Back catalogue:

Review: Narco Marco returns to Pace In Stereo for more adventures through yesterday's tomorrow. As ever, the production is incredible, offering two tracks that pack a timeless sound informed by Italo, early electro-pop, cold and synth wave, a twin delight that somehow serves as the ideal home or headphone listen, yet is also dance floor ready and primed for proper parties. Starting on the slowest, tempo wise, 'Bald Tag' doesn't exactly owe a debt to Kraftwerk but certainly offers a place for sounds could have evolved in the back catalogue of the German pioneers. It's a weird and warbling, stepping, highly musical ride. 'Ice Tea', meanwhile, opts to get more of a stomp on, glittering harmonies painting stars in the sky above, vocals swapped out for more melodic depth.

Review: Platform 23 platform the Italian 80s avant-garde and anarcho music scene on a fresh 12" compilation, kicking things off with an unreleased cover, by the band Nengue, of Los NiNos Del Parque's electro-pop-wave track 'African Beat'. Amid the political unrest of the Anni di Piombo (Years of Lead) - which saw the autonomist Marxist movement, and backdrops of government-mafiosi collusion, labour strife, and terrorist splinter group formations - underground artists found themselves transducing the radical energy of the time into rapidfire releases, put out through DIY networks. Rome's Nengue embodied this, blending industrial, jazz, and futurist influences. Initially, the release aimed to highlight their Kraftwerk-inspired African Beat, but the discovery of their cover of 'Los NiNos Del Parque', described as "powerful anarchic nonsense", became the focal point. Berlin's Bionda e Lupo contribute a remix, with Sneaker's sharp production and Sano's vocals adding a fresh dimension. Andrei Rusu (Khidja) delivers a deep, dub-heavy reinterpretation of African Beat, perfect for modern dancefloors while honoring its raw origins. A vital document of Italy's underground electronic resistance.

Review: There's no better example of a follow-up LP this week than Nation Of Language's 'A Way Forward', which brings up the rear and engulfs 'Introduction', the band's 2020 debut. Put simply, this album is krautrocky, whereas the last one was closer to synthpop. This subtle change came as a result of Ian Devaney, Aidan Noell, and Michael Sue-Poi attempting to "trace the roots of their sound", "hoping to learn something from the early influences of our early influences", from big names like Can through to Laurie Spiegel and Cluster. Recorded through the past year's lockdowns, a long-form mood of relentless melancholy is the result, blending driving drum machines with intense reverb and yearning male vocals - 'The Grey Commute' and 'Former Self' being emotive highlights. Keep an eye for the limited red and blue split vinyl version of this one.

Review: In 1984, Gary Numan launched Numa Records and started a new phase in his career with the release of Berserker. This album introduced a harder-edged digital sound into his canon while maintaining the analogue textures of his earlier work. It's a testament to the fact that Numan's creative evolution never stopped and blends both personal and fictional narratives into haunting tracks like 'My Dying Machine,' 'This Is New Love' and 'Berserker.' The remastered double vinyl edition includes the original album with bonus tracks that add extra perspective to this pivotal period in his career.