 kHz (-1 dB) Gain @ min
from 20 Hz to 20 kHz (-3 dB) Gain @ max

Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 70 mV RMS to 1.8 V RMS
Instrument Input Impedance: 1M Ohms
Analog Gain Range: 28 dB
Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min, from 20 Hz to 20 kHz (-3 dB) Gain @ max

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5 V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20 kHz
Headphone Level control: numbered thumbwheel

Battery Life
Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load
Note: all measurements made with Stream Level knob at 0dB.

Package includes
iRig Stream Pro interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")
2x 1.5V AA battery
Velcro strip

Notes: The legendary Alpha Base drum machine gets a major update. Sheer analogue power meets hybrid sampling options, now with improved visual feedback, better control and tweaked sound engines. Immense.

Supplier's Notes:
The ALPHA BASE Mk II is the successor of the already legendary ALPHA BASE.

What's new?

-Graphic OLED display
-Real RGB LEDs in the sequencer
-More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
-Analogue panning circuitry for the hybrid sample channels
-Improved analogue engine
-Noise volume is controllable in the hybrid sample channels
-More samples
-Headphone volume is independent from mix volume

It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years. Some things have been simplified, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built.

Kick Drum

The centre instrument still is the analogue kick drum which has gotten a facelifting again. The legendary punch and assertiveness of all Jomox kicks is convincingly continued. LFO, pitch envelope, metallic noise and gate time are famous features that may not and do not miss out.

MBrane
As a second analogue instrument, Jomox have put in a complete MBrane voice. It covers a gigantic spectrum of analogue snare drums, percussions, cow bells, claves, glasses, toms, bass drums etc. etc. It uses the technology of the Mod.Brane11. Of course, this instrument has 2 own LFOS, pitch envelopes and metallic noise as well.

Samples+Filter

The succeeding six instruments are built hybridly and consist of samples that are run through real analogue filters and VCAs. Each analogue sample channel has an own metallic noise that alternatively can be used as a signal source or being mixed to the sample.

With metallic noise only, it becomes a pure analogue instrument again. Four channels make use of a multimode filter that is capable of resonance - again they can be used as true analogue instruments with the self-oscillating filter as the only sound source if you wish.

Hi Hat

Two of these six channels are reserved for hi hats and make use of a proven and improved HH filter that was used in the XBASE 999 already. It is specialized for analogue hi hats and may conjure wonderful noisy hi hats from a sample mixed with metallic noise.

Clap, Rim, Crash, Ride

The succeeding four channels have each a resonateable 2-pole multimode filter that can be switched between LP, HP and BP. The filter cutoff can be modulated by an ADSR envelope and an LFO per instrument. If the filter is self-oscillating, one can create wonderful analogue toms, claves, sticks etc. by means of the VCA envelope behind. Or even extremely bend samples sonically. By principle, each of the four MM filter sample channels is a little synth voice of its own. A sampled synth bass run through the analogue filter is nearly indistinguishable from a real analogue synth.

X Sample 1+2

Moreover, there are two sample instruments that work purely digital. It's even possible that the Alpha Base can sample external audio on these channels for about max. 5 seconds. Which is more than enough for drum samples. The recorded sample can be stored on SD card or being copied to the internal flash memory and then being played back by the other sample channels. Samples can also be copied from SD card into flash memory. The format is RAW/WAV mono 16 Bit / 48kHz. The internal organization divides samples into fixed memory slots that can be addressed by the parameter sample select in the instruments. All samples can be pitched and modulated in a wide range. The sample start and stop can be edited and they are loopable as well. Modulation targets are: pitch, filter cutoff and volume. Each channel has an own LFO for that.

FM Synth

As a little digital gadget, a mini FM synth has been added. With 4 operators and maximum 6 voices it can create weird and crazy percussion sounds up to simple chords. Played over an external midi keyboard, it can be used as a polyphonic synth.

Effects

Two digital effects are on board: delay and reverb that act as send/return effects. Each of the analogue instrument outputs has an own A/D converter. The delay effect can also be inserted into the six hybrid sample channels and becomes then part of the sound production chain. The reverb can easily be killed by an encoder click but is indeed a great advantage for life performances with minimal equipment. Reverb times may reach to almost infinity, and the damping filters act quite extremely so that the reverb meets the requirement of modern electronic music and can be an essential part of sound.

Editing

For the editing of parameters there are 16 encoders arranged in a 4x4 matrix. Each instrument only addresses two pages by 16 values to make the editing as easy as possible, without deep menu cursors.

11 Instruments: Kick Drum, MBrane, Cl HiHat, Op HiHat, Clap, Rim Shot, Crash, Ride, X Sample 1, X Sample 2, FM Synth.
Real analogue Jomox kick drum.
Real analogue Jomox MBrane voice with 2 coupleable F-OSC for complex analogue snare, percussion, bass and tom sounds ranging from 16Hz to 20kHz.
2 sample based instruments with analogue VCA ADSR envelope and/or HH filter, optionally with metallic noise mixed as extra sound source. The HH filter is 2-pole, HP/LP/Res each separated parameters, peakable but not oscillating.
4 sample based instruments with analogue VCA ADSR envelope and/or resonating multimode filter (LP, HP, BP) with ADSR envelope, optionally with metallic noise mixed as extra sound source. The multimode filter can be used as a signal generator in order to generate analogue toms or sticks etc.
2 sample based instruments with external sampling input and pure digital playback.
1 FM synth with 4 operators and max. 6 voices for percussive sounds.
Effects delay, reverb with send per instrument, also insertable into analogue signal path on CH, OH, Clp, Rim, Ride.
LFOs: per instrument one LFO (MBrane 2 LFOs) with 64 wave forms, each assignable on pitch, VCA, filter cutoff.
500 samples 16 Bit/48kHz in internal flash memory.
SD card slot for loading of samples.
USB (Midi Device).
Midi In, Midi Out, Midi Thru.
Inputs: stereo in for sampling, FX or sidechain. Both inputs are Hi-Z and suitable for guitar/bass or work up to line level +20dBu.
Outputs: 8 individual balanced outputs, stereo mix balanced, headphones.
Output Level: max. ca.+14dBu unbalanced, +20dBu balanced on all outputs.
18 encoders
Input Volume, Phones Volume and Mix Volume are analogue potentiometers.
OLED Display 256x64px.
12V 2A DC external power supply.
Stable metal case.
Wooden side cheeks, rubber feet.
Size: 41cm (16.1") x 24cm (9.5") x 8cm (3.2") (back side).
Weight: ca. 3.3kg (7.26 lbs).

Notes: Jomox's legendary analogue kick drum prowess distilled into Eurorack form. Hugely versatile sound with plenty of CV control on the front panel, plus MIDI via DIN sockets hidden round the back.

Supplier's Notes:
The mightiest Bass Drum - MK II

Tune Varies the pitch envelope of the VCO

Pitch Basses as low as 10Hz reach up to 175Hz

Decay Up to 2 sec

Harmonics Enrichment of harmonics of the VCO - for the hardest kick drums on planet earth

Pulse Change of the pure pulse part of the attack - gate time affects this parameter also

Noise Change of the pure noise part of the attack - gate time affects this parameter also

Attack Level of the mixing of Pulse and Attack

EQ Filters the bass drum with a low pass filter - for soft and 808ish kick drums

Gate T Varies the gate time from 0.1ms to 16ms

Compr Compression of decaying envelope - for slim and clicky kicks and all the depth that is needed

MetNze Metalized noise. A complex digital multitone pattern of 499 different combinations feeds the attack noise

CV1-CV4 can route the external 0-5V CV signals to any of the above parameters including LFOs. Also negative amounts are processed.

LIN.FM This is a true analog dedicated CV FM modulation input for the bass drum VCO. It only works linear-wise and does not offer musical semitones across the CV scale.

ACC This is a CV input for the kick drum accent / velocity. This input may also trigger the kick drum dynamically if the ACC trigger mode is set and the sequencer is able to generate dynamic pulses.

LFO The ModBase 09 has 2 LFOs that work on the pitch of the bass drum. The LFO always starts syncronous to the gate trigger.

The wave forms are: saw up, saw down, sine+/-, triangle+/-, rectangle+/- and portions of it.

MIDI The midi controllers of this module are identical to the Alpha Base/XBASE999/MBase11. All parameters including LFOs can be remotely controlled by Midi CCs.

Bus Env Is the programmable level of the audio out signal from the bus on the back mixed to the Kick Drum VCA envelope. Works with experimental Jayemsonic modules.

140 mA +12V
80 mA -12V
0 mA 5V
53 mm deep

Notes: The legendary MicroKorg gets a major overhaul, bringing this iconic instrument right up to date. Eight voices of powerful, punchy and inspiring virtual analogue sound. A superb all-rounder, suitable for all styles of music.

Supplier's Notes:
A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: ***B-STOCK: Box damaged, product in perfect working order***


PreSonus Eris-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Our best-selling studio monitors just got better! Eris 3.5 media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 3.5 reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 3.5's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction throughout the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With three types of inputs, it's easy to connect just about any audio source to Eris 3.5 reference monitors. High- and low-frequency controls let you easily adjust the Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonusr Erisr 3.5 reference monitors connect to virtually any line-level audio source, using rear-panel, 14-inch TRS and RCA inputs and a front-panel, 1/8-inch, stereo line input. You also get a convenient (and loud!) front-panel, 1/8-inch, stereo headphone jack; connecting headphones mutes the speakers.

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 3.5s precisely to your environment to further ensure the best sound possible.
Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Erisr 3.5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance
Peak SPL: 98 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements
Dimensions: 8.30 x 5.50 x 6.00 in

Depth: 6.5" (16.4 cm)
Height: 8.3" (21.0 cm)
Width: 5.6" (14.1 cm)

Notes: Offering optimum protection for transporting and storing your Flux synthesiser, this case of coated multiplex, with aluminium edge protection and two butterfly locks. Foam padding inside for protection and multiple accessory compartments contained within.

Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.

Notes: NGEN is a unique 16-track MIDI sequencer designed in Sao Paulo / Brazil that lets you combine multiple algorithmic / generative generators and MIDI FXs to sequence multiple hardware or software MIDI instruments.

It offers a completely new way of creating and performing music by abstracting the composition process. Instead of writing sequences from scratch, NGEN lets you quickly generate a new sequence for your drums, basslines, melodies, and chord progressions with a push of a button.

NGEN includes classic Spektro Audio generators (ACDGEN and Polyform), completely new algorithmic generators (Drumgen, Samba, Arper, MARP, Pop, Turing, Shuffler), and practical generators (Input Sequencer, MIDI Player, Thru).

Each generator features an unique algorithm that combines different composition techniques with randomness so each generated sequence is unique.

After generating a sequence, you can tweak it in real time using the parameters available for each of the generators. Take things even further by applying MIDI FXs such as Chord or Glitch to your sequences.

All tracks in NGEN follow the same key and scale so it's easier to get multiple sequences that work well with each other.

Quickly save and restore your creations using patterns and projects stored in the microSD card.

NGEN's design is primarily focused on live performance so it features a 1.3" OLED screen, a minimalistic and easy to read interface, mechanical switches (Gateron Green), shortcuts for accessing different features, per track Program Change selector and auto-variation, extensive MIDI CC implementation, and a Performance mode for controlling up to 4 parameters at the same time.

NGEN also includes a variety of tools to let you explore this world of algorithmic sequencing such as assignable CV outputs, a built-in MIDI monitor, different clock generators, and much more.

Generators

ARPER- Algorithmic arpeggiator with real time controls
ACDGEN- Design to generate basslines and melodies using 8 different algorithms.
DRUMGEN- Generate drum patterns based on 3D probability templates based on different genres.
INPUT SEQ- Record incoming MIDI notes into a step sequencer then adjust transposition, density, and direction in real time.
MARP- Unique and experimental polyrhythmic arpeggiator.
MIDI PLAYER- Playback .mid files stored in the microSD card (1 track, up to 128 events).
POP- Generate chord progressions and control how they're played.
SAMBA- Percussive generator based on a 4-part euclidean sequencer.
SHUFFLER- Sequence and rearrange sliced loops (in a software or hardware sampler).
THRU- Modify sequences coming from other tracks or an external MIDI generator.
TURING- Generative generator based on a lockable 16-bit shift register (inspired by Music Thing's Turing Machine).

Hardware

USB-C
MIDI via USB or 3.5mm (Type A)
1.3" OLED Display
Internal Storage
microSD Storage
Mechanical Switches (Gateron Green)
4 CV Outputs (0-3V)
I2C via 3.5mm (for future development)
Carbon Steel case (1.5mm)
High Quality 3M Polycarbonate Label

Specs

Product Weight: 650g
Product Size: 155 x 105 x 50 mm
Product Box Size: 18 x 13.5 x 9 cm
Shipping Box Size: 22 x 16 x 12 cm
Shipping Weight: 750g

Notes: Male mini-jack to male mini-jack cables for syncing Pocket Operator units.

Pack of 3

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Small dust bag with drawstring closure for field mixer, or any cables and smaller items. Front print features Teenage Engineering field system graphics.

Shell fabric is a lightweight and water repellent Japanese mini ripstop
Drawstrings are cotton with metal tips
Dimensions: 125 mm x 95 mm x 10 mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


Valve-based pre-amps meet cabinet simulation in this ultra-flexible pedal. Dial in your tone, patch in effects, and control the lot via MIDI or USB. A brilliant combination of analogue and digital.

Supplier's Notes:
Tsakalis is proud to release their most ambitious product to date. Seamlessly blending the authentic analogue warmth of real tubes with a highly configurable cabinet simulator, plus flexible outputs and control options, the MOTHERSHIP - Real Tube Preamp stands out as possibly the most highly featured and flexible front end for any guitar rig currently available.

The MOTHERSHIP is a complete solution for authentic vintage and modern genuine tube amp tones, in a user-friendly and lightweight, yet rugged package that is designed to slot in easily into any setup.

Both channels on the MOTHERSHIP are identical, yet highly configurable.

Featuring three gain modes (High, Medium and Low) on each channel, along with a toggle switch for selecting between your three chosen speaker simulations, the MOTHERSHIP can conjure up a multitude of both iconic, familiar and unique tones easily and intuitively. Each channel also features two master gain controls along with two master volumes, allowing four different voices to be instantly recalled, either by pressing the relevant footswitch or via MIDI command.

Demonstrating its prowess as a fully comprehensive plug and play device, the MOTHERSHIP also features over 70 free custom cabinet simulations to choose from (when connected to Tsakalis' own TAW Editor app via USB), separate dedicated simultaneous outputs for both the cabinet simulator and a "dry" output for your amp of choice, MIDI control of channel, A/B selection and bypass and also a serial mono FX loop for added tonal versatility.

Fully-featured all-analogue real tube preamp design

The MOTHERSHIP represents the perfect "amp-in-a-box" pedal, seamlessly blending a beautifully designed, real tube front end with a highly flexible cabinet modelling solution. However, it also shines as a genuine tube overdrive pedal when connected to the front of your amplifier, or when running it as the tone defining preamp section of your setup, directly into your power amp. It can also do both of these things simultaneously.

Quad channel tube preamp and drive

This preamp pedal has two completely independent channels, each featuring a four-band EQ, two different Gain/Volume sections, three selectable gain-stages and three selectable cabinet simulations, plus a serial mono effects-loop for your external effects, MIDI in and free access to Tsakalis Audioworks' full free online library of carefully selected and curated digital cabinet simulations.

The MOTHERSHIP's two independent channels were carefully designed with a real tube audio path, providing a huge range of tones from warm or sparkling cleans all the way to high gain tube driven distortion. The two ECC83 (12AX7) tubes, run at a comfortable 240 Volts, providing touch sensitivity, headroom and plenty of gain and tube sag as required.

Each channel features a four band EQ (Bass, Mid, Treble and Presence) and two different Gain and Volume controls (Gain A-Volume A / Gain B-Volume B) transforming the MOTHERSHIP into a quad channel powerhouse.

The dedicated MODE switch for each channel is responsible for the tube audio path structure, giving 3 different gain modes L = Low, M = Mid and H = High, allowing you to easily customize completely different lead and rhythm tones with different gain structures as well as a solo volume boost for each and access them on-the-fly by simply pressing the relevant footswitch.

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The smallest speaker in Yamaha's range, the compact MS101-4 sits happily on even the most cramped desktop or attaches to a mic stand for versatile monitoring anywhere.

Supplier's Notes:
The industry standard in compact monitors

Yamaha MS101-4: The de facto standard for compact monitoring in a simple form

The standard model in Yamaha's range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability. The MS101-4 comes with a 3/8-16 threaded female mounting for direct attachment to a Euro microphone stand. Optional accessories can also be added for use in a wide range of applications.

A compact, convenient approach to high-quality monitoring anywhere

Compatible with both line and mic inputs, the MS101-4 offers the flexibility needed for temporary or permanent use in applications requiring simple, compact monitors.

Simple, portable, durable design

Yamaha Powered Monitor Speaker MS101-4: front and rear

With the controls (power switch, volume and tone controls) and the combo jack input on the lower front panel, you'll find the MS101-4 is easy to operate. The sturdy metal grill offers complete protection for the four-inch cone driver, while the rear panel is equipped with one stereo mini and a TRS Phone input connector, along with an output jack. An AC inlet for a removeable power cord provides excellent portability. The bass reflex port is also located on the rear surface, resulting in a more compact chassis.

MS101-4 Powered Monitor Speaker

The standard model in our range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability.

30W of amplifier power provides clean, high output sound
Redesigned enclosure for an even lower profile
Combo Input jack accepts both XLR and 1/4" connectors
Directly mountable on Euro microphone stands (optional mic stand adaptor BMS-10A is available for adjusting tilt angle)

General specifications

Speaker type: Full range Powered Speaker, Bass-reflex Type
Frequency range (-10dB): 77 Hz-20 kHz
Maximum output level (1m; on axis): 115 dB SPL *1
Components: LF-HF 4" Cone, 1" Voice coil, Ferrite magnet
Dimensions: W: 142 mm, H: 196 mm, D: 187 mm
Net weight: 2.1 kg (4.6 lbs)
Flying and mounting hardware Screw threads (bottom): 2 x M5 depth 11 mm pitch 60 mm (for 2, M5 x 6-10 mm screws), 1 x 3/8" depth 12 mm (for 1 x 3/8" x 9-11 mm screw)
Amplifier class: Class-D
Power rating: Dynamic: 30 W
Continuous: 20 W
Cooling: Natural cooling (no fan)
I/O Connectors: Mic Input: [Front] INPUT: Combo, [Rear] INPUT LINE 1: Stereo Mini, INPUT LINE 2: Phone (TRS)
Line Out: 1 x Phone (TRS)
AC: 1 x AC inlet
Input impedance: [Front] INPUT: LINE=5.4 kO / MIC= 5.4 kO, [Rear] INPUT LINE 1,2: 10 kO
Input sensitivity: [Front] INPUT: LINE=-10 dBu / MIC=-40 dBu, [Rear] INPUT LINE 1, 2: -10 dBu (VOLUME: Maximum)
Input Level: [Front] INPUT: LINE=+5 dBu / MIC=-25 dBu, [Rear] INPUT LINE 1, 2: +5 dBu (Nominal Input Level / VOLUME: Center), [Front] INPUT: LINE=+20 dBu / MIC=-10 dBu, [Rear] INPUT LINE 1, 2: +20 dBu (Maximum Input Level)
Others: Controls: 1 x VOLUME, 1 x LOW CONTROL, 1 x HIGH CONTROL, POWER
Indicators POWER (Green LED)
Power consumption: 1/8 Power Consumption: 10 W, Idle Power Consumption: 3 W
Power requirements: 100 V - 240 V, 50/60 Hz
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: Exceptional value from one of Zoom's entry-level recorders. Quick and easy to set up and use, the H1essential offers excellent stereo sound quality. Records to microSD card, with option to transfer files via USB.

Supplier's Notes:
Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms