Review: Re-pressed for the second time through its original issuer Sunstruck, this humble admission of low stress tolerance from the obscure Detroit nexus band Pages (masterminded by Isaac Hayes keyboardist Travis Biggs) marks out a rare subject matter for a soul and funk fancy. Like its B-side 'Mack', 'Heartaches & Pain' has the textural tartness and piquancy of a well-squeezed lemon; its tight and yellowy instrumentation matches the breezy but repressive situation so described in the song, in which Biggs recounts the tale of having to guard his heart from pain, admitting only lightness in the process.
Review: The Perpetual Singers is a collective of gospel singers who hail from Amsterdam. They have linked up with producer Arp Frique for this tasteful new two-tracker via Unknownunknown. The 12" kicks off with 'Father Father' which has some brilliantly jazzy fingers dancing about a Rhodes piano and bringing great feels while a wordless ad-lib brings plenty of soul up top and some retro-future melodies bring a contemporary twist to this most bubbly of soul cuts. 'Elena' on the flip is a more driving grove with dusty drums and big guitar licks adding texture to the bright, shiny chords. It's a passionate sound with a catchy edge.
Review: Fresh from delivering killer dancefloor jazz covers of classics cuts by Galaxy 2 Galaxy and Avicii (really), Japanese trio Polyplus deliver a fine sequel to last year's Good Luck Sound Tracks EP. They go for the dancefloor jugular from the off, wrapping snaking sax solos, fuzzy guitar licks and elongated solos around a breathlessly rapid punk-funk groove on 'Massive', before fusing Brit-Funk and sweat-soaked jazz-rock on 'Speedy Gold'. This hybrid jazz-funk/rock sound continues on 'Ranki 2025' (whose heavy beats and memorable piano riffs nods to classic house). Elsewhere, 'Ocean Breeze' re-frames wide-eyed city-pop as jaunty jazz-funk and 'Natural Born' is a drum solo-sporting slab of jazz-rock/jazz-fusion insanity straight from the top drawer.
Review: A refreshing take on classic soul and its relationship with gospel music. Side-1 features a soulful party anthem with a gospel-influenced vocal performance that stands out with its raw emotion and energy, the unique voice of The Preacher adding a distinctive flair, making it a compelling listen. Side-2 delivers 'The Blessing', a funky groove that blends soulful rhythms with upbeat energy. The track has a lively, infectious vibe, showcasing a different side of The Preacher's versatility.
Review: Two of James "Gem" Prewitt's two early 80s disco-funk tracks, 'My Love Box' (1981) and 'Juicy' (1983), come courteously reissued via AOTN, raring a snapshot of his exceptional talents and entrepreneurial funk fastenings. Recorded in St. Louis, Missouri, 'My Love Box' marked the beginning of Prewitt's journey, with the 27-year-old attending Forrest Park Community College at the same time as establishing his own label, Keyes Production. Not only did he write, produce, and perform all these tracks, but local success with 'My Love Box' inspired him to team up with Loretta Mathison for the creation of 'Juicy', which ensues here as the orally honeyed slow jam of choice, and which picks up the pace at the midpoint through gospel operatics and wooing coos. This collaboration led to a two-year singing tour, firelighting them from beneath and propelling them from the Philippines to Germany.
Review: Spiritual jazz fans are going to rather excited about this new one from the hard working people at P-Vine over in Japan: Chicago saxophonist Prince Billy Mahdi Wright's finest work, 'Summer Love', is now arriving on its own 7" for the first time ever. It is previously lost material that showcases his next level sound though here featuring mainly keyboard instruments as opposed to his more usual saxophone, but that only makes it all the more uplifting. On the flipside is a remix that is just as rare so this one really is an essential record for your collection.
Review: Proh Mic delivers his best work with this new single which sets the stage for an upcoming album that is sure to once more invite us deep into his unique disco-funk world. 'Special Request' is a dance floor anthem but also a tribute to the DJ that is sure to become a Modern funk classic. Produced by Liquid Pegasus, it's a party starter with funky-ass drums and big, irresistible claps under a retro-future vocal. The B-side, 'Free To Be', features Proh Mic singing and rapping about staying authentic in a world that tries to dull our shine. With soulful production by Vitamin D, the track blends fun with deep, life-affirming lyrics and has a truly timeless edge.
Review: A stunning showcase of Pu Poo Platter's ability to craft infectious, captivating grooves, Funk Night Records proves again here that is never disappoints in delivering top-tier funk from all eras. The A-side, 'Pbppbp,' features loose, live-sounding drum breaks paired with haunting chords creating an eerie, late-night vibe, complemented by soulful guitar lines. On the B-side, 'Pbpbppbb' slows things down with a laid-back groove, offering a relaxed, rolling rhythm enhanced by exquisite keys and smooth chords. This 7" is a perfect blend of energy and soul.
Review: You can never go wrong with the music put out by US label Funk Night. It covers all aspects of funk from across the ages and here we have some hot shit from Pu Poo Platter. First up on the highly effective 7" is 'Pbppbp' with its loose, rolling, live-sounding drum breaks and rather haunting chords which bring an eerie late night edge next to the soulful guitar lines which worm in and out. 'Pbpbppbb' then cuts back and chills you out with a more lazy rolling groove and some exquisite keys and chords.
Review: The Purple One did a series of special live shows at the Miami Glam Slam Club in 1994 as part of a residency, and as they were recorded for live radio broadcast we can now relive them again with this reissue. The dynamic songwriter, singer, multi-instrumentalist and producer was in top form in the mid-90s and used this residency to further explore his blend of funk, rock and soul. With electrifying performances of hits and deep cuts, this album highlights his unparalleled musicianship and charismatic stage presence with plenty of classics all included from 'The Most Beautiful Girl In The World ' to 'I Believe In You.' A great slice of pop history.
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