Review: George Michael's timeless Careless Whisper is an iconic pop record which this year marks its 40th anniversary. It was released in 1984 and soon topped charts in 25 countries while also achieving multiple Platinum certifications globally. To celebrate the milestone, a limited edition Careless Whisper EP has been compiled and features all versions of the song in one exclusive release. This special 12" includes instrumental and extended mixes along with a previously unreleased live version recorded at Madison Square Garden, New York. It is an EP that reminds us of the late great Michael's skills and reworks the single in club ready format for DJs.
Careless Whisper (live From Madison Square Garden - previously unreleased) (5:32)
Careless Whisper (instrumental) (4:55)
Review: A unique edition of an iconic track. Originally released in 1984, Careless Whisper has subsequently solidified its place as a pop masterpiece, topping charts worldwide and earning multiple platinum certifications. This limited-edition EP is cut at 45rpm half-speed for extra clarity and features a remastered version of the original hit, an extended mix enhancing its sultry allure and an intriguing live performance of it from Madison Square Garden, adding a new dimension to the track's timeless appeal. The EP also includes an instrumental version, allowing fans to appreciate the lush production and unforgettable saxophone solo in its purest form.
Last Christmas (live At Wembley Arena, December 2006) (5:52)
Last Christmas (instrumental) (4:25)
Review: Wham!'s 'Last Christmas' has transcended mere holiday music, firmly establishing itself as a cultural touchstone since its release. As we celebrate its monumental 40th anniversary, this new collection gathers every iteration of this timeless classic. Fans can relish the previously unreleased live performance from George Michael at Wembley in 2006, alongside the 'Pudding' mix and the original instrumental. This festive release encapsulates the joyous spirit of the season, ensuring that 'Last Christmas' remains essential listening for both new and longtime admirers.
Review: While Wilco has often regarded EPs as secondary offerings, their latest release, 'Hot Sun Cool Shroud', defies that trend by presenting a cohesive artistic statement reminiscent of a full album. Unlike previous EPs, which were typically promotional in nature, this six-song collection embraces the format's potential, showcasing the band's versatility and depth. The opener, 'Hot Sun', blends sensations of pleasure and existential anxiety, as Jeff Tweedy questions his role in the face of climate change. Each track feels intentional, flowing smoothly into the next while exploring various facets of the band's identity. The two-part structure features instrumental pieces that punctuate the vocal tracks, showcasing a mix of melody and dissonance that reflects their eclectic sound. From the reflective 'Ice Cream' to the energetic chaos of 'Inside the Bell Bones', Wilco exhibits an impressive range, seamlessly blending elements of rock, country and experimentation. 'Hot Sun Cool Shroud' not only stands as a remarkable addition to their discography but also redefines the possibilities of the EP format in their artistic journey.
Pop Ur Shit (feat Young Thug & Metro Boomin) (4:30)
Letter To My Brudda (0:45)
Dangerous (feat Lil Durk & Metro Boomin) (1:31)
Nee-nah (feat Travis & Metro Boomin) (3:37)
See The Real (3:06)
Prove It (feat Summer Walker) (3:22)
Should've Wore A Bonnet (feat Brent Faiyaz) (3:16)
Just Like Me (feat Burna Boy & Metro Boomin) (3:52)
Red Sky (feat Tommy Newport & Mikky Ekko) (2:56)
Dark Days (feat Mariah The Scientist) (4:53)
Review: Hip-hop star and 'mumble rap' pioneer, not to mention all-out legend, 21 Savage delivers his third full-length studio album, American Dream. Coinciding with a new, forthcoming biopic about his life - American Dream: The 21 Savage Story - this is probably set to be the rapper's most forthcoming and acclaimed album to date. Having shouldered a fraught early life prior to his rise to stardom in Atlanta (Savage, real name Sheyaa Bin Abraham-Joseph, was born in Plaistow, London, to parents of British nationality and Caribbean heritage), Savage's earliest days are a hot topic when it comes to the theme of shaken personal identity and the double consciousness of immigration, a topic not commonly explored in contemporary hip-hop (it should be). Already lauded as the project through which Savage divulges all, this album serves as a birds-eye view of his history and a defiant rejoinder to the American ICE's misguidedly loaded statement, 'this whole public persona is false'.
Review: This two-disc compilation serves as both a tribute and a comprehensive dive into the legacy of one of hip-hop's most influential groups. A Tribe Called Quest were instrumental at the start of the 90s for helping the hip-hop genre move into more conscious lyrics that thanks to the members, took storytelling to a new level. Creating some of the most catchy tracks in hip-hop history, the group continue to grow in respect as one of the best acts in the genre of all time. With a mix of career-defining hits, rare B-sides and fresh remixes, this package is a rich exploration of their artistry. Tracks like 'Can I Kick It?', 'Electric Relaxation' and 'Scenario' stand as monuments to their enduring impact, racking up millions of streams and inspiring new generations of listeners. Previously unreleased gems 'Mr. Incognito' and 'The Night He Got Caught' feel right at home alongside anthems like 'Award Tour' and 'Bonita Applebum', highlighting the group's versatility and storytelling prowess. The inclusion of remixes, such as 'Lyrics To Go (Tumblin Dice Remix)' and 'Oh My God (Remix)', adds layers of freshness to timeless classics. The attention to detail in this collection is remarkable. Tracks like 'Jazz (We've Got)' and 'Check The Rhyme' sound revitalised, with crisp production showing their intricate melodies and sharp lyricism. From the playful narrative of 'I Left My Wallet in El Segundo' to the bold swagger of 'Buggin' Out,' every track contributes to the story of a group widely considered to be one rap's all time greats.
Review: In 1991, A Tribe Called Quest released The Low End Theory, a groundbreaking album that solidified their status as hip-hop legends. Building on the jazz-infused sound of their debut, the album featured sparse grooves and expertly chosen bass samples, with jazz bassist Ron Carter contributing to 'Verses from the Abstract.' DJ Ali Shaheed Muhammad's minimalistic approach allowed Q-Tip and Phife Dawg's lyrical prowess to shine, showcasing their clever wordplay, humor, and social commentary. Tracks like 'Butter' and 'The Infamous Date Rape' addressed misogyny, while 'Rap Promoter' and 'Show Business' critiqued the music industry. The album's production is consistently smooth, with standout tracks such as 'Check The Rhime' and 'Jazz (We've Got).' The posse cut 'Scenario,' featuring Leaders of the New School, is a legendary closer. The album's influence on hip-hop is undeniable, inspiring future artists like Kendrick Lamar and Outkast. The Low End Theory remains relevant and refreshing, a testament to Tribe's creativity and unflappable style. It's a masterful blend of thought-provoking lyrics and impeccable production, making it one of the greatest hip-hop albums of all time.
Review: A Tribe Called Quest's Anthology is a masterful compilation that distills the essence of their groundbreaking hip-hop career into one essential collection. Spanning from their early gems like 'Luck of Lucien' to the jazz-infused brilliance of 'The Low End Theory' and the infectious groove of 'Award Tour,' this album encapsulates the evolution and influence of the group over a decade. It's a perfect introduction for those new to their discography, capturing all the highest points of their journey. Tracks like 'Find a Way' from 'The Love Movement' and Q-Tip's solo debut 'Vivrant Thing' add depth and diversity, showcasing their enduring impact on hip-hop culture. Anthology not only celebrates their innovative sound but also highlights why A Tribe Called Quest remains a top listen for any hip-hop enthusiast.
Review: The hip-hop legends' fourth album, released in 1996, marked a pivotal shift in their musical journey. The production, led by The Ummahia collective including Q-Tip and the late J Dillaiintroduced a more minimalist and darker tone compared to their earlier, jazz-infused works. Tracks like '1nce Again' and 'Stressed Out' exemplify this evolution, blending introspective lyrics with innovative beats. The reissue offers a renewed appreciation for the group's willingness to experiment and evolve, highlighting a significant chapter in their discography.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Rock 'n' Roll Damnation (3:57)
Down Payment Blues (5:38)
Gimme A Bullet (3:21)
Riff Raff (5:13)
Sin City (4:28)
What's Next To The Moon (3:24)
Gone Shootin' (4:47)
Up To My Neck In You (4:15)
Kicked In The Teeth (3:54)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
It's 1977 and AC/DC are not-so-fresh after a spell as the support on Black Sabbath's tour. Looking for a new bassist, after a disagreement over whether to pick Manfred Mann's Colin Pattenden, the band agree on Cliff Williams, who would remain in place until 2003. Recording what became Powerage, their fifth studio album, Atlantic Records soon complained there wasn't a sellable lead single. 'Rock 'n' Roll Damnation' took form, one of the group's outliers, which comes without standard guitar solo but with maracas and hand claps. While this proved divisive among die hard fans, the album itself has gold waiting to be discovered deeper down. 'Gimme A Bullet', for example, has been cited as the finest track the late Bon Scott would write, his lyrical flair and deft metaphorical wit shining through on a tune that won't let up. This was his final LP, and tragically three years later he was no longer with us, marking an end to the group's iconic first chapter.
Review: Frampton Comes Alive? Jeff Mills Live At The Liquid Room? Pah! There is only contender in the park when it comes to the best live album of all time and that's AC/DC's 1978 classic, recorded at the Glasgow Apollo and featuring their original vocalist Bon Scott. From the deft riffing of opener 'Riff Raff' - recently covered by men of the moment Black Midi - to the 12 bar frenzy of traditional closer 'Rocker' via big hitting groovers like 'Bad Boy Boogie' and 'Problem Child' and audience participation-fests like 'The Jack' and 'Whole Lotta Rosie', this is dripping in crowd atmospherics, improvised solos and big walls of riffs. Just about as great an advert for live music as ever existed.
Review: Let There Be Rock, AC/DC's powerhouse fourth album, embodies the raw, unbridled energy that defines rock and roll. From the raw, almost Albini-like production of opener 'Go Down' onwards, the relentless drive of the title track to the riotous closing of 'Whole Lotta Rosie,' the album exudes a 'do it live' ethos. Bon Scott's raucous vocals and the band's frenetic guitars and driving rhythms push the limits of their musical abilities, resulting in a sound that's both unapologetically aggressive and irresistibly engaging. With its electrifying execution and high-octane performances, this album not only captures the essence of AC/DC but also makes a compelling case for their influence on the punk movement, landing as it did in 1977.
Review: Celebrating half a century of rock legacy, AC/DC's Back In Black gets a special edition release some 44 years after its original unleashing. The iconic album is well known for its thunderous riffs and anthemic choruses and though it is very much of its age, it solidified AC/DC's status as one of rock's greatest bands, despite the appearance of flat capped Geordie Brian Johnston in place of Bon Scott, who died tragically in 1980. With hits like 'You Shook Me All Night Long', live favourites 'Hells Bells' and 'Rock 'N' Roll Ain't Noise Pollution' and the title track, the album reached all-new heights of rock energy and big riffery and now this anniversary edition offers a fresh perspective on a timeless classic while showcasing AC/DC's enduring influence on the rock landscape.
Review: It's 1977 and AC/DC are not-so-fresh after a spell as the support on Black Sabbath's tour. Looking for a new bassist, after a disagreement over whether to pick Manfred Mann's Colin Pattenden, the band agree on Cliff Williams, who would remain in place until 2003. Recording what became Powerage, their fifth studio album, Atlantic Records soon complained there wasn't a sellable lead single. 'Rock 'n' Roll Damnation' took form, one of the group's outliers, which comes without standard guitar solo but with maracas and hand claps. While this proved divisive among die hard fans, the album itself has gold waiting to be discovered deeper down. 'Gimme A Bullet', for example, has been cited as the finest track the late Bon Scott would write, his lyrical flair and deft metaphorical wit shining through on a tune that won't let up. This was his final LP, and tragically three years later he was no longer with us, marking an end to the group's iconic first chapter.
Review: Arguably one of the most integral tentpoles of the grunge movement, Alice In Chains' seminal sophomore effort, Dirt, changed the game upon its release in 1992. Featuring some of the band's most classic cuts such as, 'Them Bones', 'Down In A Hole', 'Rooster', and, 'Junkhead', to name but a few; the incomparable dynamic of Wayne Staley's iconic vocals and cryptic, yet brutally honest lyricism combined with guitarist Jerry Cantrell's mammoth riffs and delicate nuance, still resides high in the echelons of alternative rock three decades on. For lifers and newcomers alike, this 30-year anniversary edition serves as an ideal opportunity to revisit a genuine classic, far murkier and riddled with antagonistic depths than any of its would-be peers.
Review: For people of a certain age, their teenage years were defined by the edgy grunge, alt and punk rock sounds of bands like Alice in Chains. Three decades later their seminal sophomore effort, Dirt sounds as good as it ever did and gets an anniversary reissue to mark the occasion. It comes with plenty of powerful drums and big-ass basslines as well as yelping vocals and fuzzy textures that take in a range of emotions and even bigger riffs. This issue features a special insert and comes across four sides of vinyl so it's nice and loud, just as intended.
Review: Alice in Chains' Jar of Flies from 1994 is a masterful album that showcases the band's versatility and songwriting prowess across an acoustic-driven collection of tracks. They deliver plenty of haunting melodies and introspective lyrics that make for a deeply immersive listen. There is a real melancholic beauty to 'Nutshell' while a gritty intensity pervades 'No Excuses.' Each song offers a glimpse into the band's emotional depth and musical complexity, always with raw emotion and captivating performances that make this one a standout release in Alice in Chains' discography.
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