trip Schallplatten & CDs

Review: Bjarki, a new producer hailing from Iceland, makes his debut on Nina Kraviz's Trip with an effective two-piecer aimed at the dancefloor. "I Wanna Go Bang" is straight, hard-hitting and boasting an instantly memorable vocal which you'll probably be hearing around the dances this summer. "Orange Juice Man", however, is the complete antithesis of it's A-side cousin, where Bjarki opts for a deeper, chuggier kinda groove that's more suited to the corner-dwellers than the first-rowers.

Review: Nina Kraviz's wonderful Trip label squeezes out one more bonkers techno trailblazer in 2019 and it comes from core label artist Vladimir Dubyshkin. Right from the get go this one has you in a spin thanks to the manic bird tweets, layered up vocal sounds and hyper speed drums of "Rural Woman." "Grasshopper's Opinion" is another one built on relentless drums with weird samples - this time a grasshopper - and "Customs & Traditions" piles up the kick drums, freaky vocal loops and machine gun synths into a wall of mesmeric techno noise. "Elvis Has Left The Building" brings the trance in fine fashion to end what is one hell of a ride.

Review: We didn't see this coming but we're very much delighted it has: the peerless dub techno don Steve O'Sullivan with a full length of past triumphs and unreleased gems on Nina Kraviz's always adventurous Trip label is always going to be worth hearing. The Brit stretches his legs and pulls out all the stops here to cover plenty of ground while reaming true to his signature sound design excellence: bouncy, minimal but strobe-lit cuts like 'Kesk', twisted 90s techno sounds like 'Grun', barely-there IDM-adjacent sounds like 'Groente' and ice cold dub cuts like 'Botala'. A real masterclass.

Review: Finnish producer Aleksi Perala brings his brand of melodic, high-concept techno to Nina Kraviz's Trip label for the first time. As usual, the ten tracks here were created using Perala's now infamous "Colundi Sequence" - a micro-tuning method that's now almost better known than the former Rephlex man's music. There's naturally much to admire throughout, from restless club tracks blessed with rainbow-rich waves of melody, to strange, acid-fired wig-outs, low-slung, bass-heavy jack-tracks and glistening fusions of club-ready IDM and ultra-violet ambient. As a producer, Perala possesses a rare skill: the ability to create melodious, experimentally minded electronic music that works on club dancefloors. It's this that makes Paradox such an impressive release.

Review: Mind-bogglingly prolific and eternally on the mark, Aleksi Perala has travelled a long way from his roots as Ovuca and Astrobotnia since embarking on his Colundi quest. Here we are with another wonderful set, this time presented on Trip which might well break his stellar sound to an even wider audience. There are theories behind Colundi which you would need to investigate yourself, but it might be simplest to just plunge into this immaculate techno creation and test the effects for yourself. Spine-tingling harmonic interplay, impeccably balanced sequences and a direct rhythmic approach make this so easy to latch on to, but there's something mystical bubbling away under the surface which elevates this beyond your average techno record.

Review: De Niro Is Concerned is the latest compilation to surface on Nina Kraviz's trip imprint - the Siberian artist's label gaining new momentum in 2015 and diversifying thanks to a selection of fresh artists - and it's an exquisite blend of house, techno and straight-up jack-funk. Among others, you have Iceland's Bjarki with the raw and sparse "Revolution", Millsian Detroit sounds from Deniro on Dumans, and Kraviz herself with Exos on the wavey and hypnotic "No Criminals". All in all, a wildly comprehensive bundle of house-techno hybrids for that 3am slot. Raw and diverse, wild and seductive.