Back catalogue: All genres

Review: It may be debatable whether B-sides still exist in the here and now, yet beneath the very slightly prosaic title of this compendium lurks the work of an outfit who - despite having essentially surfed along a very definitive wave of sun-dappled languour since their inception - are capable of delivering offcuts that are every bit the equal of most folks' hits. True, the Spinal Tap insult of 'the musical growth rate of this band cannot even be charted' could be applied to Beach House, but when their catalogue over the ten years of their existence esentially consists of a variety of themes on opiated bliss, we're only too happy to embark on the ride.

Review: Ill Communication, the Beastie Boys' fourth studio album, remains a hallmark of their creative versatility. Released in 1994, this groundbreaking record merges hip-hop with punk rock, jazz, and funk, marking a significant shift towards live instrumentationia progression from their previous album, Check Your Head. Co-produced by the Beasties and Mario C, the album showcases their talent for genre-blending, featuring iconic tracks like the explosive 'Sabotage,' the funky 'Get It Together' with Q-Tip, and the raw 'Do It' with Biz Markie. The album also includes jazzy breakbeat grooves such as 'Root Down' and 'The Scoop,' along with instrumental jazz-funk tracks like 'Ricky's Theme' and 'Sabrosa,' and even nods to their punk roots with 'Heart Attack Man.' With further contributions from Money Mark, Eric Bobo, and Amery 'AWOL' Smith, Ill Communication is a testament to the Beastie Boys' ability to innovate. Now available on cassette for the first time ever, it continues to resonate as one of the band's most diverse and celebrated works.

Review: Using a variety of tape stocks, Black Swan creates a haunting atmosphere that evokes the sensation of uncovering long-lost, sacred recordings hidden in time on his ninth album, Ghost. The New York-based artist reveals that he was inspired by musique concrete and ambient while making the record, which is made up of 20 pieces that all form a continuous suite. Each track varies in length and complexity from short and sweet sketches to more elongated studies and that are made from intense layering and harmonic surges using an array of tape stocks. The result is a haunting, unearthly atmosphere that sounds perfect in this cassette format.

Review: Meg Mulhearn and Belly Full of Stars come together for this split release on which the former takes care of the first four tunes and the latter the other five. For her part, Mulhearn harnesses the power of fire and ice, sunshine and torrential rain in tracks that are occasionally gentle and sometimes harsh. The textures are fuzzy and grainy but synths and strings bring light and hope. Kim Rueger's Belly Full of Stars alias finds her going deep into subterranean worlds of cavernous sound detailed with the finest of wispy melodies on' Ebon Flow' while 'Perihelia' has a more organic and summery feel desire being so pressurised and tense. These are enchanting sounds for sure.

Review: Minneapolis' Chris Bartels aka Blurstem, and Philadelphia's Andrew Tasselmyer of the likes of Hotel Neon and Gray Acres have hooked up once more for a second collaborative album Midnight Letters. This album's starting point was original concepts played out on guitar which were then processed and experimented with through an ages-old analog tape machine. Add in an array of iPad audio processing apps, samplers, and Ableton software and you have a perfect mix of tools to serve up a sonic journey that perfectly merges the old with the new. The resulting ambient soundscapes are immersive and sparse but packed with subtle details that convey all manner of emotions.