Back in stock: All genres

Notes: Ideal for house parties, the tiny Party Mix II is the second generation of Numark's compact DJ controller. It's a tiny little device with a built-in LED light show to set the mood. Check out the Party Mix Live for a similar unit with built-in speakers.

Supplier's Notes:
The Party Continues

The original Party Mix quickly became one of the best-selling DJ controllers of all time. The Party Mix II takes the legacy to the next level with even more pro-level features added to the mix! The Party Mix II is always ready for a good time. Simply plug in your laptop or mobile device and start mixing your ultimate party playlist. With the flick of a switch, the built-in light show takes things to the next level with a colorful light show that dances to the beat.

Numark Party Mix DJ controller with light show

The Latest Music is Always on Deck

You no longer need a huge music library to start DJing. The Party Mix II DJ controller works with Serato Lite DJ software, giving you access to streaming services like TIDAL, Beatport LINK, Beatsource LINK, and SoundCloud GO. A streaming DJ controller means that the hottest tracks are available at your fingertips for you to create your custom party playlist.

If you'd rather bring a phone or tablet to the party, the Party Mix II is also compatible with popular DJ mobile apps like djay PRO AI by Algorriddim. Just connect your mobile device to the Party Mix II by using a USB camera connection kit (sold separately) to get the party started.

Party Mix streaming DJ controller partners

Instant Light Show

Set the party atmosphere with a DJ controller with lights! The Party Mix II features three multi-colored LEDs with special wide-coverage lenses for a room-filling, beat-synchronized light show. The switch on the side of the controller allows you to turn the light show on and off whenever you like.

Numark Party Mix DJ controller with built-in light show

Pro DJ Features

The Party Mix II has enough pro-grade features to handle virtually any party. The 1/8-inch main audio output allows you to hook up external speakers to bring your music to life while still monitoring the mix with the 1/8-inch headphone output connection.

DJ performance pads on Party Mix controller

Four performance pads on each deck allow quick access to cue points, loops, effects or samples. In addition to Play and Cue buttons on each deck, Sync buttons allow for the automatic tempo matching of two tracks for perfectly aligned mixes. Dedicated Filter knobs on each deck help add a pro-grade sound to your mixes, and the software-adjustable crossfader allows for sharp cuts for scratches or long, smooth fades for mixes.

DJ scratching on Party Mix controller

The Party Mix II also features two large, high-quality jog wheels that respond to your touch and allow you to manipulate your music with style. Backspin, pause, and even scratch your tracks as you work your way through your party playlist. The outer rings of the wheels function as a pitch-bend so that you can nudge tracks into alignment for the perfect mix.

With the Numark Party Mix II DJ controller, the party never stops!

Outputs:
1 1/8" (3.5 mm) TRS Main output
1 1/8" (3.5 mm) TRS Headphone output

Power: via USB
Dimensions (width x depth x height): 12.8" x 7.8" x 2" 325.5 x 199 x 51 mm
Weight: 2.1 lb 0.95 kg

Minimum system requirements:

Computers/Laptops:

Operating System
macOS Catalina 10.15
macOS Mojave 10.14
macOS High Sierra 10.13
Windows 10

Processor Minimum Requirement: i3: 1.07GHz i5: 1.07GHz i7: 1.07GHz i9: 1.07GHz
Screen Resolution: 1280 x 720
Memory: 4 GB

Mobile Devices:

iPhone: Requires iOS 12.2 or later.
iPad: Requires iPadOS 12.2 or later.
iPod touch: Requires iOS 12.2 or later.

Notes: A super simple, yet highly innovative way to automate expression control, letting you conjure sounds you never thought possible from any pedal with an expression input. It's time to release your Inner-Ramper!

A ramper is a device that creates motion on your expression-enabled devices. Simply put, the Expression Ramper HK allows you to pick two expression settings (point A and point B) and the way it moves between.

Following the success of the Expression Ramper X3 released in early 2024, OBNE are yet again expanding on the concept of expression ramping and present to you the Expression Ramper HK, an enhanced version of the expression movement shaper capable of manipulating expression-controlled devices with even more copious control and options.

With the Expression Ramper HK, Old Blood Noise Endeavors not only clads their top-selling utility device into a new graphical design originated by OKC art duo Holey Kids that makes it perfectly fit in with the rest of OBNE's latest utility series releases. Additionally, the familiar Expression ramper gets a Tap Tempo switch that can be used to tap in the desired LFO speed, overriding the knob setting for Rate.

It can either change settings in one motion or as a continuous LFO activated by a single footswitch. Just hook up the Expression Ramper HK to your expression-enabled effects pedal, simply pick your first expression setting in the A position, then your second in the B position and you're good to go. It's utilitarian, but opens up a number of sounds from your existing pedals.

Then, set Expression Ramper HK to move between A and B in one of six different ways. In Triangle mode, it glides in a linear Triangle wave sweep from A to B, while in Square mode it will make instant Square Wave jumps. Both Triangle and Square are LFO modes- you start the LFO when you hit the footswitch once, then stop it as you press the switch again. Alternatively, 1 Shot mode triggers a cool one-off sweep, where every press of the footswitch jumps from one position to the other. The speed of the LFO or 1 Shot movement can be set via the Rate knob or Tap Tempo button.

To access the hidden three alternative shapes the Expression Ramper HK provides, simply hold down the tap button while switching the shape toggle. Now the Triangle shape changes to Smooth Random, which repeatedly moves to a random spot between A & B in a linear fashion, Square becomes Sharp Random, which immediately moves to a new random spot between A & B at the start of each cycle and the 1 Shot setting becomes 1 Shot Random, where each press of the footswitch snaps to a new random spot between A & B.

These simple and intuitive features can unlock worlds of sound. For instance, if you have Expression Ramper HK hooked up to a pitch shifter, you can create classic Whammy-like octave glides in one-shot mode, stretchy modulation in Triangle wave mode or hypnotic pitch sequences in Square wave mode. Got an expression-enabled phaser? Turn it into a step-filter with Expression Ramper HK's square wave. Or maybe an expression-enabled delay pedal? Use Expression Ramper to create swelling Feedback waves in Triangle mode or jump between two preset delay times in one-shot mode. The list goes on and on and the possibilities are basically endless.

While it should suit most effects pedals right out the box, Expression Ramper HK can easily be configured for different polarity or types of expression pedal simulation by using the internal jumpers.

All of this goodness is packed into a highly compact enclosure, ensuring that you can fit the Expression Ramper HK (or several Rampers) into any setup.

Notes: The Expression Slider HK is a portable fader for use with any pedal or device that has a regular expression input.

Featuring artwork created by the OKC art duo Holey Kids, one half of which also works at the brand's Oklahoma headquarters, this new version is perfectly dressed up to fit in with the latest pedals in the OBNE's Utility series.

Expression Slider HK is a fader for use with any pedal that has an Old Blood style expression input. It is built for convenience and tactile experience, allowing external control where you need it - on the desk of your studio, velcroed to a guitar strap, or wherever else a TRS cable allows.

This device uses a TRS jack with tip connected to the wiper of a 50K slider, and ring and sleeve connected to the other terminals. It works with all Old Blood pedals as well as pedals from Chase Bliss, Meris, Earthquaker Devices, Empress, Montreal Assembly, Red Panda, Strymon, EHX, and more.

No power is needed, simply use a TRS cable to plug the Expression Slider HK into the Expression input and use the slider as you would a knob or expression pedal. This really can give additional creative control to all sorts of pedals and other devices that have expression control, plus may also add functionality to some products that may have other options not directly accessible from the front panel or are hidden in menus etc.

Strap it to your mic stand to adjust your favourite setting without bending down, keep it at your studio console to control a parameter while tracking, use the indicators to mark your favourite settings or simply replace a knob control with a slider because let's face it, sliders are cool!

Review: In 1960, composer Leonard Bernstein called Elvis Presley "the greatest cultural force of the 20th century," praising how he revolutionised the music, language and fashion of the day. And it is fair to say Elvis's influence paved the way for the '60s social revolution. This exceptional triple album contains 54 tracks, mostly alternate versions, with all of them offering a unique compilation of Elvis's diverse talents. It celebrates his versatility as an artist while honouring the brilliant songwriters who helped make his work legendary, flamboyant and so timeless.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


PreSonus Eris-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Our best-selling studio monitors just got better! Eris 3.5 media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 3.5 reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 3.5's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction throughout the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With three types of inputs, it's easy to connect just about any audio source to Eris 3.5 reference monitors. High- and low-frequency controls let you easily adjust the Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonusr Erisr 3.5 reference monitors connect to virtually any line-level audio source, using rear-panel, 14-inch TRS and RCA inputs and a front-panel, 1/8-inch, stereo line input. You also get a convenient (and loud!) front-panel, 1/8-inch, stereo headphone jack; connecting headphones mutes the speakers.

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 3.5s precisely to your environment to further ensure the best sound possible.
Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Erisr 3.5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance
Peak SPL: 98 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements
Dimensions: 8.30 x 5.50 x 6.00 in

Depth: 6.5" (16.4 cm)
Height: 8.3" (21.0 cm)
Width: 5.6" (14.1 cm)

Notes: QUA Quad Attenuator

without CV In each Channel generates 0-10V

Power consumption: +/-10 mA

Rackspace: 4HP

Notes: TUL Dual Attenuator/-verter and Offset Generator

Temperature stable and accurate circuit design. The attenuator is exponential and can be regulated more precisely in the initial range.

As an attenuverter, the fader describes an S-curve, i.e. it is in Range +/- 0 finer adjustable. The AC gain is 1, so there is no loss at maximum Att/Attv settings.

The offset potentiometer shift by +/- 5 volts and can be switched to another mode on the back of the PCB using jumpers.

Here the attenuation is towards zero made until it is zero.

The normal mode leaves the voltage at the specified offset value.

Channel A is normalized to channel B so you can get two different CVs.

On the rear side of the PCB, you have a jumper to switch from offset pre fader (good for ADSR) and post fader.

Power consumption: +/- 20mA

Rackspace: 6HP

CV out is (-/+5Volt) if nothing is patched to IN A/B, so you can use it as a manual CV source.

Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.

Review: Stereolab continue to trawl through their vast back catalogue on the fourth instalment of the Switched On compilation series. This edition, titled Electronically Processed, focuses primarily on rare and hard-to-find tracks (many tucked away on very limited seven-inch singles), with a handful of alternative versions, outtakes and previously unreleased cuts thrown in. Fans will find much to savour across the two-disc set, from Krautrock-tinged Chanson songs (see the rather fine 'Household Names' and Serge Gainsbourg-with-added-funk vibes of 'The Super It'), to more experimental instrumentals from soundtracks, and even the odd dancefloor-ready stomper ('Dimension M2'). In a word: essential.

Review: Stereolab's superb Switched On series hits the fifth volume here with another essential collection of their rarest releases. Also included along the way are some unreleased tunes and despite this being the fifth volume it is still impeccably high in standard. Just check out Autechre's remix of 'Refractions in the Plastic Pulse' for evidence - it's as thrilling as they come while Stereolab's second collaboration with Nurse With Wound is another good one. It is 31 minutes of psychedelic kraut to really lose your mind to. Fans old and new are sure to lap up this one.

Review: I Saw The Glow is the latest movie-meme to be peddled by film auteurs and distribution powerhouse A24; written and directed by Jane Schoenbrun, this contemporary horror-comedy explores themes of alternate realities and cancelled futures, centring on the chaos that ensues after two friends endure the axing of their favourite TV show. Slated to have become a success from its inception, the film's soundtrack is bedazzling to match, corralling the likes of Caroline Polachek, Sloppy Jane, Phoebe Bridgers, Kristina Esfandiari, Florist and Yeule into a single soundtrack nonetheless made up of original songs. Curated entirely by Schoenbrun, the artists selected reflect a contrarily modern take on the retro-nostalgic moods of the film; in going into the soundtrack's curation, the director herself recalled seeing commercials on MTV for film soundtracks, and wanted to emulate this long-lost approach whilst also reflecting the film's setting between the late 90s and early 00s. Reviving a forgotten formula - a soundtrack album for which artists record original material - this isn't one to be missed.

Notes: The Zomo VS-Box 7/200 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 7/200 is made of solid MDF (Medium Density Fibreboard) and laminated with tough water-repellent decor. This model is easy to install, multiple stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers.

The capacity can vary by the thickness of your vinyl.

Sheer genius and totally cool! It's ZOMO!

Notes: Exceptional value from one of Zoom's entry-level recorders. Quick and easy to set up and use, the H1essential offers excellent stereo sound quality. Records to microSD card, with option to transfer files via USB.

Supplier's Notes:
Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms