Back catalogue:

Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.

Review: The Cuckoo Storm might never have been, were it not for a social media post Adrian Crowley wrote on a wintry late-night walk in a quiet neighbourhood of Dublin during lockdown. Struck by Waterson's previous album Death Had Quicker Wings Than Love (co-written with David A Jaycock), Crowley wanted to mark the moment, and so pressed 'send' into the ether with no way of knowing what would follow. Drawn to his voice and seeing a kindred spirit in his poetic lyrics, Waterson was touched by his message and responded by asking if he would be interested in working together. His answer was a resounding 'yes.' Cuckoo Storm followed; a deeply compelling album and serendipitous collaboration comprising eleven beautifully crafted songs, sung by two matching voices that are a powerful match. Waterson's brilliantly distinctive voice is underpinned by Crowley's rich baritone, and together it's an intoxicating mix.

Review: Gillian Welch and David Rawlings' Woodland is their first album of original material together, blending the warmth of folk and the richness of country. After years apart from recording new songs, the duo reaffirms their connection, centering the album on their intertwined voices and delicate guitar interplay. Themes of love, loss, division and reconciliation are explored with tender care, weaving personal narratives with broader societal undercurrents. The album's sonic landscape expands beyond their usual acoustic guitar base. Tracks like 'What We Had' feature strings that complement Rawlings' high, Neil Young-like vocals, while pedal steel and slide guitar add emotional texture to songs such as 'The Day Mississippi Died' and 'North Country'. The arrangements are understated yet rich, enhancing the mood without overwhelming the subtle beauty of their storytelling. Lyrically, the duo draws from classic folk traditions, nodding to influences like Guy Clark and Bob Dylan, while addressing contemporary issues with timeless resonance. Songs such as 'Hashtag' blend humor with reflections on modern life, while 'Empty Trainload of Sky' and 'Lawman' evoke vivid imagery of life's fragility and the persistence of hope. Welch and Rawlings' ability to craft intimate, poignant songs that feel timeless, rooted in tradition yet alive to the present. It's an album that rewards close listening, as each layer reveals deeper emotional truths.