Back catalogue: All genres

Review: Universal Cave and the Street Road Band pay tribute to Dan Strimer's cult classic '(Till You're) Back In My Arms' here many years after it was originally released on Lost Nation Records in 1977. After Universal Cave spotlighted the track on Soft Rock for Hard Times Vol 8, the label embraced the idea of a fresh cover 47 years later. The Street Road Band reimagines the tune as a mellow, southwestern-Balearic ballad featuring Andre Ethier's vocals, Charles Simon's guitar, Jesse Spearhawk's pedal steel and more musical riches. UK Balearic maestros Coyote take the multi-tracks further by transforming it into a lush, dubby groove that is perfect for Cafe Del Mar.

Review: Insense has put together a tidy 7" featuring a rendition of Pharoah Sanders' 'Moon Child' which was first specially crafted for the compilation album Incense Music for Bed Room. It is a lush and spiritual sound led by gorgeous wind instruments and fluttery melodies over gentle and persuasive rhythms. On the flip, Yoshiharu Takeda's 'Bliss Of Landing' is another escapist sound with more of the same. A lovely 45 rpm for those quiet moments.

Review: Foam On A Wave is a brand new London-based reissue label. Its first offering is a carefully dug out delight from Ian Cooper and Paul Hammond aka Ultramarine, one of the UK's foremost ambient techno artists. Folk is a seamless weaving together of "unique instrumentation and sonic influences into rich, ethereal soundscapes" that have all been fully remastered for this 30th anniversary release. Mixing up organic and synthetic sound is what this pair did best and this album has a kaleidoscopic pallet drawn from Canterbury's jazz-infused psychedelia, the contemporary Benelux scene, and plenty in between. It manages to be both thoughtful and playful, serious yet irreverent, and has aged as well as a fine wine.

Review: Check classic dance music books of the 1990s - and even some later music texts, such as Richard King's The Lark Ascending - and you'll find plenty of praise for Ultramarine's work of the early 1990s, which added pastoral and folk-rock inspired sounds to the sample-heavy pulse of dance music. What you won't find is any reference to their final album of the decade, A User's Guide. Yet it may well be their best album. A conscious exploration of techno and IDM shot through with references to Detroit, Berlin and Sheffield (well, Warp Records at least), it reportedly took the duo almost two years to record. A largely unheralded British techno classic, it has been painstakingly remastered for this first ever vinyl reissue and boasts extensive contextualising liner notes from UK techno historian (and sometime Juno writer) Matt Anniss.

Review: In this collection, Luke curates music with the perfect blend, inviting listeners on an esoteric journey of enlightenment through sound. Exploring late-night, after-hours musings; Everything Above The Sky (Astral Travelling with Luke Una) is a new compilation by the enigmatic DJ, promoter, and cultural curator. Following the E Soul Cultura phenomenon, this compilation comes at a pivotal moment in Luke's career as he travels the globe. Avoiding any chance of his sound being pigeonholed, Luke has assembled a tracklist that feels transcendental, stepping off the grid and back to source. Luke's Everything Above The Sky manifesto describes the music as Astral Travelling in the meadowlands with acid folk, spiritual jazz, midnight hocus pocus, cosmic psychedelic soul, magical whirling love songs, Brazilian ballads of light into machine soul gospel dreaming, Balearic bossa and Outer Space ancient African drums. Expect something different and highly unique with this listen.

Review: There's so much to admire about the borderless musical inclinations of the one and only Luke Una. A longstanding standard-bearer for nocturnal eclecticism, he's made an art out of pigeon-hole dodging, via event series like Electric Chair/Elephant and Homoelectric, his Worldwide FM residency, and E Soul Cultura compilations. His latest comp sees him explore sonic transcendence, selecting a body of musical curios based on their ability to transport the listener to higher realms. As expected, the album bursts with delightful, lesser-known morsels that make it more than worthy of attention. Opening with the psychedelic guitar swells of John Martyn's masterful 'Small Hours' before meandering into the blissful meditations of Stephen Whynott's 'A Better Way', drifting into the staccato whimsy of Sylvain Kassap's 'Plancoe' and arresting with the aching soul of Michael Gregory Jackson's 'Unspoken Magic', there are too many standouts to mention. This is an album to savour from start to finish, a means of cultivating inner peace and astral escapism. When it comes to digging chops, there aren't too many who measure up to Luke, and this selection serves as a case in point.

Review: Unchained is the longstanding solo project of Nathaniel Davis. Gabbeh is his latest offering to the world, a suite of blissfully introspective tracks that envelop the soul in a blanket of soft, delicate moods, their sole purpose to comfort aching heads. Remarkably, dedicated fans will know you can trace the artist's lineage to noise mix tapes on CD-R, although more recent excursions into Bossa nova influenced tones perhaps help bridge the gap between then and now. Recorded at home over a three year period, from 2020 to 2023, Grenoble, Switzerland, played a big part in end results here. "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city - 'Dru' is the name of a well-known peak near Chamonix," Davis has explained. That as may be, nevertheless there's something more transportive than that here - songs feel as though they would be at home anywhere green, slow and thoughtful.