Farayen & Liam Parkins - "Where Do We Go" (Jamie Unknown remix) (5:04)
Dan Newman - "Movin'" (5:05)
Dean & Di After - "Wicked Dreams" (5:06)
Shade Guevara - "Ted Or Dead" (4:07)
Review: Warehouse Tools takes listeners on a nostalgic journey through the vibrant world of UK house music, showcasing the iconic sounds of Hooj Choons. Opening with Farayen & Liam Parkins' 'Where Do We Go (Jamie Unknown Remix)', the track blends high-energy euro house with New York-style house rhythms, offering a dynamic trip back to the early 90s. Dan Newman's 'Movin'' follows with a melodic Balearic progressive house gem, featuring heavenly piano moments paired with a serious beat that creates a dynamic vibe. On the flip side, Dean & Di After's 'Wicked Dreams' brings retro energy to the forefront, evoking the essence of house music's early days while offering a fresh perspective. Finally, Shade Guevara's 'Ted or Dead' delivers a piano-driven breakbeat, showcasing a vintage sound that encapsulates the roots of house music. This compilation is a well-crafted tribute to the genre, perfectly balancing nostalgia with contemporary energy.
Mila Stands In A Meadow For The First Time Eating Strawberries (2:49)
Review: Drew Lustman's longstanding FaltyDL moniker makes a welcome return with a debut full length record for the eminent Central Processing Unit label. In The Wake Of Wolves deconstructs Lustman's usual rough dance sound for a less predictable album-length breakdown, retaining his usual arid textures while playing up the more sound-designed and maximalist ends of his craft. In the pithy words of CPU: "This could pass for Four Tet or even Hannah Diamond at points, the steady build of pulsing synths and looped vocals recalling a more mysterious version of the PC Music sound." Whether you totally agree, you'd have to agree FaltyDL has at least taken on something of their contemporary future-pop/digisonic aesthetic and incorporated it into his own; this is most evident on the glassy pirouettes and gladiate complexities of 'Minds Protection', or the tenebrous post-punk descensions of 'New Friends', or many maximized IDM trap-doors and toolroom hard-clips of 'Workout'.
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