Back catalogue: All genres

Review: Dietro il Processo is a TV investigation series directed by Franco Biancacci that was broadcast by RAI in Italy from 1978 to 1980 as part of the Storie allo Specchio series. The legendary Ennio Morricone composed the main theme and scored three episodes: L'urlo, L'ultima notte di Pier Paolo Pasolini and Il caso Montesi. Although the tracks were not initially released in any format, the soundtrack became available on CD in 2009. For Record Store Day 2025, this first-ever LP edition has been assembled and comes on white vinyl so allows a chance to revisit to these most dramatic pieces.

Review: The legendary film composer is back with a reissue of one of his most haunting and suspenseful i a perfect canvas for Morricone's groundbreaking score. Morricone's contribution to the thriller genre remains unparalleled, blending haunting lyricism with avant-garde experimentation. This score is no exception. From the eerie waltz of the main title, performed by the ethereal Edda Dell'Orso, to the unsettling dissonance that creeps beneath the surface, every note is designed to disturb and captivate. The music mirrors the film's dark narrative of a journalist trapped inside his own lifeless body, racing against time to solve a chilling conspiracy. Originally intended for a vinyl release in 1971, the full score was shelved until a limited CD surfaced in 1998, followed by an expanded 2009 edition that quickly sold out. This newly remastered release by Chris Malone is a great way to experience Morricone's work, offering a pristine listening experience for both avid collectors and newcomers. Accompanied by insightful liner notes from Miguel Angel OrdoNez, it stands as a great addition to any film score collection.

Review: Alzati Spia is one of countless soundtracks from Ennio Morricone that expose his masterful ability to elevate film through music. This one from 1982 blends suspenseful orchestrations, dramatic tension and avant-garde experimentation that mirror the titular espionage thriller's atmosphere with real precision. Morricone's signature use of unconventional instrumentation and haunting melodies keeps you gripped while the eerie intrigue comes from string arrangements and bold bass. These are emotionally charged compositions that evoke rich mental imagery to the point that even without the film playing they unfold like an immersive mind movie.

Review: Legendary composer Ennio Morricone's soundtrack for The Good, the Bad and the Ugly remains a towering achievement in film music. Effortlessly blending operatic grandeur with raw Western grit, it fuses whistles, guitars, choral howls and sharp percussion into one of cinema's most iconic themes. Each character receives a unique motif, Wagnerian in concept but rooted in 1960s pop flair. Tracks like 'The Ecstasy of Gold' are emotional epics on their own but really elevate the cinematic scenes into legend. Morricone didn't just score the film-he shaped its soul and this new limited-edition reissue is a great way to relive it.

Review: Morricone aficonadi will be champing at their costume jewellery for this one. Scored for the Sergio Martino film Ruba Al Prossimo Tuo (1976), Morricone provided a hauntingly atmospheric soundtrack, marking the flick out from the rest in the Italian Giallo wave, and its usually otherwise funk-backed, upbeat exploitation emotes. The film follows a chilling, traitorous femme-noir formula, as a young woman, Giulia, is put through a seedy ringer after witnessing a brutal murder. As Edda Dell'Orso sings above Morricone's samba arrangements, the record is notable for its renderings of classic Latin style in much broodier, more dubious tones.