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Review: Glasgow's seminal post-rockers enter new sonic terrain with their 11th album. Blessed for the first time in Mogwai history to have the fine pair of ears that is producer John Congleton in the studio, their single 'Fanzine Made Of Flesh', says the band's Stuart Braithwaite, is a "cross between ABBA, Swervedriver and Kraftwerk." It's certainly a long way from 'Mogwai Fear Satan' but that dense haze and ability to deftly layer sound that they do so well is audibly well intact. Elsewhere, 'Lion Rumpus' must have seen the band break a few snare skins. It's a phenomenally powerful performance with a sombre melody rooted in old folk music perhaps. The album's title, The Bad Fire, comes from a working class Glaswegian term for the word hell and according to a press release the album was born out of adversity so it's a fitting title. Sonically, however, it's a nuanced ride and there's a sense of resolve here offsetting the tension and melancholy and it feels truly heartfelt.

Review: Perhaps we shouldn't be surprised the latest from Glasgow post-rock pioneers Mogwai adds a new ferocity. It was, after all, forged at a time of personal loss and family trauma for several members. The opener, 'God Gets You Back', weaves hypnotic vintage synths with Autotuned vocals, building into a thrilling crescendo that sets the tone for the album's expansive soundscapes. 'Hi Chaos' begins with a folk-like delicacy, evolving into a storm of ebowed drones, thunderous drums and towering riffs, offset by swirling sci-fi synths. The interplay between restraint and eruption continues on 'Pale Vegan Hip Pain', where cavernous guitar notes bloom into intricate melodies, offering a moody respite before the intensity of tracks like 'If You Find This World Bad You Should See Some Of The Others', which brims with ominous tones and a symphony of layered guitar noise. Tracks like 'Hammer Room' bubble with intricate synth lines woven into soaring melodies, while '18 Volcanos' evokes shoegaze grandeur with its vibrant oscillations. Each piece thrives on emotional resonance, eschewing words for pure instrumental storytelling - very much the Mogwai way, in other words, just sharper and more vicious than ever.

Review: Mogwai's latest work drifts between turbulent intensity and serene expansiveness, striking a balance between their signature wall of sound and moments of fragile beauty. The opening track, with its deep, resonant bass and atmospheric electronics, sets the tone for what feels like an album of catharsisireflecting their emotional weight. 'God Gets You Back' brings a lighter, more melodic pulse before transitioning into the dense, layered textures that Mogwai excels at. There's a sense of nostalgia woven throughout, yet it's clear the band is pushing their sound forward, exploring new avenues within their established sonic landscape.

Review: Marking the Glasgow post-rockers' 11th release, this record comes alive through the skilled hands of producer John Congleton, renowned for his work with acts like Sigur Ros. Kicking off with 'God Gets You Back,' the track throws you into a chaotic soundscape that feels like Daft Punk being pursued by My Bloody Valentine. Meanwhile, 'Fanzine Made Of Flesh' and 'Lion Rumpus' play with contrasts, merging whimsy and heft. The Bad Fire encapsulates Mogwai's talent for weaving beauty into sonic intensity, ensuring their unique voice resonates as powerfully as ever.