Vivi Hernadez Y Su Conjunto - "Tocando Macizas" (3:47)
Grupo Caverna - "Caverna" (2:46)
Review: Vivi Hernandez Y Su Conjunto's 'Tocando Macizas' emerges as a coveted collector's item, limited to 100 copies in a bespoke silkscreen sleeve. This 7" release captures the raw essence of 1971 Mexican funk, offering a tantalising glimpse into a pivotal moment in Latin music history. The A-side's infectious rhythm and bold instrumentation are perfectly complemented by Grupo Caverna's 'Caverna' on the flip. This rare pressing stands as a testament to the enduring appeal of vintage Latin funk, promising to be a prized addition to any discerning vinyl enthusiast's collection.
Vivi Hernadez Y Su Conjunto - "Tocando Macizas" (3:51)
Grupo Caverna - "Caverna" (2:47)
Review: The 7" single Tocando Macizas by Vivi Hernandez Y Su Conjunto is a standout Latin funk gem from 1971. Known for its raw, heavy grooves, this track epitomises the best of Mexican funk, delivering an irresistible energy. Paired with Grupo Caverna's Caverna on the B-side, both tracks pack an intense rhythmic punch, combining sharp instrumentation with infectious beats. This release has gained legendary status among collectors and DJs for its rarity and quality, marking it as essential for Latin funk aficionados.
Review: The forthcoming collaboration between anaiis and Grupo Cosmo presents a captivating fusion of contemporary soul and Brazilian musical traditions. The album features tracks like 'Toda Cor' and 'Voyage,' which blend anaiis's soulful vocals with Grupo Cosmo's rich instrumentation, creating a sound that is both innovative and deeply rooted in cultural heritage. This milky vinyl LP offers listeners a unique auditory experience, highlighting the seamless integration of diverse musical styles.
Review: Scott Gilmore's tracks are deceptively pared back. Putting an Arp Odyssey, Yamaha CS-01, Korg DW-8000, Hohner Pianet T, Roland TR 606, Roland SH 101, bamboo alto saxophone, clarinet, electric guitar and electric bass to very good use on this nine track Balearic-downtempo stunner, the tunes are easy to groove with yet subtly complex. They feel simple, but are incredibly detailed. Veering between a kind of synth-y smooth jazz, lounge, lofi electronica and sunset instrumental, Volume 01 is the proof after the promise of Gilmore's 2019 debut, Two Roomed Motel. Second album in and it's quite clear how talented the guy is. We just wish there was more information available for us to get to know him better with.
When The Food Runs Out (We Still Have Each Other) (3:24)
I'm Going Down To Hell (5:25)
Keep Your Eyes Wide Open (4:33)
In Flames (4:32)
Al-Sayyida (4:56)
Dance For You (4:27)
Creeping Vine (4:11)
Regeneration (3:20)
Review: Reading-based Garage/Punk/Psychobilly band The Go Go Cult signed to the iconic rockabilly-led Western Star label in 2012. This electrifying new album is their sixth studio record since then and it's an electrifying addition to their back catalogue. Led by a frontman who rivals The Cramps' Lux Interior when it comes to a darkly-theatrical approach, the tracklist is bursting with highlights. 'Black Is The Colour Of My Love' is hypnotic and menacing, 'When The Food Runs Out' nods to Joy Division, whilst 'Regeneration' has an air of Fat White Family about it. The label only pressed a limited number of copies, making it potentially a future collectible, not to mention its stunning, niche work of art thanks to retro illustrator Vince Ray's cover.
Red Cadillac And A Black Moustache (feat Link Wray, bonus track)
Lonesome Train (feat Link Wray, bonus track)
Summertime Blues (feat Link Wray, bonus track)
A Picture Of You (bonus track)
Review: Dreams can come true. When the late, great Robert Gordon was nine years old, the punk rocker turned Rockabilly-revivalist heard Elvis on the radio and he set his sights on becoming a rock & roll musician. The American went on to have a glittering career that included a stint in New York punk scene favourites Tuff Darts and having Link Wray on his records. But it was in 1978, upon signing to Elvis' label RCA, that he said it was "a dream come true." This is the first album Gordon did with RCA and his first with the go-to session guitarist of the time, Chris Spedding. It's a powerhouse of a record expertly weaving through rockabilly, 50s pop and country. Gordon's soulful vocals sparkle with nostalgic and lustful tones that are able to light up any room where it's heard. A true master of his art.
Not Fade Away/Goin Down The Road Feeling Bad (9:11)
Review: The esteemed Rhino stable is kicking off 2025 with a series of 26 limited edition reissues from rock giants like ZZ Top, Ramones, Fleetwood Mac and - in this case - Californian stoner icons Grateful Dead. Their second live album was originally released in 1971 and showcases them - in quintessential quintet form - blending rock 'n' roll energy, Bakersfield twang and psychedelic exploration. The album features a diverse setlist with a healthy hit of covers, from the hard-hitting version Chuck Berry's 'Johnny B Goode' and the Stones' 'Not Fade Away' to the heartfelt balladry of 'Me & Bobby McGee' and the cosmic depths of 'The Other One'.
Review: Derya Yildirim & Grup Simsek are already renowned internationally for their signature melange of Anatolian funk, soul and psychedelic pop. With "outernational" intentions, their latest album for Big Crown is a bulbous strut down the street, marching confidently through enmity-melting backbeats and fulgurant baglama solos played by leader Yildirim - all designed to allay the worst of the world's oppressions and injustices. Connecting threads of collective resistance, longing, protest song, and hope, the album follows a progressive streak loudly taken up by the band since 2014, but the mood is endearing and softly appeasing, rather reactive to the struggle.
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