Back catalogue:

Review: God bless XL Recordings. The UK label has been at the forefront of boundary pushing music since its inception, and almost 35 years remains a seal of quality. A constant source of inspiring surprises and new sonic experiences. The kind of organisation that will take a punt on British polymath Jai Paul's demo album, which, by all accounts, is pretty hard to describe, let alone define. More so, the type of team that would, eight years earlier, support and release one of the artist's earliest songs, 'BTSTU'. Coming full circle, that tune closes this collection of stuff produced around the same time, all of which was going to form the debut album, Bait Ones. One low-quality CD-R of the work stolen and then leaked online later, and the artist stepped away from music until the end of the last decade, when this "perfectly imperfect" LP was finally allowed to see the light of day. A lo fi, glitchy, trippy, granular, sexy sound that owes as much to hip hop, pop and r&b as experimental noise, ambient dub, and electronic soul.