Back catalogue: All genres

Review: Roy Ayers at his most transcendent. 'Everybody Loves the Sunshine' is more than a summertime anthemiit's a spiritual moodboard that's shaped jazz-funk, soul, r&b and hip-hop for nearly 50 years. Ayers, born in Los Angeles and raised in its fertile fusion scene, places the vibraphone at the music's heart, coaxing heat-haze tones from sparse chords, synths, and that honeyed chorus. Flip it over and the instrumental version unlocks a deeper layer: stripped of vocals, it becomes a pure groove, drifting and hypnotic. What lingers is the balanceibetween melancholy and bliss, rhythm and release. A rare track that feels entirely unhurried yet quietly radical, now preserved in a limited pressing that looks as golden as it sounds.

Review: 'Everybody Loves the Sunshine' represents a pivotal moment for Roy Ayers and Ubiquity, marking a departure towards a funkier and more laid-back sound in 1976. With its languid tempo and dreamy atmosphere, captures the essence of summer with its joyful lyrics and hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation, creating a mesmerizing sonic landscape that resonates with listeners. The song's universal appeal lies in its ability to evoke a sense of warmth and nostalgia, making it a timeless classic that continues to enchant audiences across generations.

Review: This orange 7" is a miniature monument to one of soul's most quietly influential figures. Roy AyersiLos Angeles-born, jazz-schooled, funk-mindedicrafted 'Everybody Loves the Sunshine' not to dazzle but to dissolve. It moves with a drowsy clarity: shimmering synth, near-whispered vocals, and a lazily tumbling bassline that never quite lands. Released during a golden run of Ayers' mid-70s material, the track has since become shorthand for warm-weather introspection, equal parts ease and ache. The instrumental version on the reverse keeps the spirit intact, offering a meditative glide through the same terrain. Limited to 300 copies, this orange pressing pairs a low-lit groove with a deepening sense of legacyiAyers' influence isn't just heard, it's felt in the space he leaves behind.

Review: Few recordings capture the easy intensity of a summer afternoon like 'Everybody Loves the Sunshine'. Released in 1976 and wrapped in slow-drifting synths and soft falsettos, the track became a touchstone not just for Roy Ayers, but for 70s soul and beyond. Born in Los Angeles, Ayers helped define the jazz-funk crossover, placing the vibraphone at the centre of a sound both hazy and sharply detailed. The original vocal take on the A-side still melts under its own warmth; the instrumental on the flip uncovers the careful architecture beneath. Issued here on 7" black wax following Ayers' recent passing, this reissue feels like both a keepsake and a quiet honouring of an artist who shaped a whole way of listening.

Review: 'Everybody Loves the Sunshine' represented a pivotal moment for Roy Ayers and Ubiquity as it marked a shift towards a funkier, more relaxed sound in 1976. It is one of his best-loved tunes as a result and always comes out when the weather warms up. That means it also often gets reissued, as it does here, as the track captures the essence of summer through joyful lyrics and a hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation while on the flip us an instrumental that offers a slightly different vibe. It all comes on nice yellow marbled vinyl.

Review: Danish-German production duo Cool Million (Frank Ryle, Robert 'Rob' Hardt) are specialists in nu-disco and neo-boogie. Until late, they've flaunted this expertise via their renditions of old funk standouts, be that from the likes of Donald Byrd or James Brown. Here, however, the pair team up with Tomas Thordarson for a front-and-centre G-funker of the squeeziest quality, 'My Life', whose lyrics match its form via mentions of 'cutting like a knife' rhymed, of course, with 'paradise'. The instrumental dub is just as glassy and arid, its standout element being the huge, zesty, quivering chords marking out the phrase transitions.

Review: Sedsoulciety Recordings have got several new 7"s dropping from Danish-German production duo Cool Million this month. For this one which arrived on black wax in March and now comes on a coloured slab, they work with Tomas Thordarson - whose Latin-flavoured single 'Shame On You' was Denmark's 2004 entry into the Eurovision Song Contest. He gets much more funky here with elements of UK street soul on 'My Life (main)' with its boogie bass and loose, louche claps, rubbery bass and catchy grooves. Flip this one over for a superb dub version.

Review: Sedsoul welcome back one of their mainstays, David A Tobin, with a fresh new tune, emblematic of a soul supremo reared in the gospel tradition. Tobin's nominal credits stretch as far back as the early 1990s, when he operated as a house music vocalist working under the stage name Phoenix, but his more recent efforts under his own name have seen him steer in a determined soul direction, post-2010. 'Fallin' In Love' is an amorous cascade and an homage to sea-changes, with the titular "falling in love" coming backed by refrained urges to "turn your life around".

Review: This release sees David A Tobin exploring the multifaceted nature of love, delivering a soulful house cut that's both uplifting and introspective. 'Fallin' In Love' is a journey through the complex emotions of romance, with warm chords and a driving bassline creating an irresistible groove. Tobin's emotive vocals capture the vulnerability and excitement of falling head over heels, while the track's soulful melodies and uplifting energy create a sense of hopeful optimism. The B-side, 'Turnin' Me On', takes a slightly different approach, with a more playful and seductive vibe. The track's infectious groove and seductive vocals are sure to get bodies moving, while its soulful undertones maintain the overall sense of heartfelt emotion. Together, these two tracks showcase Tobin's versatility as a producer and vocalist, delivering a well-rounded listening experience that will appeal to house heads and soulful music lovers alike.