B-STOCK: Sleeve damaged but otherwise in excellent condition
Notes: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Being the same size as the average laptop these will fit perfectly in your backpack, making them super portable and an easy option to have on hand as back up. Offering more control than a 7" but still being lighter than a 12" these make a welcome addition to our standard colour range.
Serato control vinyl features our re-mastered Serato NoiseMap Control Tone that is 6db louder than earlier pressings, allowing for precise tracking, better vinyl wear and the most authentic feeling digital vinyl experience on the market.
Review: ?Boys Wonder's 'Be Reasonable' is a lovely and limited edition new 10" etched vinyl released exclusively for Record Store Day 2025. Serving as a companion to their long-awaited debut LP Question Everything, this limited-edition single features two previously unreleased tracks exclusive to wax. The band's distinctive blend of glam-rock energy, sharp wit and infectious pop hooks brings both of these to life and are part of the reason they have been endorsed by Vic Reeves as the greatest band that never was and hailed by Jonathan Ross as one of my all-time favourite bands.
Review: Not to be confused with the heavy Dutch electro hero of the same name (he of Klakson Records fame), Dexter was the early-to-mid 2000s alias of UK tech-house producer Matt Royall. Sushitech Records recently released a retrospective of his work, Past Moves, and now German label Repeat has decided to reissue 2004's Size Counts EP. A-side 'Break It Down' is deep, druggy, chuggy and pleasingly off-kilter, with delay-laden spoken word snippets and echoing hand percussion hits rising above a driving bassline and hypnotic, locked-in drums. The pace and intensity increases on flipside 'Once Again', a kind of Hipp-E & Halo style West Coast tech-house workout rich in trippy female vocal snippets, ghostly chords and dubby bass.
Review: DJ Mitsu The Beats summons up a mellow, jazz-tinged spin on Norah Jones' early classic 'Sunrise', following a plucky piano-studio sesh shared with Takumi Kaneko of Cro-Magnon. After a cannonballing digital release, the "instrumental chill" track now takes shape as a 7" single, suturing Mitsu's laidback bop to Kaneko's smooth, sunspot piano lines. With cover photography by surf documentarian Atsushi Kumano, the single was in turn singled out for the surf music compilation Salt Meets Island Cafe: Sea of Love 2, curated by new lifestyle magazine Salt. Balancing beachside ease and unsurpassable musicianship, this track hankers at the title for next best surf-chill anthem.
When The Apples Blossom Blooms In The Windmills Of Your Mind I'll Be Your Valentine (Dope Jams Kaatskill Mountain take) (5:37)
Review: This special green slab of wax brings together two Emerson, Lake & Palmer tracks, one of them with a fresh twist from a legendary US record store. The classic ballad 'From the Beginning' is rich in warm acoustic guitar and Greg Lake's evocative vocals so it stands as one of the band's most beloved and accessible moments. On the flip, 'When the Apple Blossoms Bloom...' receives a bold Dope Jams Kaatskill Mountain take, which flips it into a sprawling, psychedelic-drenched remix that infuses the instrumental with hypnotic grooves and experimental textures. With both cuts on one 12", this one is both a nod to prog rock's legacy and a bridge to new sonic frontiers.
Review: No, this is not a long-lost jam from popular British songsmith David Gray, but a sought-after underground Italo-disco anthem from 1987 fronted by an uncredited Italian singer and produced by a duo called Scarface. In typical Thank You/Sound Metaphors style, this fine reissue boasts all three versions from the original 12": the glossy, synth-pop 'extended mix', a vocal-free instrumental, and the 'special mix'/DJ friendly dub mix style 'extended instrumental' - a version that sounds like a tweaked and extended backing track to a Shep Pettibone produced Pet Shop Boys album track from 1986. We also get a fresh, effects-laden 'Bonus Dubeats' take from label affiliate Castro which is arguably the best of a strong bunch.
Review: A genius firestarter of jazz-funk and disco, Hudson People was a short-lived alias and band/group project of producer Reginald Derrick Hudson. Though Hudson's credits stretch way back to 1979, Backatcha Records recently hosted a brilliant recent record by Johnny Davis, 'Life's A Party/Expand Your Mind', with Hudson on co-prod and rights-holding. Signalling the first stirrings of a potential comeback, The Outer Edge now reissue Hudson People's most galvanic, debut singular moment, 'Trip To Your Mind', in the form of two xtra-special hi-NRG remixes. Though it hardly blew Hudson as an artist, the track has since been recognised as an originator of the Brit-funk genre. But it's the disco edge that really cuts into us here. LTJ Xperience brings Hispano-disco delight to a dubby "freakout", as the lyrics on the original intone, while Delfonic's version is relatively horn-led, boxy, kettle-drumming, terrific.
Review: How many Italo disco records leave you saying, "now *this* is where it's at!"? Even many classics miss the chi-spot, but oh do ZYX Music know where to look for such satiate sounds. Originally released in 1986, JD Jaber's Don't Wake Me Up gleams in new citrusy light: the new 12" maxi single recirculates a genius work by Gianluca Bergonzi, whose clattery percs, rattly sweet melodies, and spandex stabs leave our breaths taken. The hard-to-find original versions feature on the A, while the B-side stirs up two new exclusive remixes mouth-to-mouthing new life into the track (and we're not talking CPR): Flemming Dalum's is steeped in retro finesse, while Dstrtd Sngl takes a more modern route, injecting darker textures and punchier dynamics.
Review: Mayhem marks their 40th anniversary with a special Record Store Day vinyl release capturing their cult April 1985 performance in Ski, Norway. This raw, early live set sees the black metal pioneers tearing through covers of Venom and Celtic Frost, which are both bands that shaped their now-legendary sound. Long before becoming icons of extremity and infamy, this recording reveals Mayhem in their formative chaos when they were laying the groundwork for the genre they helped define. Featuring the original lineup in its earliest form, this limited edition pressing is a wonderful bit of black metal history
Prince Buster with Determinations - "Ten Steps Ahead" (3:58)
Determinations - "Two Steps Back" (3:44)
Review: Rock A Shaka continue to wring out their apparently exclusive tenancy of Prince Buster's so far unissued reggae and rocksteady works, this time dropping a fresh 7" one with the instrumentalist Determinations on dubbing duties, 'Ten Steps Ahead'. Buster's final recording before he died initially went by the name 'One Step Beyond', and it has here been renamed in requiem, perhaps to differentiate it from the repopularised Madness cover. Lodged behind the vault door for years, you can be sure that Rock A Shaka thanked their lucky stars when they re-found it: "why must I suffer so much on this land?" Buster's voice is unusually lonesome and spectral, revealing in the late artist a rarely obviated forlornness.
Review: Rick 8 is the techno alias of Italy's Riccardo Falsini, and here he revives the pioneering spirit of his iconic Interactive Test label with this early gem, which offers an essential slice of trance, techno and progressive house history. Known for reshaping genre boundaries, the label was a beacon of innovation, as this EP shows. Each track is a potent club tool, designed for transcendental dancefloor moments and sonic ascension from the chunky tribalism of 'Hypernotes Velocity' to the standout remix of 'C'Mon' by Sound Metaphors affiliate Trent, who injects progressive firepower. 'Born To Sinthetize' is a deeper, spiritual sound with flashy synth work married to loose drum loops.
Review: Cititrax proudly presents the debut LP from Another Body Found here, which is the latest moniker of A// who is well known for his pioneering work as Le Syndicat Electronique. Emerging from the French underground with a dark electro, industrial, minimal synth and wave style, he has a stark and visceral take on raw energy and haunting atmospheres. There are plenty of mechanical, hypnotic beats here with heft bass and hints of dystopian fears. The title track reimagines Bronski Beat's 'Smalltown Boy' and strips it to its emotional core, 'Lost In The Northern Lights' has a cold, urgent sound and 'Murderous Earth' is brilliantly unsettling and melancholic.
Review: Bacao Rhythm & Steel Band, the enigmatic steel pan group from Hamburg, made waves in 2024 when their cover of 50 Cent's 'PIMP' was featured in the Oscar-winner film Anatomy Of A Fall. The track played a key role in the movie's success and led to the first-ever steel pans in the orchestra pit at the Academy Awards, further boosting the band's saliency. And yet despite global recognition, 'PIMP' is just a glimpse of their catalogue, which is already rather extensive. Since signing with Big Crown in 2014, Bacao've released four albums and numerous singles, and Big Crown Vaults Vol. 4 flaunts many of these dishings-out, with covers of Bob James' 'Nautilus', Khruangbin's 'Maria Tambien', and the uptempo original 'Kaiso Noir'. It serves as a tantalizing bud-whetter, too, before their oncoming fifth studio album.
Review: After over four decades out of print, Henry Badowski's 1981 debut Life Is A Grand finally comes reissued by Caroline True Records. Despite cult status, this is a can't unhear record whose privies are never lost on those who love it. Badowski built a quiet reverence for himself over the years, eluding mainstream rediscovery while gathering admiration from those drawn to its peculiar charm. Though he eventually slipped away from music and began a succession of other jobs - fans often wondered how such a gifted musician could just disappear - Badowski was known to have been a teenage bassist in Chelsea briefly linked to The Damned, later stepping away from punk's sharp edges to craft something far more whimsical and idiosyncratic. Drawing on his affection for Roxy Music, Ian Dury and Jethro Tull, he wrote, arranged and played nearly everything on the album himself, rom the baroque pop of 'Swimming With The Fish In The Sea' to the instrumental strut of 'Rampant'. Rich in synth flourish, sardonic lyricism and melodic invention, and now pulled up by the pinky and thus saved from the gorge of obscurity, Life Is A Grand returns with its sly wit and strange beauty completely intact.
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