Back catalogue: All genres

Notes: Compact Size, Big Performance - The Perfect Creative Companion

Meet the Fluid Audio C35BT, a compact yet powerful studio monitor pair designed for creators who need high-quality sound in limited spaces. With accurate sound reproduction, versatile connectivity, and a sleek design, the C35BT offers a professional audio experience for musicians, content creators, and casual listeners alike.

Precision Sound in a Compact Form Factor

Despite its small size, the C35BT is engineered to deliver precise audio with a balanced and flat frequency response from 80Hz to 20kHz. Unlike many small-format monitors in this price range, which tend to boost bass or high frequencies, the C35BT maintains a neutral tonal balance, making it ideal for detailed listening and mixing in tight spaces.

Front-Panel Volume Control and AUX Input

Convenience is key when working in fast-paced environments. The C35BT's front panel features:

Volume control for quick adjustments without reaching behind the speakers
AUX input for instant connection to smartphones, tablets, or other portable devices
BT 5.0 Connectivity
Seamlessly stream high-quality audio wirelessly with BT 5.0. Whether you're referencing mixes or simply enjoying music, you can switch effortlessly between BT and wired inputs with minimal latency and no loss in audio fidelity.

Auto-Standby Mode with Manual Override

Designed to save energy without interrupting workflow, the C35BT automatically enters standby mode after 5 minutes of inactivity. For uninterrupted use, the auto-standby feature can be disabled via the rear-panel switch, offering flexibility depending on your setup.

Versatile Connectivity Options

Whether you're using professional audio equipment or consumer devices, the C35BT offers multiple input options to suit any setup:

"Balanced TRS inputs for pro-level audio interfaces
"Unbalanced RCA inputs for consumer electronics
"Front-panel AUX input for quick and easy device connection
"BT5.0 for wireless streaming without compromise
Advanced Features for Every User

Class D Amplification: Delivering 32W per speaker, the C35BT provides clean, distortion-free sound even at high volumes.

3.5" Composite Woofer + Silk Dome Tweeter: This combination ensures detailed mids, tight bass, and smooth high-frequency response.

Compact and Portable Design: With a footprint of just 125mm x 150mm x 185mm, the C35BT is perfect for desktop setups, home studios, or mobile creative spaces.

Rubber Feet Included: Designed to reduce vibrations and improve sound clarity by providing a stable base on any surface.

Recommended Use Cases

Music Production: Ideal for producers needing accurate sound representation.
Content Creation: Perfect for YouTubers, podcasters, and streamers who require professional audio monitoring.
General Listening: Whether wired or via BT 5.0, the C35BT offers exceptional clarity for casual music listening.

What's Included
1 x Active C35BT speaker
1 x Passive C35BT speaker
Speaker connection cable
Power cable
4 x Rubber feet
User manual

Additional information

Woofer: 3.5" composite cone
Tweeter: 0.8" silk dome tweeter
Frequency response: 80Hz-22kHz (+/- 3db)
Crossover frequency : 4.2kHz
Amplifier Power: 2 x 32 watts (64W total)
Mains Voltage Input: 85 VAC to 265 VAC universal
Protection: RF interference, output current limiting
Over temperature
Turn-on/off transient
Subsonic filter
External mains fuse

Cabinet: Vinyl-laminated MDF
Size (single monitor): 7.28" x 4.92"

Review: This has been described as Shelflife for Calibre's 120-140 material. If you know the means, methods and magic of Dominic Martin, you'll already have this in your basket. But in case you need a little extra info or new to the abyssal vaults of Calibre, the Shelflife series is a regular collection of projects and unreleased material he's made over the years. While best known for his d&b, his house, techno and dub material is just as prolific, deep and mesmerising. As is the case here as we range from steppy, curmudgeonly techno ('Front Loader') to funky electro style breaks ('The Saki') to bumping shufflesome house ('Ukrained') to vast spacious dub ('Come With Me') Complete with many other deep and reflective shades between, this is yet another fantastic body of work from one of electronic music's most unique and revered artists.

Review: This definitive 2025 edition of the Donkey Kong Country soundtrack has been meticulously recreated by Jammin' Sam Miller using original SNES data and studio-grade equipment. Originally released in 1994, the game's music, featuring classics like 'Aquatic Ambiance' and 'Fear Factory', redefined video game soundtracks. This triple-vinyl boxset takes in all of the many highlights with fixed playback speeds and refreshed packaging. It's a nostalgic listen for those old enough to have been gaming back in the mid-nineties but also a rich source of samples for adventurous modern producers.

Review: Longplay II: 10 Years Anniversary Compilation is a monumental six-record box set that celebrates a decade of cutting-edge mininalist techno. From the hypnotic rhythms of Cezar's 'Nkv2' on Side-1 to the atmospheric 'Nochi' by Denis Korablev on Side 12, each side brings its unique flavour. Tracks like Vincentiulian's 'Owowow' and SIT's 'Internal Network' showcase intricate, minimal soundscapes that are both cerebral and dancefloor-ready. The compilation also includes standout moments like Alci's "Man Studer" with its deep, pulsating basslines, and Ben Neville's 'Good Techno Stops Time', a testament to the timeless nature of the genre.

Notes: Mutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.

Vactrols on the circuit gives to the switching a pleasing decay for both audio and modulation as well a totally click free muting.

Three-position switch: MOMENTARY signal pass-through (it springs back to the center when released); OFF (or muted) in the center; and ON to the right.

Notes: Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies.

Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.

A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).

The LFO signal can also be synchronised, via the reset input.

Identical to the A-145-1, but only 4 HP wide and with additional LEDs for the square wave and the sawtooth signal.

Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
4 HP

Notes: The One to Four Splitter allows the user to take one input and send it through four buffered outputs for unlimited creative potential. Use it to run out to four amps to play in quadraphonic sound and blow people's minds. Send a clean signal to your DAW and another through your normal signal chain to have a clean back up while recording. Run 2 parallel stereo signal paths! Use the One to Four splitter together with the Four to One Mixer and create wild parallel signal chains! Use the Buffer/Splitter and run 2 x One to Four Splitters to have 8 parallel paths!

This device features a unity gain buffer on each output for maximum punch and clarity. These buffered outputs have a flat frequency response with a high 1 Mohm input impedance and a low 100 ohm output impedance. This means that your signal won't lose any quality and will sound just like you intended. Even long cable runs will be no match for the One to Four Splitter.

Dimensions

4.75 x 2.5 x 1.5 in. (120 × 63 × 38 mm)

Current Draw

15 mA

Input Impedance

1 MO

Output Impedance

100 O

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. EQD always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!