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Review: Cannonball Adderley Somethin' Else gets the Tone Poet audiophile treatment now on this latest reissue from Blue Note. With the help of standout additional artists Miles Davis, Art Blakey, Hank Jones and Sam Jones, this is a record with a deep musical heritage and plenty of fine moments. The include the stunning performance of 'Autumn Leaves' and a fine title track along with the more romantic, slow shuffling and late night cuddliness of 'Dancing In The Dark.' Mastered by Kevin Gray from original master tapes and pressed to 180g vinyl, this is a must buy for jazz fans.

Review: Made and released way back in 1958, Somethin' Else is a classic jazz album by the American alto saxophonist Cannonball Adderley, notably his only ever album for the esteemed Blue Note label. It famously hears Adderley enlist the help of trumpeter Miles Davis as one of its sidemen, and this was an ongoing relationship that later paved the way for popular jazz as a whole; without Somethin' Else, we wouldn't have Kind Of Blue, for which Adderley would contribute his sax playing just a year later. Though it is a testament to the unity of two great core musicians, we also hear the piano stylings of Hank Jones, bassist Sam Jones and drummer Art Blakey.

Review: Cannonball Adderley's Somethin' Else is a masterpiece that features the peak of his lyrical invention and the superb interplay between him, Miles Davis, and the rest of the ensemble. Originally released in 1958, this album exemplifies the essence of hard bop with its gorgeous blues lines and taut, focused groove. The title track and 'One for Daddy-O' highlight the exquisite craftsmanship of both horn players, while the rhythm section, featuring Hank Jones, Sam Jones, and Art Blakey, provides a solid foundation for their improvisations. Adderley's alto saxophone shines, particularly on 'Dancing in the Dark,' where his romantic improvisation evokes the spirit of Charlie Parker and Johnny Hodges. What sets Somethin' Else apart is its clarity and directness. Each note and phrase is carefully considered, contributing to the overall narrative of the music. Davis, known for his minimalist approach, outlines the themes with precision, allowing for a common understanding to emerge among the musicians. Somethin' Else is a timeless record that continues to inspire listeners with its beauty and depth.

Review: Know What I Mean? is a sublime collaboration between two jazz giants. Released in 1961, it showcases the unparalleled musical chemistry between Adderley's exuberant alto saxophone and Evans' masterful piano. With tracks like 'Waltz for Debby' and 'Elsa,' it blends lyrical melodies with inventive improvisation to mesmerise the mind while Adderley's dynamic energy contrasts beautifully with Evans' introspective style. That captivating interplay highlights the best of both musicians and means this album is a timeless gem in the jazz canon that is rightfully celebrated for its sophistication.