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Review: A four sided selection of remixes of the goth kingpins' widely acclaimed and long awaited latest album Songs of a Lost World. From the moment Paul Oakenfold's 'I Can Never Say Goodbye' rework opens proceedings i lush strings, half-submerged vocals, and a cinematic pace i it's clear that curation, not just contribution, has shaped the form. Orbital turn 'Endsong' into a glistening spiral of sequencers and tension, while Sally C's raw house take on 'A Fragile Thing' ups the pulse without disturbing the gloom. Smith i still unmistakably the same outsider from Crawley, West Sussex i guides things with restraint, letting the space speak louder than the noise. Four Tet's version of 'Alone' closes the first disc like a forgotten lullaby, cracked and glinting. You don't get every remix i the more textural, post-rock turns are gone i but you do get a sharp cross-section that keeps faith with both atmosphere and momentum. It's the kind of record that feels designed for the night: not to lift it, exactly, but to sink into it willingly, track by track.

Review: This brilliant double album captures legendary UK miserablists The Cure live in Rio de Janeiro's Apotheosis Square back in early 1996, during a performance broadcast by the King Biscuit Flower Hour. The setlist blends plenty of their classics with newer material from their Wild Mood Swings era, including fan favourites like 'A Forest,' 'Disintegration,' 'In Between Days,' 'Fom The Edge Of The Deep Green Sea' and the evergreen 'Boys Don't Cry.' It's a testament to the fact that the band was still evolving and able to conjure real emotional intensity that was as powerful in the mid-'90s as in their early post-punk days.

Review: Captured during The Cure's seminal 1981 Picture Tour, this vital 13-track collection is a raw, atmospheric glimpse into a band deep in their post-punk ascent. Recorded while promoting their haunting third album Faith, the setlist draws from early classics like 'A Forest,' '10:15 Saturday Night' and 'Fire in Cairo' while darker cuts like 'All Cats Are Grey' and 'Play for Today' showcase the band's moody evolution from wiry, spiky songsmiths into epic goth pioneers. Stripped-down, urgent and undeniably magnetic, this live recording cemented The Cure's status as generational icons and even more years it, it is still resonant with intensity and vulnerability.