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Review: "This 10" single reissue comes in celebration of the upcoming 30th anniversary of Ozzy Osbourne's 'No More Tears'. A new mashup sure to inspire only the best moshpitting and hair-flicking skills from every true hard rock head, this new track hears a the original Ozzy song mashed up with Motorhread's version. Never before released, it sounds like an alternate Dante eagerly cruising through the many layers of hell, as new drum reversings, stereo effects and soundscapes are peppered into this masterful musical jigsaw. The B-side also contains the two original, unremixed versions.

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Review: Originally released in 1977, if there's a rock or metal-oriented album that requires little to no introduction, it's the self-titled debut from Motorhead, welcoming the unsuspecting masses to the blistering balls to the wall ferocity that was Lemmy (bass/vocals), Phil Taylor (guitar) and Eddie Clarke (drums). Complete with a silver hot foil replication of Joe Petagno's original Motorhead logo on a vibrant red background, this 2xLP includes the original full-length boasting classics such as 'White Line Fever', 'Violator' and 'Keep Us On The Road', as well as a bonus disc featuring the Beer Drinkers & Hell Raisers EP, along with newly mixed and alternative versions of bangers like 'Motorhead', 'The Watcher' and 'Keep Us On The Road'. Complete with sleeve notes by Ted Carroll, taking the reader through the story of how Chiswick Records managed to scrape together enough money to fund the recording of what would eventually enter both the label and band into the annals of rock history.

Review: 1977 was a pivotal year for Motorhead, seeing as it saw the release of their debut, self-titled album and also the hiring of Fast Eddie Clarke, forging what is invariably seen as the classic line up of this seminal band. The year may be closely associated with the height of punk rock, but the ultra heavy metal stylings of Lemmy and co always crossed the divide and appealled to punk and metal fans alike. The 11 tracks here straddle the tracks written for that debut LP ('Iron Horse/Born To Lose', 'Vibrator' and 'White Line Fever') and older material such as 'Motorhead', originally penned by Lemmy's previous employers Hawkwind, their cover of Eddie Holland's Motown classic 'Leaving Here' and 'On Parole', first recorded with Clarke's predecessor Larry Wallis in 1976 then shelved. The sound of one of the finest bands ever just beginning to hit their stride.

Review: The second studio album from metal behemoths Motorhead saw the trio - in their classic line up form of Lemmy (bass, vocals), Fast Eddie Clarke on guitar and Philthy Phil Taylor on drums - truly hit their stride. In probabality, this LP, originally released in 1979, produced the biggest crop of classics of any in their career, with 'No Class', 'Capricorn', 'Stay Clean' and 'Metropolis' all joining the title track in the ranks of songs that would remain staples of their live sets for literally deacdes to come. The year is significant, as Overkill marks the band harnessing the anarchic overtones of punk to their metal power, with plenty of lyrical attitude added to the sharp riffing, 747-like basslines and double kick drum onslaught. This reissue restores the original tracklisting without the frills and extras of the 2005 remaster, but when it's all as shitkicking as this, why mess?!

Review: The eight full-length from Motorhead is often regarded as one of their most underappreciated works. Originally released in 1982, 'Iron Fist' would be the final album from the classic Three Amigos era line up of Lemmy, "Fast" Eddie Clarke, and Phil "Philthy Animal" Taylor. Citing the pressures of following up their, 'No Sleep 'Til Hammersmith' live album that debuted at no. 1 on the UK album charts, as well as the internally controversial decision to allow guitarist Eddie Clarke to produce, the end result would be a project respected and adored by most, with the exception of the men behind the craft. With Clarke's departure not long into the promotional tour, and the underwhelming regard Lemmy held the work in, it's times like this that we can thank the fans for championing the record and its praise for years to come. This 40th anniversary edition is mere proof that even sometimes the artist themselves doesn't get the last say on the staying power of their art.

Review: It isn't too absurd to consider that Motorhead appeared at the 2007 installment of the iconic Montreux Jazz Festival, when the organising team are renowned for purposefully selecting the best artists of leftfield variety to add dynamics to their line-up, and offer respites from the jazz-centric billing. All that said, there's still no denying the face-melting bizarre turn from one of the greatest heavy rock/metal acts to ever shred, and now the set has been immortalised on wax. Featuring essential cuts from their back catalogue such as 'Killed By Death', 'Iron Fist', 'Overkill', and (of course) 'Ace Of Spades', it's a genuine joy to hear Lemmy and co utterly embracing their newfound audience and delivering a breakneck sonic spectacle only the trio knew how to deliver.

Review: With the iconic Montreux Jazz Festival constantly working to offer the most dynamic respites from their jazz-centric billing, and showcasing their tastes for the best in outsider (anything other than jazz) music, it shouldn't come as too much of a shock that the legendary Motorhead ripped a mammoth set apart back in 2007. Featuring a plethora of tracks from their catalogue such as 'Killed By Death', and 'Ace Of Spades', while also serving as the first official release to feature the trio's much loved cover of Thin Lizzy's 'Rosalie', it's delightful and absurd in equal measure to hear Lemmy and his cohorts embracing an entirely different type of audience to deliver one of the most unique sets of their latter days.

Review: An essential collection of Motorhead's singles from 1995 to 2006, now available as an expanded double CD set. Featuring iconic tracks like 'Sacrifice', 'Love for Sale', and their electrifying cover of 'God Save The Queen', the compilation shows the band's relentless energy and songwriting talent during this era. Disc one highlights live versions of fan favourites such as 'Over Your Shoulder' and 'Overnight Sensation', while disc two continues with the gritty rock anthems 'Shut Your Mouth' and 'Whorehouse Blues'. The collection includes rare radio edits, live cuts like "R.A.M.O.N.E.S.," and an insightful 2004 promo interview with Lemmy and Mikkey Dee. The album exemplifies Motorhead's versatility, proving they never lost their edge. This double CD version boasts not only their hardest-hitting tracks as well as plenty of rare moments.

Review: Boom! The year of 1979 saw not one but two classic Motorhead albums being dropped like atomic bombs on an unsuspecting but appreciative public. After the Overkill LP really put the 'Head on the metal map earlier in the year, Bomber consolidated their position as, to quote Spinal Tap's slightly tongue in cheek compliment, one of Britain's loudest bands. In fact, their show at Port Vale in 1981 would appear in the Guinness Book of Records as the loudest ever. Of course, there is much more to them than sheer volume and firepower though. Frontman and bassist Lemmy had cut his teeth as a roadie for Jimi Hendrix and tracks like 'Lawman' follow a similar lineage of blending heavy, psychedelic blues with a genuinely groovy funkiness. When they're on top form the trio of Lemmy, guitarist Fast Eddie and Phil Taylor are a finely trained crack squad, pulling some deft musical moves and unexpected about turns, too. Virtuosity neatly disguised as utter barbarianism - just how we like it. The Bomb!

Review: Fans will endlessly debate the creative high watermark of Motorhead's lengthy career, but there's no doubt that this album, their fourth, was the commercial peak of the trio. Originally released in 1980, with a wonderfuly spaghetti western cover shot doubtless shot in Camber Sands or somewhere similar, it reached number four in the UKalbum chart, at a time when physical sales were pretty close to an all time high. The album's title track is of course their ultimate calling card, from its iconic riff to its lyrical celebration of gambling one of the ultimate metaphors for a - or even the - rock and roll lifestyle. But its greay production job by Vic Maile means the band sound brighter and sharper here than ever before, the sessions doubtless seriously waking up the sleepy Herfordshire town of Rickmansworth where it was recorded. There's also a slew of memorable songs, naturally enough, from 'Love Me Like A Reptile' - who says romance is dead - to '(We Are) The Road Crew', the impossibly speedy two minute thrashout 'Bite The Bullet' and 'The Chase Is Better Than The Catch'. Gambling's for fools, as the song says, but this one is an odds on dead cert.

Review: We Take No Prisoners is a definitive collection of the band's singles from 1995 to 2006, presented as a nine 7" single box set, and expanded double CD and digital editions. Spanning tracks like the relentless 'Sacrifice', their distinctive cover of the Sex Pistols' 'God Save The Queen', and the semi-acoustic 'Whorehouse Blues', the compilation highlights the band's enduring songwriting talent. The set also includes rare live and radio edits, along with a previously unreleased promo interview with Lemmy and Mikkey Dee from 2004. This collection captures the essence of an era and the songs that fuelled the success of the albums they came from.

Review: Before Motorhead, there was simply The Boys From Ladbroke Grove; a trio which included the metal legends' formative members Lemmy Kilmister and Larry Wallis. Spanning a whole host of early material, some of which has never before appeared on physical media, this retrospective compilation harks back to recorded and live work by the "family tree" of bands related to Kilmister and Wallis in the early 1970s, with rare numbers also included. Motorhead completists, perk your ears up!