Back catalogue: All genres

Review: US-born, Germany-based Oshana's solo debut on Altered Circuits is a notable one for peak time party people with high-impact jams that also bring plenty of subtle detail. The tunes are rooted in the vibe of her live sets and fuse classic and contemporary club sounds with razor-sharp studio precision. From the tense, acid-laced drive of 'Above We Soar' to the cavernous, Chicago-flavoured bounce of 'Space And Time Dimensions,' Oshana balances groove with atmosphere perfectly. 'Girls In The Front' is another gem and hypnotic, bass-heavy workout with anthem potential, while closer 'Origins' explores trance-tinged territory before diving back into genre ambiguity. It's a refined, energetic statement from an artist in her element.

Review: Daniel O Sullivan, known as a producer for the likes of Tim Burgess and for his astounding art pop band Grumbling Fur, makes his first foray into classically informed chamber music. With some sort of superhuman genius mind, the unassuming Mancunian wrote these arrangements for a 14-piece ensemble and nailed it. 'Golden Verses' is stately, pastoral, yet menacing. Another highlight, 'Painting Rose' is some of the most psychedelic classical music you'll ever hear. So, if you're looking for chamber music that spans eras, genres and takes you on a transcendent journey, then look no further.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Top up your Oasis CD collection with this new rerelease of 'Be Here Now', the band's third and "most colossal" sounding LP, in the words of one Noel Gallagher. Being one of the few major rock albums in history for which its PR persons actually feared overexposure, and sought to control its release, gag orders were signed by journalists to quell its premature hype. Far from the heyday of 'Wonderwall' or 'Definitely Maybe', the album went triple platinum, owing to lead single 'Do You Know What I Mean?', and the band's relentless, cocaine-fuelled pursuit of commercial success at the time.

Review: ***B-STOCK: Scratch on sleeve but otherwise in excellent condition***


Orchestral Manoeuvres in the Dark (OMD) and their 2017 future classic The Punishment of Luxury, is an album that brilliantly merges biting social commentary with the band's signature synth-driven sound. Now available on blue vinyl, this release not only delivers sonically but also visually, with its vibrant cover art reflecting the album's thematic depth. From the opening title track, OMD sets the tone with an unapologetic critique of consumer culture, driven by Andy McCluskey's impassioned vocals and sharp lyrics. The band's ability to craft music that feels timeless yet relevant is on full display, blending modern production with the nostalgic essence of their '80s work. Tracks like 'What Have We Done' capture the disillusionment of the current era while offering a plea for a better future. Despite the absence of original drummer Malcolm Holmes, the album remains powerful, with Stuart Kershaw stepping in seamlessly and the deluxe edition's packaging, with its striking design and included lyrics booklet, further enhances the experience.

Review: Originally released in 1993, seminal UK duo Orbital's Brown Album marked a bold leap forward in emotional depth and sonic ambition for electronic music. Tracks like 'Halcyon + On + On,' 'Impact (The Earth Is Burning)' and 'Lush 3-1/3-2' showcase the duo's masterful blend of driving rhythms and lush melodic textures. It was hailed as an instant classic at the time and made Mixmag's Best Dance Albums of All Time list. It has endured well over the last 30 years and is now reissued on vinyl for the first time in a decade, with a half-speed remaster and new liner notes by Andrew Harrison.

Review: Although their debut single 'Chime' hit the UK top 20, it's the duo's iconic second album in 1993 that marks the moment when the Hartnoll brothers transcended the UK rave underground and became bona fide electronic superstars. This faithful reissue brings back a record that didn't just capture the spirit of the time i it helped shape it. The Brown Album takes Orbital's sound to a new level of sophistication and emotional depth. Tracks like 'Halcyon + On + On' are serene, dreamlike soundscapes that remain some of the most beautiful in electronic music history. Meanwhile, 'Lush 3-1' builds and blossoms with hypnotic layers, a masterclass in dynamic progression, a perfect balance between transcendence and tension. 'Remind' and 'Impact (The Earth Is Burning)' are pulsing techno beasts that dip and drive, blending rave intensity with atmospheric richness. Each track flows into the next with seamless ease, crafting a journey that feels both epic and intimate. The Brown Album isn't just a milestone in Orbital's career i it's a timeless work that continues to influence electronic music today. Essential listening for anyone who wants to understand the genre's evolution.

Review: Nostalgia can be a dangerous thing. We don't need to cite examples why. In contrast, retrospect is important and retro sounds are, today, often capable of making us think about how we saw the future in the past. In some cases, that means staring down the barrel of the big question: did we heed any warnings, or has all the artwork and movies and music that sought to raise flags over the disappearance of humanity and individuality at the hands of 'progress' been for nought? Summoning the spirit of Depeche Mode, Eurythmics and more, Orphia present a stunning synth album which is at once catchy and poppy, even dance floor ready, but saturated in a kind of melancholy and juxtaposition of electronic and human. Robotic rhythms topped with organic emotions, there's a feeling of spiralling headfirst into lightning paced chaos and disorientation as the collection plays out. And that's about as apt as things get right now.

Review: BBE, known for its groundbreaking J-Jazz and J-Jazz Masterclass series, now shines a light on an inerasable gem in Japan's national discography: the debut LP Rainbow Love by Orquesta Del Sol, the country's first authentic salsa band. Salsa's roots in Japan trace back to the post-WWII era, with groups like Tokyo Cuban Boys, but it was the 1977 Fania All-Stars tour that initiated wider interest. Percussionist Masahito "Pecker" Hashida, influenced by New York's salsa scene, formed Orquesta Del Sol on his return. Their debut, put out in 1981, blends compositions in Japanese, Spanish, and English, while working in a cover of Noro Morales' 'Rumbambola'. Produced by Shuichi "Ponta" Murakami, the album's bold sound was a product of Japan's studio scene and the band's connection to the Nuyorican salsa style. This reissue includes seven bonus tracks from the band's later years, remastered for a new generation.