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Review: Newly, radically reimagined remixes created from John Lennon's classic song, Mind Games. These nine Meditation Mixes craft their own space while maintaining firm and authentic roots in John Lennon's original recording. Each have been radically altered, slowed down and extended, ranging from five to ten to over 33 minutes, allowing the soundtrack to wash over the listener and provide a relaxing deep listening experience. Four tracks are presented as binaural versions which each focus on different types of brain waves: Beta, Delta, Gamma and Theta. Named 'Mind', 'Space', 'Spirit' and 'Love', these exploit the response of the ear to left and right frequencies, which constructively combine to produce a new frequency, which in turn, as they say, activates beneficial brain patterns. Produced by Sean Lennon, these contemporary Lennon versions aim to positively impact the contemporary anxiety-racked listener, whose appetite for deep listening has only understandably increased in recent years.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Newly, radically reimagined remixes created from John Lennon's classic song, Mind Games. These nine Meditation Mixes craft their own space while maintaining firm and authentic roots in John Lennon's original recording. Each have been radically altered, slowed down and extended, ranging from five to ten to over 33 minutes, allowing the soundtrack to wash over the listener and provide a relaxing deep listening experience. Four tracks are presented as binaural versions which each focus on different types of brain waves: Beta, Delta, Gamma and Theta. Named 'Mind', 'Space', 'Spirit' and 'Love', these exploit the response of the ear to left and right frequencies, which constructively combine to produce a new frequency, which in turn, as they say, activates beneficial brain patterns. Produced by Sean Lennon, these contemporary Lennon versions aim to positively impact the contemporary anxiety-racked listener, whose appetite for deep listening has only understandably increased in recent years.

Review: Bruce Campbell's character in The Evil Dead is up there with cinema's finest anti (or, possibly just accidental) heroes. Sam Raimi's landmark comedy horror movie about college students who accidentally open a portal to a terrifying underworld, with four out of five becoming possessed by demonic forces leaving one, our main man, to fend for himself, with or without two working hands, was exceptionally well written, combining genuine frights with visual and script gags, hitting all bullseyes in the sub genre. Evil Dead II was a high quality sequel, essentially telling the same story, only with a few tweaks. Again, it was laugh-out-loud funny and also pretty scary. A huge part of its impact comes down to the incredible music by Joseph Loduca. A Detroit jazz guitarist turned film and TV composer, here he combines fantastical instrumental movements, with surreal romantic piano phrases, knife-edge refrains and eerie reversed strings, creating a blueprint from which many others have looked to when trying to come up with an original horror score.