Back catalogue: All genres

Review: Grand Rapids, Michigan post-hardcore collective La Dispute have become legends within the scene due to their popularising of the resurgent 90s screamo sound along with peers in Touche Amore and Pianos Become The Teeth. Known for their subtle fusion of post-rock malaise and crescendo building with the frenetic chaos of emotive hardcore, all unified under the hypnotic spoken-word/caustic shrieks of frontman and highly poetic lyricist Jordan Dreyer, 2006 saw the release of their much-lauded debut EP 'Vancouver', two years prior to their first album Somewhere At The Bottom Of The River Between Vega & Altair. Clocking in at over a half-hour whilst comprising of eight tracks, many fans often consider the work more of a mini-LP and with that, this 12" cloudy blue reissue will stand spine-to-spine with any of their subsequent full-lengths, both figuratively and literally.

Review: This six-track EP, crated between the late 'Cloud rap' icon and producer Nedarb Nagrom, is a miraculous refind and repress. The EP originally dropped in 2016 during the early wave of Peep's rise to the broth cream of the etherground emo rap and SoundCloud scene. Peep was still in the thick of lo-fi, punk and emo experimentations, and fellow traveller Nedarb had already been a frequent collaborator. The Katy Perry song referenced in the title is a red herring, as these tracks are original internet artefacts through and through, bearing none of the same pop sensibilities; they're loose and aerated, packing slipshod 808s and drawly hooks from the pink-haired icon.

Review: Leroy Se Meurt make a bold statement here with their new long player on the Mannequin label. It finds the Parisian pair keeping the foundational sounds of EBM, post-punk and electro at the core but also explores around the edges in fantastic fashion. The mood here is heavy and abrasive rock textures permeate the tracks next to electric synths and over worked samplers. The tracks feature lyrics sung in Turkish and French and are hard hitting affairs with floor facing, repetitive loop madness next to double-tempo cuts with chaotic guitars amongst much more.

Review: One of the most compelling avant garde groups to emerge from the UK in years, Lice's second album shows them thrillingly darting between minimalism, rock, techno and more. It's tense, paranoiac, dramatic affair throughout and sounds thoroughly artful without a hint of pastiche. Curiously, this is a concept album expressed through three movements. The first traces a child's socialisation and their later awareness of the process and its limitations. The second is about them reevaluating fundamental concepts including money, time, nationhood and language. The third is about them embracing these new ideas and the increased sense of agency they receive. It's advanced creativity for a band merely on their second album and shows immense promise for them to follow in the footsteps of experimental greats such as Frank Zappa and Captain Beefheart whilst maintaining a sense of British rock.

Review: The Lovely Eggs return with their electrifying new album, Eggsistentialism, a testament to their uncompromising creativity and resilience. Recorded at home in Lancaster and mixed by Flaming Lips producer Dave Fridmann, the album delivers a diverse sonic landscape, from the sneering punk rock of 'Death Grip Kids' to the psychedelic beauty of 'Nothing/Everything.' Exploring themes of loss, strength, and survival, Holly and David's songwriting captures the essence of life's struggles and triumphs. With haunting vocals and West Coast retro vibes, lead single 'My Mood Wave' sets the tone for an album that pushes boundaries while staying true to the band's signature sound. Accompanied by breathtaking artwork by Casey Raymond, Eggsistentialism is a must-have for fans of authentic, innovative music. In a world hungry for authenticity, The Lovely Eggs deliver a refreshing dose of genuine artistry. Welcome to Eggland, indeed.

Review: The Lovely Eggs' newest album Eggsistentialism, is a raw and introspective journey into the wilderness years of the duo's musical career. Recorded with producer Dave Fridmann, known for his work with The Flaming Lips, the album is a testament to the resilience of Holly and David as they navigate the challenges of maintaining their unconventional lifestyle as working musicians. Through ten new tracks, Eggsistentialism delves into themes of belief, defiance, and survival, capturing both the destruction and strength inherent in their journey. With a blend of honesty and hopefulness, The Lovely Eggs offer listeners a compelling portrayal of perseverance in the face of adversity.