Back catalogue: All genres

Review: Kircaali-born producer Imperieux debuts on Hessle Audio with a wildly inventive four-tracker that folds Balkan heritage, rave memory and emotional turbulence into one of the label's most textured statements in recent years. It's a brand new release, and one that's already become a staple in Ben UFO sets i for good reason. 'Fena' opens with a rush of spliced rhythms and serrated synth work, capturing the title's namesake i a mischievous, unpredictable spirit i in full force. 'Sickomode' flickers between murky euphoria and brittle dissonance, a confident slow-burner that feels constantly on the edge of collapse. 'Saat' is the most striking: a retelling of a rave myth via mangled leads, barking textures and a breakdown that stretches into something close to revelation. Finally, 'Cawuso' offers a soft landing i warm, skeletal and full of quiet reverence. Everything here moves with intention but never telegraphs its next step. It's club music with personality: strange, expressive and fully alive. One of the most distinctive additions to the Hessle catalogue in a minute.

Review: The always excellent Minimal Wave presents a rare EP from Greek electronic pioneers In Trance 95 here. Alex Machairas and Nik Veliotis formed the duo in 1988 and very much helped define Greece's early electronic scene with their minimal synth and EBM-inspired sound, all of it usually marked by analogue warmth, hypnotic melodies and a futuristic sensibility. This release captures their innovative spirit and cult legacy across six unreleased tracks recorded between the late 80s and early 90s in Athens. It sounds magnificent and is a long-overdue glimpse into their visionary archive for new fans, or a fine reminder of their roots for those who have always been tuned in.

Review: Miami-based label Terrestrial Funk revives the sound of early 90s house with a long-overdue return from Insight, their first new material in over 30 years. Originally emerging from the UK scene and known for their 1993 output on Strictly Rhythm, the group reappear here with three fresh house tracks and one unreleased downtempo dub, all steeped in the warmth and spirit of that golden era. 'Starry Eyed' and 'Spring' combine tactile keys with swinging, classic drums, while Ashaye's vocal lines weave emotional clarity through each groove. The previously unheard 'Na Mix' of 'What Is This World Coming To?' flips the tempo, stretching things into a dubbed-out meditation that slows the pulse without losing intensity. 'Here We Go Again' rounds things off with a shuffling rhythm that lands somewhere between warehouse and sun-drenched terrace. Nostalgic yet agile, this is a quietly triumphant return that reaffirms Insight's place in UK house history.

Review: Naya Beat, the LA reissues and reworks label gathering and recasting some of the most delicious sounds of the South Asian diaspora, gathers some of its standout digital-era reworks onto vinyl for the first time, offering a vibrant cross-section of global disco, house and experimental editry from its roster. At the centre is a brand-new reimagining of Asha Puthli's 'Our Love Is Making Me Sing' by Bernard Fevre, better known as Black Devil Disco Club, who brings to the fore his signature moody synth atmospheres. Also included is a pulsating disco mix of Pinky Ann Rihal's 'Party Tonight' by Turbotito & Ragz, already spun by the likes of CC:DISCO and Barry Can't Swim. JKriv then twists RD Burman's 'Birth of Shiva' into a house stomper laced with bansuri and squelching bass, while Daniel T. transforms 'Zindagi To Zindagi Hai' into a dubbed-out Bollywood journey.