Back catalogue:

Review: Four years, a lot of gigs, and a change of lineup are all that have stood between Vyvyd and The Uncanny Extravaganza. New Candys triumphant return after the best part of a half decade is exactly that, unleashing some of the most powerful tracks in their oeuvre after no less than two years spent writing, recording and producing them. Which is ironic, given the raw, unfettered distortion that makes much of what's here so compelling and utterly devastating. It would sound off-the-cuff, it it weren't so complex. The Uncanny Extravaganza is one of those records that makes you genuinely excited about the prospect of seeing a band live again. It's loud - even if you've got the volume down - and its disharmonious, it's soaring and distant yet immediate and up front. It's psyche-infused garage rock with a dusting of raucous shoegaze (if that's possibly a thing), at times nodding to the likes of Ringo Deathstar or Death In Vegas, in other moments Spiritualised. Or maybe that's just us.

Review: Charly's reissue of this lost gem marks the start of Immediate Records' 60th anniversary celebrations, spotlighting a psych-pop marvel once nearly buried by industry chaos. Crafted by Billy Nichollsijust 16 at the timeiit's a sun-streaked, orchestrally rich set that genuinely holds its own next to Pet Sounds, a comparison that's often lazily thrown around but here actually fits. Tracks like 'Would You Believe?' and 'Girl From New York' shimmer with melodic ambition, the arrangements buoyed by John Paul Jones, Ronnie Lane, Arthur Greenslade and guest appearances from the Small Faces. Despite being shelved shortly after completion, it's aged into something quietly mythic: Swinging London filtered through orchestral grandeur, full of naive wonder but sophisticated beyond its years. A reissue that rewrites the teenage dream with baroque precision.