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Back catalogue: Coldwave/Synth
Juno's full catalogue of Coldwave/Synth
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Review: Berlin-based Dina Summer - a synth-loving trio fronted by the suitably sassy and no-holds barred singer Dina P - impressed with their Italo-disco and turn-of-the-millennium electroclash inspired debut album, Rimini. Three years in, they return with an arguably even stronger set - the notably darker, more stylish and more new wave-influenced Girl's Gang. Many of their trademark elements remain to the fore - Dina P's dead-eyed spoken word vocals, the use of vintage drum machine rhythms and sequenced basslines - but this time round come accompanied by black mascara-clad nods to post-punk, New Romantic, goth-rock and Depeche Mode style synth-pop sounds. As previously stated, it is genuinely stylish and impeccably observed stylistically, but what makes it stand out is the substance behind the sheen.
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Review: Known for their cover versions - having re-read Sly Stone, Plastic Bertrand, Les Chats Sauvages, and many more over the years - Telex managed to tread a fine line between comedy and innovation. Focusing heavily on a lo-fi synthesised sound, the Belgian alt-poppers would use plenty of humour in their work, but never allowed this to outshine or overshadow the musicality of it all. Released in 1980, Neurovision is a case in point. According to the band, this was their tongue-in-cheek entry to the Eurovision Song Contest, for which they were chosen as representatives for their home country in the same year. Deliberately banal lyrics, mostly referring to the competition itself, married to the glittering wonder of a proto-electronic soundtrack, mark it as a work of bold daring and a little genius. Sadly, it failed to secure them last place in the tournament, as they hoped, forcing them to settle for 17 out of 19.
… Read moreGespielt von: Marco Febbraro
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Review: In some ways it's remarkable that Telex managed to achieve the level of global success they did. This isn't slight on the band or indeed their sound, but to simultaneously make groundbreaking noises and garner widespread mass appeal has never been that easy, save for a number of high profile names we often now consider doyens of the music world. Looney Tunes, the group's fifth album, arrived in 1988 and by this point they had already been inducted into the synth pop hall of fame. Output and activity slowing considerably as the decade progressed, just like their sixth and final outing How Do You Dance?, released in 2006, here was proof that their vitality and ability to make ground breaking things had not waned, while their understanding of hooks and immediate impact had only grown more polished and absolute.
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Review: Formed in 1978, Marc Moullin, Dan Lacksman, and Michael Moers broke the mould with Telex - one of the most influential Belgian synth-pop groups of all time. Calling on disco, punk, and the sound of formative era experimental electronic music that was beginning to take hold in Western Europe, they would simultaneously produce some of the most important tracks of the genre until their first disbandment in 2006, and bless us with hilarious pithiness in the shape of tunes like 'Euro-Vision', a bleep-driven 'critique' of the song contest. How Do You Dance? was the group's final studio album, rounding out a six-strong, decade-spanning LP back catalogue, and despite arriving almost three decades after their debut, Looking for Saint Tropez, turned heads for its originality, this beauty still proved they were more than capable of delivering innovative goods. One for fans of Metronomy, Todd Terje and more.
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Stop & Start (B-STOCK) (clear vinyl LP + MP3 download code)
Cat: REC 136 (B-STOCK). Rel: 01 Jan 90
B-STOCK: Sleeve damaged but otherwise in excellent condition
in stock $16.27
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Rage In Eden: Steven Wilson Stereo Mix (Record Store Day RSD Black Friday 2022) (180 gram clear vinyl 2xLP with obi-strip)
Cat: CDLR 1338. Rel: 15 Dec 22
Review: First released in 1981, and garnering the 100,000-plus sales needed to hit Gold certification pretty quickly after arrival - a feat which, back in the glory days of charts, was still only enough for you to peak at #4 in the albums league - at the time this was a case of Ultravox, here in the height of the Midge Ure years, taking the electronic explorations that defined the previous two full-length records, Systems of Romance and Vienna, even further, returning to the same Cologne studio to achieve that quality and feeling.
Of course, there are still shades of the band as they were in formative, mid-1970s years, which many still forget was a far (far) rockier beast. Nevertheless, the synths make the most lasting impression here, with the LP somehow sounding kind of stark, a little cold and distant, perhaps even enigmatic, yet full and in many ways fun.
… Read moreOf course, there are still shades of the band as they were in formative, mid-1970s years, which many still forget was a far (far) rockier beast. Nevertheless, the synths make the most lasting impression here, with the LP somehow sounding kind of stark, a little cold and distant, perhaps even enigmatic, yet full and in many ways fun.
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Cat: CDLC 1394. Rel: 28 Dec 23
in stock $15.54
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Cat: CDLC 1459. Rel: 19 Dec 24
Review: This refreshed edition of the standout album from Ultravox comes as part of Record Store Day Black Friday 2024 and has been mixed in majestic stereo by Steven Wilson. It arrives on a double CD and pays tribute to one of the band's most influential works and in the process highlights the groundbreaking sound that defined their era. The album retains its timeless appeal all these years on and mixes up the innovative essence of the original with a modern touch. Alongside the original tracks, this edition includes instrumental versions that serve up a deeper exploration of the music and make it a must-own piece for fans old or new.
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Review: The esteemed gang at Dark Entries have been hard at work on another one of their always eye opening compilation. This time they turn their focus to Mexican new wave and post-punk on the 10-track Back Up: Mexican Tecno Pop. None of the tunes here have ever made it to wax before and they come with a 12 page magazine that is packed with extra context, lyrics and bios about the artists. The tunes all shine a fine light on the flourishing DIY scene that was present in 1980's Mexico when much of the world's focus was on the more well documented synth pop and obscure electronics from Europe and the United States.
… Read moreGespielt von: Juno Recommends Leftfield
in stock $19.20
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Review: 80s Techno Tracks is an essential compilation series for those looking to complete their collections of retro classics. The third vinyl edition of this series of ZYX is another doozy that contains 12 carefully selected gems from the earliest days of techno and despite the fact these are around 40 years old they still do damage on the dancefloor. The likes of Bigod 20, Song, Robotiko Rejekto, Scarecrow, technic and Aircrash Bureau all feature with authentic old-school tracks that wear their hardware aesthetics on their sleeves and cannot fail to make a mark.
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Review: Emotional Response has described soFa's fourth compilation for the label as "internationalism for the adventurous DJ", full of club music for the open-minded. It's basically an eclectic, esoteric musical travelogue that serves of intriguing, entertaining and admirable electronic music for those of a leftfield persuasion. There's much to enjoy, from the undulating melodies, off-kilter beats and mind-soothing chords of Infuso Giallo's 'Torus', and the moody techno-not-techno wave minimalism of Puma & The Dolphin ('Grass Drum'), to the analogue-heavy cold-wave dystopia of Houschyar ('Intercontinental'), the dark ambient techno of Lamusa II ('Artificial') and the tribal tinged electronic psychedelia of Bolva ('Rite II').
… Read moreGespielt von: Juno Recommends Leftfield, Juno Recommends Experimental
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Review: Italia Synthetica 1981-1985 is a reissue of a 2013 compilation which details a selection of synthpop, new wave and minimal electronic bands and artists from Italy in the early 80s. Spittle Records did divine work in sourcing and collating this collection ten years ago, not least since it's what they do best. Conceived and presented by veteran Italian singer and producer and beloved member of the scene himself - Fred Ventura - highlights like Neon's 'Lobotomy' and Actor's Studio's 'Dancing Alone' do well to represent the punkish and slapdash attitude of this flourishing yet short-lived scene. It nevertheless paved the way for the rich musical landscape Italy's underground enjoys to this day.
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Liebeserklarung (LP + MP3 download code)
Cat: KILLEKILL 030. Rel: 13 Mar 25
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