Back catalogue: All genres

Review: Kobe-based trio o'summer vacation returns with their second full-length of industrial noise fusions in the form of Electronic Eye. After several trips to Berlin and Munich, they've found a home with the Alien Transistor label and now drop plenty of guitarless noise punk with production by Shinji Masuko. It makes for an unmatched, hard-hitting barrage that leaves listeners breathless right from the opener, '(Shuku - A)' with its sizzling hi-hats and a unique lullaby from vocalist Ami. Tracks like 'Luna' and 'Anti-Christ Super Star' shift the album from mosh-inducing chaos to 30-second noise punk anthems, all of which embody the band's anti-racist, anti-war sentiments.

Review: Oklou is a French musician and is known to her parents as Marylou Mayniel. She dropped her debut album back in February and on it collaborates with artists such as Bladee and underscores, while some expert studio contributions from producers like the revered A.G. Cook, plus Danny L Harle and Casey MQ. Choke Enough blends Y2K influences with medieval melodies to reflect Oklou's evolution from her 2020 mixtape, Galore. This new long player offers up a deep dive into her meticulous approach to electronic, modern, 'hyper' pop while incorporating classical rigour. Standout tracks like the title track and 'Endless' are great reflections of her unique artistic vision while balancing formal complexity with subdued emotional impact.

Review: This album was a self-imposed ambitious project, conceived to spark creativity amid challenging times. Pivoting from our previous guitar and keyboard-centric albums, we embraced a new approach. I demoed everything on a cassette 4-track using drum loops, aiming for a return to simpler times. Tom and I selected synth sounds, creating samples across three octaves, loaded into Roland SPD-SX samplers, and learned the songs with drumsticks, transforming our writing process. Recording felt reminiscent of brass, so we added a saxophone horn section, thanks to Cansfis Foote and Brad Caulkins, enhancing the reedy bell tones. The result is a blend of Dexy's Midnight Runners, Von LMO, The Flesh Eaters, and The Screamers- a punk junk fusion that's poppy, hooky, heavy, and occasionally sci-fi. With boneheaded riffs and heady lyrics, it's a unique soundscape. Recorded at Stu-Stu-Studio on eight-track 1/4" tape, this album is a fresh, innovative pivot.