SUEDE Schallplatten & CDs

Review: Originally released in 2013 and celebrating its ten-year anniversary just a little late, Bloodsports was the sixth full-length and much needed return to form from London's glam-centric alt-rock staple Suede. Arriving more than a full decade after 2002's A New Morning, the LP marked the longest gap between projects from the group as issues stemming from addiction as well as the commercial underperformance of the aforementioned album led to a seven-year hiatus. Reuniting with longtime producer Ed Buller, for the first time since 1996's Coming Up, while re-enlisting former keyboardist Neil Codling who originally departed in 2001, the end result would be not only their most acclaimed work since their last outing with Buller but rejuvenate the Suede camp entirely, as we've since been treated to three more subsequent LPs, with the most recent, criminally underrated Autofiction lading in 2022.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Autofiction is certainly a triumphant return for the mighty Suede, one of the most iconic of all UK indie bands who helped nurture the Britpop movement out of nappies and into big boy pants, and big boy record deals, during the early-1990s. Whether this is exactly the rebirth into a punk outfit some corners of the press would have you believe is another question.

Ultimately, LP number nine definitely feels like a change of tact, with Brett Anderson's voice taking on a new, grizzlier sound (albeit at times still erupting into the siren-esque tones we fell head over heels for first time round). On the whole, it would be far more accurate simply to label this outing as tougher, rawer and much less affected than the stuff we've had in the past.

Review: Suede's legendary self-titled album arrived in March 1993 and soon became a commercial and critical success. It also won the sometimes ill-fated Mercury Music Prize but that did nothing to hold the band back as the record hit the number one spot on the UK Album Chart. It is packed with classic singles such as 'The Drowners', 'Animal Nitrate', 'So Young', and 'Metal Mickey.' In its first week alone this LP sold some 100,000 odd copies which, at the time, made it the fastest-selling debut album ever in the UK. This special anniversary edition has been remastered Phil Kinrade from the original 1/2" tapes so sounds better than ever.

Review: Autofiction is certainly a triumphant return for the mighty Suede, one of the most iconic of all UK indie bands who helped nurture the Britpop movement out of nappies and into big boy pants, and big boy record deals, during the early-1990s. Whether this is exactly the rebirth into a punk outfit some corners of the press would have you believe is another question.

Ultimately, LP number nine definitely feels like a change of tact, with Brett Anderson's voice taking on a new, grizzlier sound (albeit at times still erupting into the siren-esque tones we fell head over heels for first time round). On the whole, it would be far more accurate simply to label this outing as tougher, rawer and much less affected than the stuff we've had in the past.

Review: Suede first released Sci-Fi lullabies 25 years ago. This special 25th Anniversary Edition comes on 180 grams of nice clear wax and stands as the band's definitive collection of vital B-sides. As many music lovers know, white often the flip side jams are the best on any record, even if you don't know it at first . As well as the b-side besties and fan favourites like 'Suede', 'Dog Man Star' and 'Coming Up' are 'Europe Is Our Playground', 'My Insatiable One', and 'Killing Of A Flashboy' amongst others.

Review: In terms of landmark releases, you'd be hard pushed to find anyone that doesn't rank Suede's third as a seminal moment in their career. And that's not to say the departure of guitarist Bernard Butler somehow set them free, more to point out this record saw the band reach the heights of critical and commercial success, while also confirming they had definitely found their sound.

It's an album with smash hit singles and iconic tunes like 'Beautiful Ones', 'Filmstar', and 'Trash', all of which are still etched into the memory of anyone who was listening to any radio station back in 1996. But there's much depth here too, with a playlist that offers you nothing but the highest quality British alternative indie rock 'n' roll - passionate, camp, playful, tough and infinitely catchy. We didn't know how good we