Review: Bjork and Rosalia team up for the limited marble vinyl edition 12" double-sider, 'Oral', now coming packed with a stunning remix by Olof Dreijer from The Knife. The record is described by its releasers OLI as not just a single release but a "call to arms", with 100% of the profits being funnelled directly to AEGIS, the Icelandic charity dedicated to eradicating intensive fish farming in the country. 'Oral' itself is now a staple of the latest incarnation of Bjork's ever-mutant career, consummating her and Rosalia's recent rapport; a sabre-wielding, purblind aesthetic - befitting also of another of Bjork's collaborative contemporaries, Arca - fits seamlessly with the elegiac reggaeton of the song. Dreijer's remix is rabid and wonky by comparison, its draggy, morphemic rhythms belying Bjork and Rosalia's equally wetted vocals, producing a wacky litany of faunal electronics and whizzing FX.
When People Are Occupied Resistance Is Justified (10:21)
It's Over, If We Run Out Of Love (5:04)
Emotionally Clear (4:04)
Hope Is The Last Thing To Die (4:50)
You Will Know Me By The Smell Of Onions (4:38)
Necessary Genius (3:42)
Yeah X 3 (4:47)
I Laugh Myself To Sleep (4:13)
Too Muchroom (3:47)
Agitprop 13 (6:50)
Stop Apologising (5:37)
Tyranny Of The Talentless (5:46)
Love In The Upside Down (4:39)
Blind On A Galloping Horse (5:32)
Review: David Holmes' first solo album since 2008's The Holy Pictures, Blind On A Galloping Horse now comes to Heavenly Recordings. A politically-charged LP full of sonic interrogations of political disaster and turmoil, Holmes here joins the cast of artists using their art to provide solace to music fans suffering at the hands of the Uncertainocene. With updated versions of the previously released singles 'Hope Is The Last Thing To Die' and 'It's Over If We Run Out Of Love', as well as a recording of an unreleased song by Holmes' late friend Andrew Weatherall, we're reminded of conflict, migration and othering, as all manner of voices combine to form a diverse but unified whole against a backdrop of leftfield post-punk - be they the spoken word accounts from Afghan and Ukrainian refugees now welcomed as residents in Belfast, or the French and Irish observers of the UK's turmoil of recent years.
Review: Considered to be Australia's first and most influential punk band and the country's answer to 'Kick Out The Jams' hitmakers MC5 and The Stooges, Radio Birdman have bucked the trend and shown that it's not quantity but quality that matters. Living Eyes, recorded in 1978 in Rockfield Studios in Wales, is the band's second studio album, the last recorded by the band before they split and easily one of the best punk records you can get. They've reformed since but released only more album since then and that was released in 2006. Ultimately, it's the brief first era truly that's built their reputation. And while a lot of groups remix and remaster records even though they've had an official master previously, this remix version of Radio Birdman was born out of the band wanting to finish the job properly. The first release in 1981 came when the band weren't together so they didn't get an official master until 1994 when they put out a CD. For the first time, the 1994 version is available on vinyl and it's the ultimate way to hear Radio Birdman.
Review: Lesser Matters is an overlooked gem of Swedish indie-pop. Sweden's rich musical heritage spans various genres and eras, producing globally recognised names like The Cardigans, The Hives and Stina Nordenstam. However, beyond these well-known acts lies a treasure trove of lesser-known gems, including the innovative Wintergatan, the indiepop-to-electropop evolution of Red Sleeping Beauty, and the enchanting dream pop trio, The Radio Dept. Their name originates from a converted petrol station. Founded by Johan Duncanson and joined by Martin Larsson and later Daniel Tjader, the band has seen various line-up changes but consistently produced music that resonates deeply with listeners. Their debut album, blends lo-fi scuzzy guitars, shoegaze, and New Order-esque electropop, creating a sound that, while reminiscent of 1980s post-punk, remains distinctly their own. Tracks like 'Keen On Boys' and 'Why Won't You Talk About It?' exhibit their knack for combining subtle touches with heavenly melodies, while songs like 'Where Damage Isn't Already Done' demonstrate their ability to craft high-energy, emotionally charged music. The album seamlessly incorporates ambient sounds, creating an intimate and atmospheric listening experience.
Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.
Review: Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.
Packt Like Sardines In A Crushd Tin Box (LP2: Amnesiac) (4:04)
Pyramid Song (4:53)
Pulk/Pull Revolving Doors (4:01)
You & Whose Army? (3:06)
I Might Be Wrong (4:58)
Knives Out (4:18)
Morning Bell/Amnesiac (3:12)
Dollars & Cents (4:47)
Hunting Bears (2:01)
Like Spinning Plates (4:13)
Life In A Glasshouse (4:16)
Like Spinning Plates (Why Us? version - LP3: Kid Amnesiae) (5:08)
Untitled V1 (1:49)
Fog (Again Again version) (2:18)
If You Say The Word (4:27)
Follow Me Around (5:15)
Pulk/Pull (True Love Waits version) (3:02)
Untitled V2 (3:45)
The Morning Bell (In The Dark version) (2:28)
Pyramid Strings (0:18)
Alt Fast Track (1:54)
Untitled V3 (2:07)
How To Disappear Into Strings (1:33)
Review: The latest of Radiohead's reissues is an utter avalanche of material. 'Kid A Mnesia' itself is an 'album mashup' between their two albums Kid A and Amnesia; both projects are remastered and released side-by-side on the same LP. It doesn't stop there: for the fanatics, there's an exclusive third disc, Kid Amnesiae, which contains formerly unheard material both recording sessions, as well as Kid Amnesiette, a cassette of B-sides. This ultra-deluxe edition is, decidedly, one for the ultra-fans. Besides the radical electronic fever dreams making up both projects, this version contains the never-before-heard song 'If You Say The Word' on the bonus CD. Remastered on vinyl and cut at half the speed of the original LP, it's an audiophile's banquet. Also watch out for the exclusive booklet of drawings that come with the special edition of this special edition.
Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief (4:38)
True Love Waits (5:08)
Review: A quarter century old now, yet these art-rock giants and eternal malcontents seem as restless in their muse and motion as ever - still chronicling an increasingly complicated and strenuous age yet doing it with finesse, grace and innovation. The urgent, invigorating strains of single 'Burn the Witch' were no anomaly, and 'A Moon Shaped Pool' shows them shaking off the more insular tendencies of their last opus 'King Of Limbs' to engage and electrify in a way that they haven't truly managed for years - radiant, celestial ambience shares space here with impressive ire and emotional engagement, with these peerless experimentalists delivering a record that transcends both their own work and the vast majority of the musical landscape they survey.
Review: Rag'n'Bone Man, born Rory Charles Graham, is "embracing joy and balance in his life" as he releases his new album What Do You Believe In?. Known for his gravelly blues vocals, the British singer gained global recognition with his 2016 debut Human, which went platinum four times in the UK and multi-platinum in 27 other countries. Now, supported by family and newfound confidence, Rag'n'Bone Man's latest work blends personal growth with vibrant hooks and takes fans on an uplifting musical journey with title track setting the tone in superb fashion.
Review: Known for his raw authenticity, Hot Water Music co-frontman Ragan embraces a dynamic blend of genres on this new collection. The album's lead single, 'Wild In Our Ways', showcases Ragan's signature gravelly voice alongside harder-hitting Americana-infused rock, marking a shift from his usual folk sound. The track's anthemic spirit captures themes of survival and resilience, with lyrics that rally behind the underdog. Ragan's commitment to honesty and musical exploration shines throughout Love and Lore, which was delayed due to the pandemic and his family commitments. Conceptualised in 2016, it eventually came together in early 2023. Songs like 'Echo the Halls', also featured on the album, continue this bold sonic evolution and Ragan's approach remains rooted in integrity and a willingness to stretch beyond boundaries. For fans of both his punk and solo work, Love and Lore promises to be a bold, heartfelt release, with his unmistakable warmth and conviction at its core.
Review: Cassie Ramone's 'Sweetheart', being her first album in a decade, brings raw emotion to the surface with gritty and honest songwriting. Recorded with Dylan White in a rustic Virginia barn, these tracks move between blistering guitar riffs and haunting melodies that capture a cinematic Americana feel. Songs like 'I'm Going Home' and the title track pack a punch, filled with reverb-drenched guitar and sincerity. This release on Ramone's new CD-R label highlights her DIY roots, marking a massive return for a true underground icon.
Review: In the early explosion of millennial indie-dance, The Rapture were surely one of the best. It helps their roots were in spikier realms on Sub Pop before they connected with James Murphy and Tim Goldsworthy. The combination was potent, and Echoes was the dazzling result, with knockout hits like 'House Of Jealous Lovers' and 'Sister Saviour' offset by an album which never misses a beat whichever direction it heads in. 20 years on, it's as brilliantly inventive and downright kick ass as it was upon release, capturing an exciting time when DFA represented a new vanguard in dance music and indie alike.
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